All three arrive at the cache at the same time. Who gets it? Director Leone doesn't seem to care very much, and after 161 minutes of mayhem, audiences aren't likely to either.
The Good, the Bad and the Ugly (1966)
Tomatometer
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Reviews Counted:58
Fresh:57
Rotten:1
Average Rating:8.8/10
Consensus: Arguably the greatest of the spaghetti westerns, this epic features a compelling story, memorable performances, breathtaking landscapes, and a haunting score.
Runtime: 2 hrs 59 mins
Genre: Westerns
Synopsis: Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location... Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location of the graveyard where a Confederate treasure is buried, while Blondie learns the identity of the exact grave. Joined by mercenary drifter Angel Eyes (Lee Van Cleef), they cross the desert, each of the desperadoes knowing half the secret and each focusing his squinty eyes on the $200,000 bounty. In a classic that puts style above substance, Italian director Sergio Leone uses vivid Cinemascope imagery to depict a bleak and bloody American West in this final installment of his collaboration with Clint Eastwood in the Man with No Name Trilogy. A prototype for the so-called Spaghetti Western genre, the film solidified Eastwood's position as a major international star with his stoic, brooding presence. Cinematographer Tonino Delli Colli's stunning visuals are a match for the vivacious Ennio Morricone score, one of the most recognizable in all of cinema. Although the film was not released in the United States until 1967, it was produced and released internationally in 1966. [More]
Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega
Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega, Aldo Giuffre, Chelo Alonso, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli
Director: Sergio Leone
Director: Sergio Leone
Producer: Alberto Grimaldi
Story: Luciano Vincenzoni
Composer: Ennio Morricone
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Release:
May 12, 2009
DVD Features:
- 2-Disc Set
- Region 1
- NTSC
- Full Frame - 1.33
- Widescreen - 2.35
Audio:
- Dolby Digital 5.1 - English
- Subtitles - English, French, Spanish
Additional Release Material:
- Trailers: Original Theatrical Trailer
- Audio Commentary: Richard Shickel - Film Historian
Alternate Scenes:
- 1. "Extended Tuco Torture Scene"
- 2. "The Socorro Sequence: A Reconstruction"
Documentary:
- 1. "Leone's West"
- 2. "The Leone Style"
- 3. "The Man Who Lost the Civil War"
Featurette:
- 1. "Reconstructing THE GOOD, THE BAD, & THE UGLY"
- 2. "Il Maestro: Ennio Morricone and THE GOOD, THE BAD, & THE UGLY"
Text/Photo Galleries:
- Poster Gallery
Reviews for The Good, the Bad and the Ugly
Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.
Sergio Leone's masterpiece is as enduring as the scorched desert in which it is filmed. Also receives props for most effective use of whistling ever.
Town streets stretch wider than eight-lane freeways, gargoyle-faced henchmen lurk behind every tumbleweed, and Ennio Morricone's majestic electric coyote score rules over all.
Leone also endows the film with a clever visual style. His sense of scale is especially inspired.
The movie that solidified Eastwood's iconography. Leone's dazzling Techniscope cinematics far surpass the familiar plot.
Leone's blockbuster is balanced on the razor's edge between popular entertainment and art film. It took classic American themes and turned them inside out.
May lose some of its jolt on the small screen, but this flick features some of Clint Eastwood's and Sergio Leone's finest moments.
...while the film is seriously overlong, there are enough elements here to hold the interest of even the most impatient viewer.
It still looks a treat and a bold and largely successful attempt to recast the traditions of the genre in a new, sometimes critical, almost operatic way.
Morricone's soundtrack is one the most powerful in the history cinema and it alone is the reason why this film should be so highly appreciated.
One of the most compelling validations of the western genre’s most elemental touchstones.
Sergio Leone's epic looks good, almost great, restored to its original running time.
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