What makes Mr. Crialese’s telling unusual, apart from the gorgeousness of his wide-screen compositions, is that his emphasis is on departure and transition, rather than arrival.
Golden Door (2007)
Tomatometer
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Reviews Counted:83
Fresh:59
Rotten:24
Average Rating:6.8/10
Consensus: Slow-moving but ultimately rewarding, Golden Door is a profound drama with scenes of fantastical magical realism, lively humor, and stunning images.
Runtime: 1 hr 58 mins
Genre: Foreign Films
Theatrical Release:May 25, 2007 Limited
Box Office: $948,809
Synopsis: Set in 1913, GOLDEN DOOR begins in a treacherous, barren, and rocky area of the Sicilian countryside. On advice from a stranger, a widowed father named Salvatore Mancuso (Vincenzo Amato) decides to... Set in 1913, GOLDEN DOOR begins in a treacherous, barren, and rocky area of the Sicilian countryside. On advice from a stranger, a widowed father named Salvatore Mancuso (Vincenzo Amato) decides to make the difficult voyage to America with his two sons (one of whom is deaf and mute) and his stubborn, highly superstitious mother, Fortunata (Aurora Quattrocchi). Just before boarding the boat, they meet Lucy (Charlotte Gainsbourg), a mysterious and refined British woman who pretends to be with the Mancuso family while their pictures are being taken. During their journey, Lucy tells Salvatore she needs to find a man to marry before arriving in New York. The reasons are never fully explained, but Salvatore is attracted to her, and so he agrees. After arriving at Ellis Island, the family must endure the long battery of tests that are part of the standard entrance procedure. The plot of GOLDEN DOOR is simple, but the film is not, thanks to interesting stylistic choices. What differentiates GOLDEN DOOR from other films of its genre are the surrealist, imaginative avenues it takes most unexpectedly. Amid a sea of authentic costumes and realistic sets, director Emanuele Crialese places playful scenes of stunning beauty. This gives the film an open feel and an optimism one would never expect from the opening sequence, which is bleak, to say the least. As the characters travel to America, their minds open up to a new way of seeing. The experience of the journey is presented as difficult, but never horrific, and the strength of the characters is in their ability to remain dignified, even under potentially humiliating scenarios. [More]
Starring: Charlotte Gainsbourg, Vincenzo Amato, Aurora Quattrocchi, Vincent Schiavelli
Starring: Charlotte Gainsbourg, Vincenzo Amato, Aurora Quattrocchi, Vincent Schiavelli
Director: Emanuele Crialese
Director: Emanuele Crialese
Screenwriter: Emanuele Crialese
Producer: Alexandre Mallet-Guy, Fabrizio Mosca, Emanuele Crialese
Composer: Castrigano
Studio: Miramax Films
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Reviews for Golden Door
A defiantly idiosyncratic film that summons the spirits of great Italian directors long past.
Italian director Emanuele Crialese has infused the age-old plot with dazzling visual style, dollops of magical realism and profound emotional truth that infuse what we think we know with new verve and resonance.
The details of this chaotic odyssey to the New World are so intricately and poignantly handled that throughout a voice in your head insists: this is how it must have been.
It remains an extraordinarily strong, fascinating look at the genesis of the traditional immigrant tale, not the idealized finale.
A STRIKINGLY shot tale of Sicilian villagers seeking a better life in America, Golden Door is so minimalist, it's practically a silent film.
Writer/director Emanuel Crialese gives his atmospheric film a look of daguerreotype authenticity.
Emanuele Crialese's wondrous Nuovomondo (Golden Door) recalls America's erstwhile promise with a mix of exhilaration and delicacy, peppered with judicious insight.
The rhythms of the movie are slow and daydreamy, but [director] Crialese delights in breaking up the realism with his protagonist’s mystical -- almost madcap -- visions of the New World’s abbondanza.
The film is touching, imaginative and makes the best of its cash through a minimalist skill that shows Crialese to be a genuinely original director.
[Director] Crialese's talent for poetic illusion, and for finding the general within the microcosm, is reminiscent of Steven Spielberg.
Hung up on the nature of procedure, the film transpires in very distinct, hellish parts, as if moving slowly along the links of a great and heavy metal chain.
The journey to America by an Italian peasant and his family, conveying their yearning for a new life in scenes of magical realism.
The folkloric tone that seemed so pretentious in [Respiro] is powerfully effective here.
Making the most of an evidently limited budget, Crialese makes the Promised Land seem as poignantly out of reach to us as it is to his tragic characters.
Golden Door resounds with moments of pure cinema seldom encountered anymore, where sound and image combine to create a lyricism that transcends the story
Latest News for Golden Door
June 14, 2007:
Critical Consensus: "Silver Surfer" Trips Fantastically, "Nancy Drew" Without a Clue, "DOA" Dead on Arrival
Pop quiz, hotshot: which of the lesser Roberts do you prefer? Because this Friday, it's a match between Eric Roberts (playing the bad guy in "DOA: Dead or Alive") and... More...
June 12, 2007:
european-films.net's preview & trailer ![]()
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May 24, 2007:
Critical Consensus: "Pirates" is Adrift, "Bug" Creepy and Crawly
This week at the movies, it's the pirates ("Pirates of the Caribbean: At World's End," starring Johnny Depp and Keira Knightley) versus the bugs ("Bug,"... More...
May 19, 2007:
Rarely has a film penetrated beneath the usual stereotypes to the private fears and conflicted dreams of immigrants of whatever time. ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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