If you feel anything other than admiration for its craftsmanship, let me know; The Good German is as emotionally cold and unconvincing as any movie I've seen this year.
The Good German (2006)
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Reviews Counted:145
Fresh:47
Rotten:98
Average Rating:5/10
Consensus: Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.
Rated: R [See Full Rating] for language, violence and some sexual content.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Dec 15, 2006 Limited
Box Office: $891,721
Synopsis: One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is... One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is 1940s film noir. Set in postwar Berlin, the atmospheric thriller is based on the acclaimed novel by Joseph Kanon. Frequent Soderbergh collaborator George Clooney plays Jake Geismer, an American military journalist who has returned to Berlin for the Potsdam Peace Conference. Jake's driver, Tully (Tobey Maguire), appears innocent upon first glance, but is in fact a major player in the corrupt Berlin underworld. He's also dating Jake's former flame, Lena Brandt (Cate Blanchett), whose beauty continues to torment Jake. When Tully's cadaver washes ashore one day, Jake is shocked to discover that nobody wants to go public with the news. As much as he'd like to forget about Lena, he can't. Pretty soon, he's risking his life to help her flee the country. In shooting THE GOOD GERMAN, Soderbergh employed many of the actual filmmaking techniques that were used in the 1940s: black-and-white cinematography, elaborately constructed sets, wide master shots, and a sweeping score (compliments of Thomas Newman). The result is a film that looks and feels like it was made in a much earlier era, yet which contains the graphic language and content of an R-rated early 21st-century production. [More]
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire, Tony Curran, Don Pugsley, Robin Weigert, David Willis
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Paul Attanasio
Producer: Gregory Jacobs, Ben Cosgrove
Composer: Thomas Newman
Studio: Warner Bros.
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Reviews for The Good German
In a few quick strokes, Soderbergh and screenwriter Paul Attanasio (working from a novel by Joseph Kanon) sketch a convincing scenario in which it is technically not possible for the good guys to win a war because good guys don't fight them.
The Good German isn't very good. Even if you give it points for sheer cussed weirdness. Which it has aplenty. And which contributes more problems to the project than its worth.
It never transcends being a mere homage. Fun to watch for film geeks though.
A classic noir film demands a classic noir story, and Paul Attanasio's screenplay (based on the Joseph Kanon novel) just isn't up to the dark mark.
They don't make 'em like they used to, and The Good German is a very good reason why.
Technically amazing, but not engaging enough to recommend as theater viewing unless you're an arthouse freak.
To say the movie is merely 'boring' doesn't seem fitting or epic enough of a word to describe what an excruciating endurance test its 108-minute running time is.
Soderbergh has been having a helluva time matching his ambition with quality lately
...a fascinating exercise for cineastes, but it doesn't have a leg of its own to stand on.
The Good German is an easy movie to admire... but within all that style there's nothing to love. It's a hollow movie.
Technically, it's a marvel, but as a soulful viewing experience, it's a muddle.
...the almost total lack of character development ensures that the novelty wears off all too quickly.
Although Soderbergh's old-fashioned film noir style works well in 'The Good German,' the characters and story fail to grab us.
Mr. Soderbergh seems to have done everything within his power to keep the audience at arm's length.
If Stalin had walked around the corner and given George Clooney a high five, I wouldn't have been the least bit surprised.
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