• R, 2 hr. 55 min.
  • Drama
  • Directed By:
    Francis Ford Coppola
    In Theaters:
    Mar 24, 1972 Wide
    On DVD:
    Oct 9, 2001
  • Paramount Pictures

Opening

87% Star Trek Into Darkness May 16
24% Erased May 17
91% Frances Ha May 17
44% The English Teacher May 17
42% Black Rock May 17
77% Pieta May 17
—— Populaire May 17
21% 33 Postcards May 17

Top Box Office

78% Iron Man 3 $72.5M
49% The Great Gatsby $50.1M
47% Pain & Gain $5.0M
37% Peeples $4.6M
77% 42 $4.6M
56% Oblivion $4.1M
69% The Croods $3.6M
98% Mud $2.5M
8% The Big Wedding $2.5M
60% Oz the Great and Powerful $1.1M

Coming Soon

—— The Hangover Part III May 23
77% Fast & Furious 6 May 24
—— Epic May 24
94% Before Midnight May 24

The Godfather Reviews

Gene Siskel
Chicago Tribune
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To permit us a glimpse at The Mob, with all of its ethnic insularity, is like giving a chronic gambler a chance to wander above the false mirrors that overlook every casino.

Full Review Source: Chicago Tribune | Original Score: 4/4

January 18, 2013
Andrew Sarris
Village Voice
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Brando's triumph and fascination is less that of an actor of parts than of a star galaxy of myths.

Full Review Source: Village Voice

September 24, 2012
Michael Wilmington
Chicago Tribune
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Brando made Don Vito something we rarely see in movies: a tragicomic villain-hero, a vulnerable hood.

Full Review Source: Chicago Tribune

February 23, 2011
Jay Cocks
TIME Magazine
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In its blending of new depth with an old genre, it becomes that rarity, a mass entertainment that is also great movie art.

Full Review Source: TIME Magazine

February 23, 2011
Ben Walters
Time Out
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As filmmaking and storytelling, 'The Godfather' remains a bravura piece of work, its set pieces, dialogue and performances entrenched cinematic icons.

Full Review Source: Time Out | Original Score: 3/5

September 25, 2009
Desson Thomson
Washington Post
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There are volumes that could be written -- and have been -- about the movie's uniformly powerful performances; its precedent-setting editing by William Reynolds and Peter Zinner; Nino Rota's haunting score; and Dean Tavoularis's evocative set design.

Full Review Source: Washington Post

January 29, 2008
A.D. Murphy
Variety
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The biggest achievement here is the establishment of mood and time.

Full Review Source: Variety

January 29, 2008
Dave Kehr
Chicago Reader
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The ultimate family film.

Full Review Source: Chicago Reader

December 13, 2006
Geoff Andrew
Time Out
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An everyday story of Mafia folk, incorporating a severed horse's head in the bed and a number of heartwarming family occasions, as well as pointers on how not to behave in your local trattoria.

Full Review Source: Time Out

February 9, 2006
Vincent Canby
New York Times
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Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment.

Full Review Source: New York Times | Original Score: 5/5

May 20, 2003
Susan Stark
Detroit News
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Full Review Source: Detroit News | Original Score: 4/4

January 12, 2002
James Berardinelli
ReelViews
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We come to The Godfather like Kay Adams -- outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world.

Full Review Source: ReelViews | Original Score: 4/4

January 1, 2000
Joe Baltake
Sacramento Bee
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With The Godfather, Coppola got everything right, balancing art with commerce -- and turning a big-studio project into something deeply personal and resonant.

Full Review Source: Sacramento Bee

January 1, 2000
John Hartl
Film.com
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The years have been kind to this timeless Mafia epic, which seems particularly rich now that studio blockbusters no longer demonstrate this kind of care with character, atmosphere and storytelling.

January 1, 2000
Roger Ebert
Chicago Sun-Times
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The story by Mario Puzo and Francis Ford Coppola is a brilliant conjuring act, inviting us to consider the Mafia entirely on its own terms.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
Mary Brennan
Film.com
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Corleone, the soft-spoken crimelord, is masterfully played by Brando in one of the most imitated performances of all time.

January 1, 2000
Edward Guthmann
San Francisco Chronicle
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In scene after scene ... Coppola crafted an enduring, undisputed masterpiece.

Full Review Source: San Francisco Chronicle

January 1, 2000
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