A treasure that should remain buried to all but the most gonzo Godzilla followers.
Gojira (1954)
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Reviews Counted:56
Fresh:52
Rotten:4
Average Rating:7.6/10
Consensus: More than straight monster-movie fare, Gojira offers potent, sobering postwar commentary.
Theatrical Release:May 7, 2004 Limited
Synopsis: The testing of nuclear weapons in the Pacific Ocean triggers the awakening of a dreadful, 400-foot-tall, fire-breathing prehistoric lizard who commences to wreak havoc on the city of Tokyo. The... The testing of nuclear weapons in the Pacific Ocean triggers the awakening of a dreadful, 400-foot-tall, fire-breathing prehistoric lizard who commences to wreak havoc on the city of Tokyo. The original Japanese version of GODZILLA, without the Americanized addition of Raymond Burr. [More]
Starring: Takashi Shimura, Momoko Kouchi, Akihiko Hirata
Starring: Takashi Shimura, Momoko Kouchi, Akihiko Hirata
Director: Inoshiro Honda
Director: Inoshiro Honda
Studio: Rialto Pictures
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Reviews for Gojira
Maybe it's 50 years late, but we're finally getting to see Godzilla as it was meant to be seen.
Godzilla has never looked as good as in Honda's original conception, and few sci-fi creatures have equaled the size or impact of its first footsteps.
Do we want a monster movie with a social conscience, or do we want to see a guy in a lizard suit smash model trains?
A classic monster movie and a sombre reflection of Japan's suffering in the wake of large-scale fire-bombings and atomic attack.
It wasn't until I revisited the first film in the series, which premiered in Japan on Nov. 3, 1954, that I realized how powerful a political statement it makes.
Godzilla remains one of the most potent mythic structures of the 50s, and you get him here in full foot-stomping glory.
This is a bad movie, but it has earned its place in history, and the enduring popularity of Godzilla and other monsters shows that it struck a chord.
Por trás da história absurdamente divertida, o filme revela uma sociedade às voltas com o trauma da bomba atômica e a busca desesperada pela promessa de paz entre os povos.
Godzilla's rampages are still intact, but they now have new meaning. The film builds to them and pays off after them, unlike in the American version.
It's less of a monster movie and more of a morality play about the dangers of nuclear experimentation.
The rampaging reptile is back to remind us that monsters have meaning.
Honda may not have created the most convincing-looking monster in cinema history, but he managed to give his sci-fi/horror movie a social relevance, particularly in postwar Japan.
Die-hard sci-fi geeks will love it; everybody else will appreciate its display of the true power of the giant rubber monster suit.
...surprisingly solemn and bitter. It is explicitly a post-Hiroshima nightmare writ large...
Godzilla is now more 'serious,' yet its tone just veers closer to that of solemn American B-horror cheese like Them!
a pioneering behemoth in the history of Japanese cinema, leaving giant footprints in its trail that many have followed but few have filled so impressively.
While the Raymond Burr version is unintentionally funny, the original Japanese-language version is actually a tedious bore. But the Big G is still the king!
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