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Movies / On DVD / The Golden Bowl
The Golden Bowl

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The Golden Bowl (2001)

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Reviews Counted:85

Fresh:45

Rotten:40

Average Rating:5.3/10

Consensus: Coming from the Merchant-Ivory team, The Golden Bowl is visually stunning, but the filmmakers have difficulty in transporting the characterizations of the Henry James novel to the screen.

Rated: R [See Full Rating] for a sex scene

Runtime: 2 hrs 10 mins

Genre: Dramas

Theatrical Release:Apr 27, 2001 Limited

Box Office: $2,178,448

Synopsis: Set in the rarified world of affluent American expatriate England and Italy between 1903 and 1909, THE GOLDEN BOWL tells the story of an extravagantly rich American widower and his sheltered... Set in the rarified world of affluent American expatriate England and Italy between 1903 and 1909, THE GOLDEN BOWL tells the story of an extravagantly rich American widower and his sheltered daughter, both of whom marry only to discover that their respective mates are romantically entangled with one another. ADAM VERVER (Nick Nolte), America's first billionaire, and his daughter MAGGIE (Kate Beckinsale) live a privileged life in Europe, surrounding themselves with beautiful objects and amassing one of the world's greatest art collections. Their intimate family circle expands when Maggie decides to marry PRINCE AMERIGO (Jeremy Northam), an impoverished (but authentically aristocratic) descendent of a long line of Italian princes, and invites her beautiful, but impecunious school friend CHARLOTTE STANT (Uma Thurman) to attend their wedding. Amerigo and Charlotte have a secret. They are lovers, forced to separate because they are too poor to marry each other. While Charlotte knows that their affair must end, she cannot control her passion for Amerigo. She hides her emotions as best she can, feigning happiness for the couple. She and the Prince have one last rendezvous when they shop together for a wedding present for Maggie. They find an unusual golden bowl, but reject it when they discover that it has a hidden flaw. As Amerigo settles into a domestic routine with Maggie, he discovers that his marriage has a flaw, too. His wife and her father are inseparable, just as they were before her marriage. Maggie invites Charlotte to be their houseguest and encourages her to spend time with Adam, too. In a sudden and seemingly happy twist of fate, Adam proposes to Charlotte and she accepts, despite the age difference between them. For the first time in her life, she is a wealthy woman. But her newfound security is a mixed blessing. As time passes, and Adam and Maggie retreat deeper and deeper into their private world. Charlotte and Amerigo realize that, like the magnificent works of art that surround them, they have become prized additions to the Verver collection. Convinced that fate has brought them together a second time, Charlotte and Amerigo surrender to their passions, secretly betraying their seemingly unsuspecting spouses. But the elusive golden bowl comes back to haunt them, changing Maggie's perception of her relationship with her husband and provoking her to do anything to accomplish her new and most important goal: to have a marriage without a flaw, at any expense. -- © 2001 Lions Gate [More]

Starring: Uma Thurman, Jeremy Northam, Kate Beckinsale, Nick Nolte

Starring: Uma Thurman, Jeremy Northam, Kate Beckinsale, Nick Nolte, James Fox, Madeleine Potter, Peter Eyre, Anjelica Huston

Director: James Ivory

Director: James Ivory
Screenwriter: Ruth Prawer Jhabvala
Producer: Ismail Merchant
Composer: Richard Robbins
Studio: Lions Gate Films

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Release:

Nov 6, 2001

No Details Exist
 
 

Reviews for The Golden Bowl

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21 - 40 (sorted by date)
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N/R

Click to read the article

Full Review Source: Journal News (Westchester, NY) | comment Comment
11/07/01
Marshall Fine
Marshall Fine
Journal News (Westchester, NY)

This kind of highly skilled verbal combat is reserved almost exclusively for Merchant-Ivory films, it seems.

Full Review Source: Laramie Movie Scope | comment Comment
09/30/01
Robert Roten
Robert Roten
Laramie Movie Scope

It's an interesting film with lots of wonderful moments, but in the end, it's just like all the rest.

Full Review Source: Oscar Guy | comment Comment
09/28/01
Wesley Lovell
Wesley Lovell
Oscar Guy

One of James's juiciest scenarios, but barely anybody involved in this enterprise seems to have caught its groove.

Full Review Source: Premiere Magazine | comment Comment
09/04/01
Glenn Kenny
Glenn Kenny
Premiere Magazine

This solemn misfire is rendered with very little passion and emotion.

Full Review Source: Deseret News, Salt Lake City | comment Comment
07/13/01
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

After two hours of stilted dialogue (delivered by usually reliable performers who here seem totally at sea) and lush photography, your average viewer will have been massaged into a near-comatose state.

Full Review Source: Kansas City Star | comment Comment
06/29/01
Robert W. Butler
Robert W. Butler
Kansas City Star

It's only Thurman who displays any of the desperation and ferocity the circumstances require.

Full Review Source: Orlando Weekly | comment Comment
06/21/01
Serena Donadoni
Serena Donadoni
Orlando Weekly

Director James Ivory and writer Ruth Prawer Jhabvala, partners for four decades with producer Ismail Merchant, don't bring much fresh air into this claustrophobic story.

comment Comment
06/15/01
Lawrence Toppman
Lawrence Toppman
Charlotte Observer

The Merchant-Ivory team ... tackle Henry James' dense, complex final novel and pull it off with decorous poise.

Full Review Source: Sacramento News & Review | comment Comment
06/11/01
Jim Lane
Jim Lane
Sacramento News & Review

Manages to be simultaneously magisterial and dull.

Full Review Source: PopMatters | comment Comment
06/11/01
Cynthia Fuchs
Cynthia Fuchs
PopMatters

It suffers mightily from its deliberate pacing, pale characterizations, obvious plot and some woeful miscasting.

Full Review Source: Washington Post | comment Comment
06/11/01
Rita Kempley
Rita Kempley
Washington Post
Top Critic Icon Top Critic

An elegant soap.

Full Review Source: Sacramento Bee | comment Comment
06/08/01
Joe Baltake
Joe Baltake
Sacramento Bee
N/R

Click to read the article

Full Review Source: eye WEEKLY | comment Comment
06/04/01
Barrett Hooper
Barrett Hooper
eye WEEKLY

If we are to make any advances in the art of cinema, we're going to have to leave producer Ismail Merchant and director James Ivory far behind.

Full Review Source: Combustible Celluloid | comment Comment
06/04/01
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Beautifully crafted but fatally flawed.

Full Review Source: TV Guide's Movie Guide | comment Comment
05/31/01
Ken Fox
Ken Fox
TV Guide's Movie Guide

The dresses in The Golden Bowl are spectacular, but the people wearing them are drips.

Full Review Source: St. Paul Pioneer Press | comment Comment
05/31/01
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Starts slow, but gathers momentum as it proceeds toward a fascinating and just conclusion for all concerned.

Full Review Source: Apollo Guide | comment Comment
05/29/01
Brian Webster
Brian Webster
Apollo Guide

Feels like a museum-quality reproduction of a time, place and style that is an acquired taste at best.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
05/25/01
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

coiled, nuanced, resonant tale.

Full Review Source: Detroit News | comment Comment
05/25/01
Susan Stark
Susan Stark
Detroit News
Top Critic Icon Top Critic

The flaws in The Golden Bowl, like the crack in the bowl itself, don't detract from its intriguing beauty.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
05/25/01
Jack Garner
Jack Garner
Rochester Democrat and Chronicle
 
 
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