Soderbergh's attempt to re-create a 40s film noir might not be for all tastes but Paul Attanasio's script keeps the story engaging long enough.
The Good German (2006)
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Reviews Counted:145
Fresh:47
Rotten:98
Average Rating:5/10
Consensus: Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.
Rated: R [See Full Rating] for language, violence and some sexual content.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 15, 2006 Limited
Box Office: $891,721
Synopsis: One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is... One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is 1940s film noir. Set in postwar Berlin, the atmospheric thriller is based on the acclaimed novel by Joseph Kanon. Frequent Soderbergh collaborator George Clooney plays Jake Geismer, an American military journalist who has returned to Berlin for the Potsdam Peace Conference. Jake's driver, Tully (Tobey Maguire), appears innocent upon first glance, but is in fact a major player in the corrupt Berlin underworld. He's also dating Jake's former flame, Lena Brandt (Cate Blanchett), whose beauty continues to torment Jake. When Tully's cadaver washes ashore one day, Jake is shocked to discover that nobody wants to go public with the news. As much as he'd like to forget about Lena, he can't. Pretty soon, he's risking his life to help her flee the country. In shooting THE GOOD GERMAN, Soderbergh employed many of the actual filmmaking techniques that were used in the 1940s: black-and-white cinematography, elaborately constructed sets, wide master shots, and a sweeping score (compliments of Thomas Newman). The result is a film that looks and feels like it was made in a much earlier era, yet which contains the graphic language and content of an R-rated early 21st-century production. [More]
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire, Tony Curran, Don Pugsley, Robin Weigert, David Willis
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Paul Attanasio
Producer: Gregory Jacobs, Ben Cosgrove
Composer: Thomas Newman
Studio: Warner Bros.
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Reviews for The Good German
It's Soderbergh's commitment and creativity that lift The Good German above many of its peers, no matter the era.
In a few quick strokes, Soderbergh and screenwriter Paul Attanasio (working from a novel by Joseph Kanon) sketch a convincing scenario in which it is technically not possible for the good guys to win a war because good guys don't fight them.
If German is cynical about its characters' motives, it is not cynical about the movie's ability to make us think and feel.
It works, as homage to a particular time and place in film history, and as a knowing revision that brings Hollywood's subtext of '40s postwar corruption to the surface. The Good German isn't so much an imitation as a crafty modernization.
A beautifully flawed experiment, "The Good German" is an entertaining if unbalanced war drama that places modern cinema mores on a classic style of American film when the Hayes code would never have allowed such overt sexual reality.
Tully is the ugly American galumphing through Europe, grasping, insecure, and cocky all at once.
The result is a harshly lighted, high-contrast monochrome that illuminates the war-torn rubble with grace and poetry while allowing motives to stay hidden in the shadows.
A bit jarring in its precision to capture the look and feel of '40s-'50s era movies ... but it succeeds on other levels.
Soderbergh wants us to see post-War Berlin as, in its way, another Chinatown a la Roman Polanski.
You can ignore the behind-the-scenes technicalities and enjoy the movie on face value: as a moderately entertaining nod to 'Casablanca.'
Homages don't get much more homagey...but if you love its models, and the sheer artificiality of the effort doesn't bother you, you should have a good time.
The Good German is a fascinating experiment and in many ways improves upon the era of filmmaking it recreates.
A murder mystery, a love story, and a glimpse of the beginning of conflict between the United States and Russia following the defeat of Germany in World War II.
Why emphasise flaws in a film of such overall ambition and expertise?
Merits attention for its throwback to forties noir but hasa convoluted plot.
I have to admire an ostensibly nostalgic entertainment that so concertedly undermines the romanticism of wartime Hollywood.
The Good German is Steven Soderbergh's game attempt to reinvigorate the dense intrigue of classic wartime thrillers like The Third Man with a contemporary, neo-noir edge.
It never transcends being a mere homage. Fun to watch for film geeks though.
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