Uma versão ruim e 'científica' (com enormes aspas) do superior Cemitério Maldito – o que já é o bastante para que você tenha uma idéia da dimensão do desastre.
Godsend (2004)
Tomatometer
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Reviews Counted:133
Fresh:6
Rotten:127
Average Rating:3.4/10
Consensus: A murky thriller with few chills, Godsend is features ludicrous dialogue, by-the-numbers plotting, and an excess of cheap shocks.
Rated: PG-13 [See Full Rating] for violence including frightening images, a scene of sexuality and some thematic material
Runtime: 1 hr 42 mins
Genre: Dramas
Theatrical Release:Apr 30, 2004 Wide
Box Office: $14,285,888
Synopsis: If someone you loved were taken from you, how far would you go to bring him or her back? This is the impossible question confronting grief-stricken Paul and Jessie Duncan (Greg Kinnear, Rebecca... If someone you loved were taken from you, how far would you go to bring him or her back? This is the impossible question confronting grief-stricken Paul and Jessie Duncan (Greg Kinnear, Rebecca Romijn-Stamos) in the very graveyard where they are to bury their beloved eight year-old son, Adam (Cameron Bright). Into that moment of absolute despair steps Dr. Richard Wells (Robert De Niro) with a calm, reasoned, and utterly incredible offer. He can bring their son back, alive. He explains that Adam is dead but his cells live on. Wells would clone the boy and Jessie could give birth to him once more, allowing Adam a second chance at life, and the family another chance at happiness. The cells however, will not be viable for long Wells tells Paul and Jessie and the couple has only a day to decide if they can accept this achingly tempting offer. Facing this immediate yet agonizing decision, the couple tries to consider the moral, ethical and legal repercussions of this action. Their love for their son triumphs over all arguments and Paul and Jessie agree to give their boy the chance to live beyond his eighth birthday. With echoes of a Faustian bargain, Dr. Wells' offer comes with conditions: The process is illegal, so secrecy must be absolute. The new Adam will never see another doctor and the Duncan's will sever ties with friends and family so that no curious eyes will ever see their little boy growing up again. To ensure the secret is kept, the family resettles in the idyllic town of Riverton, close to Dr. Wells' impressive Godsend Fertility Clinic. At Godsend, Jessie undergoes a relatively simple procedure - just like any woman undergoing in vitro fertilization. The expectant couple is made comfortable with a beautiful, well-appointed, and extremely large home. Paul returns to work with a plum job teaching biology at the local high school. The Duncan's settle in, make friends and eagerly await the birth of their son. Soon Jessie gives birth at Wells' Godsend Fertility Clinic. The new Adam appears to be a perfect replica in every way, down to very the last cell. His life follows a comfortingly similar pattern until he passes his eighth birthday - and Adam, unaware that he has reached a milestone, literally begins living on borrowed time. The Duncan's placid life is shattered at first by Adam's screams in the night. The boy, unconscious, is raced to the clinic where Wells diagnoses night terrors, a disturbing but benign sleep disorder that is not uncommon in children. Adam wakes the following morning, apparently fine, but with vague memories of what he describes as weird dreams. Already gravely concerned for their son, it becomes obvious to Paul and Jessie that something is wrong. His dreams become visions that disturb him as much as his parents. Adam is seized by sporadic mood and personality changes that are shockingly different from the sweet and loving boy they knew through both of his lives. Paul starts to reconsider his pact with Wells and thinks that maybe it is time to take Adam to an actual pediatrician rather than Wells who, while admittedly brilliant and responsible for Adam's very life, is a geneticist, not a pediatrician. Paul also starts to question Wells' motives, wondering if there could be a deeper or darker truth. Adam spirals into the world of his visions, seemingly catching glimpses of another place and perhaps even another time. A palpable sense of menace seems to hang about the boy. As he lashes out at home and at school, this beautiful boy begins to seem dangerous. When a schoolmate drowns, Paul forces himself to consider the implication of what they have done and asks himself: how far did Wells really go? Were there darker forces at work as he "played God" with their son? Paul uncovers the secrets of Dr. Well's past. In a violent and dramatic confrontation, the full, sickening truth comes out. From this moment on, the Duncan's will have to come to terms with what they have done and what has been done to them. -- © Lions Gate Films [More]
Starring: Greg Kinnear, Rebecca Romijn-Stamos, Robert De Niro, Cameron Bright
Starring: Greg Kinnear, Rebecca Romijn-Stamos, Robert De Niro, Cameron Bright
Director: Nick Hamm
Director: Nick Hamm
Screenwriter: Mark Bomback
Producer: Marc Butan, Michael Paseornek, Cathy Schulman, Sean O'Keefe
Studio: Lions Gate Films
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Reviews for Godsend
Godsend's bulky plot confuses the viewers and weakens the narrative -- and hence the scares.
A pea-brained hodgepodge of The Omen (1976), The Sixth Sense (1999), and about 30 Grade-Z Bela Lugosi mad-scientist movies.
Describing De Niro's performance in this film as 'lackadaisical' requires a supreme act of generosity. Calling it 'competent' might qualify as Christ-like.
Some genuinely jumpy scenes, but it's so vacuous that it almost doesn't register at all.
Never has a fascinating setup for a movie failed so miserably as it does in "Godsend."
Director Nick Hamm exacerbates matters with his proclivity for foreboding images, be it the rising mist in the woods, the caw of a crow, or the dilapidated cabin no one should enter.
Wonderfully crafted, and featuring an enticing premise, Nick Hamm's film however suffers from a heavy-handed script and an implausible story.
Rather than engage the real dilemmas surrounding this issue, Godsend is content to explain that cloning is dangerous by making the cloned Adam a murderous psychopath.
There's such a thing as suspension of disbelief, yes -- but this crosses over into suspension of intelligence.
A bland story with nothing going for it but a moderately timely premise
Instead of wanting to make us think, and shiver at the 'what if' potential, it wants us to worry what happens when Mommy goes down into the basement.
Working from the assumption that nobody remembers grade school science, let alone the last 30 years of horror movies, Nick Hamm's genre mishmash clumsily recasts The Omen as a cautionary tale featuring a human incarnation of Dolly the sheep.
You wonder if De Niro will ever seriously devote himself to acting again or whether he's going to coast until directors stop casting him.
The latest in a series of quote-unquote horror flicks that offer much in the way of cheap 'reach out and grab you' frights and little in terms of originality or genuine scares.
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