Why emphasise flaws in a film of such overall ambition and expertise?
The Good German (2006)
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Reviews Counted:145
Fresh:47
Rotten:98
Average Rating:5/10
Consensus: Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.
Rated: R [See Full Rating] for language, violence and some sexual content.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 15, 2006 Limited
Box Office: $891,721
Synopsis: One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is... One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is 1940s film noir. Set in postwar Berlin, the atmospheric thriller is based on the acclaimed novel by Joseph Kanon. Frequent Soderbergh collaborator George Clooney plays Jake Geismer, an American military journalist who has returned to Berlin for the Potsdam Peace Conference. Jake's driver, Tully (Tobey Maguire), appears innocent upon first glance, but is in fact a major player in the corrupt Berlin underworld. He's also dating Jake's former flame, Lena Brandt (Cate Blanchett), whose beauty continues to torment Jake. When Tully's cadaver washes ashore one day, Jake is shocked to discover that nobody wants to go public with the news. As much as he'd like to forget about Lena, he can't. Pretty soon, he's risking his life to help her flee the country. In shooting THE GOOD GERMAN, Soderbergh employed many of the actual filmmaking techniques that were used in the 1940s: black-and-white cinematography, elaborately constructed sets, wide master shots, and a sweeping score (compliments of Thomas Newman). The result is a film that looks and feels like it was made in a much earlier era, yet which contains the graphic language and content of an R-rated early 21st-century production. [More]
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire, Tony Curran, Don Pugsley, Robin Weigert, David Willis
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Paul Attanasio
Producer: Gregory Jacobs, Ben Cosgrove
Composer: Thomas Newman
Studio: Warner Bros.
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Reviews for The Good German
[The Good German is] technically astonishing and Blanchett is excellent, but the script is dull and the confusing plot fails to engage.
This should have been Soderbergh gold. Instead it is mostly unengaging and dull, proof positive that they don’t make them like they used to.
A film that feels more like a cinematographer's showreel than an involving drama: flashy, but heartless.
Steven Soderbergh massages his fond memories of the golden (if sometimes black and white) days of movies with a noirish sensibility.
There's not much beyond self-conscious mise-en-scènes and a lead actor who isn't mysterious or magnetic as much as he's simply aloof.
The failing ... is it takes itself dead-on seriously. Frankly, it would be easier to think of this (lifting the finale from 'Casablanca') and other sequences...as comedic.
You can ignore the behind-the-scenes technicalities and enjoy the movie on face value: as a moderately entertaining nod to 'Casablanca.'
A cold movie that sacrifices so-called 'heart' to achieve a primarily technical effect -- an appropriate strategy for a story about death camp inmates enslaved to produce rockets for the Nazis.
This cast almost makes The Good German watchable. It's just that their screenwriter and director don't do them any favors.
The result is a harshly lighted, high-contrast monochrome that illuminates the war-torn rubble with grace and poetry while allowing motives to stay hidden in the shadows.
There's a line between homage and mimicry, and Soderbergh has crossed it.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
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