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Movies / On DVD / The Good, the Bad and the Ugly
The Good, the Bad and the Ugly

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The Good, the Bad and the Ugly (1966)

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Reviews Counted:58

Fresh:57

Rotten:1

Average Rating:8.8/10

Consensus: Arguably the greatest of the spaghetti westerns, this epic features a compelling story, memorable performances, breathtaking landscapes, and a haunting score.

Runtime: 2 hrs 59 mins

Genre: Westerns

Synopsis: Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location... Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location of the graveyard where a Confederate treasure is buried, while Blondie learns the identity of the exact grave. Joined by mercenary drifter Angel Eyes (Lee Van Cleef), they cross the desert, each of the desperadoes knowing half the secret and each focusing his squinty eyes on the $200,000 bounty. In a classic that puts style above substance, Italian director Sergio Leone uses vivid Cinemascope imagery to depict a bleak and bloody American West in this final installment of his collaboration with Clint Eastwood in the Man with No Name Trilogy. A prototype for the so-called Spaghetti Western genre, the film solidified Eastwood's position as a major international star with his stoic, brooding presence. Cinematographer Tonino Delli Colli's stunning visuals are a match for the vivacious Ennio Morricone score, one of the most recognizable in all of cinema. Although the film was not released in the United States until 1967, it was produced and released internationally in 1966. [More]

Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega

Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega, Aldo Giuffre, Chelo Alonso, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli

Director: Sergio Leone

Director: Sergio Leone
Producer: Alberto Grimaldi
Story: Luciano Vincenzoni
Composer: Ennio Morricone

[See More Credits]

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Release:

May 12, 2009

[DVD Details]
 
 

DVD Features:

  • 2-Disc Set
  • Region 1
  • NTSC
  • Full Frame - 1.33
  • Widescreen - 2.35

Audio:

  • Dolby Digital 5.1 - English
  • Subtitles - English, French, Spanish

Additional Release Material:

  • Trailers: Original Theatrical Trailer
  • Audio Commentary: Richard Shickel - Film Historian

Alternate Scenes:

  • 1. "Extended Tuco Torture Scene"
  • 2. "The Socorro Sequence: A Reconstruction"

Documentary:

  • 1. "Leone's West"
  • 2. "The Leone Style"
  • 3. "The Man Who Lost the Civil War"

Featurette:

  • 1. "Reconstructing THE GOOD, THE BAD, & THE UGLY"
  • 2. "Il Maestro: Ennio Morricone and THE GOOD, THE BAD, & THE UGLY"

Text/Photo Galleries:

  • Poster Gallery
 
 
 
 

Reviews for The Good, the Bad and the Ugly

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1 - 20 (sorted by critic A-Z)
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Sergio Leone's epic looks good, almost great, restored to its original running time.

Full Review Source: Hollywood Reporter | comment Comment
06/08/04
Glenn Abel
Glenn Abel
Hollywood Reporter
Top Critic Icon Top Critic

Leone also endows the film with a clever visual style. His sense of scale is especially inspired.

Full Review Source: KPBS.org | comment Comment
06/08/08
Beth Accomando
Beth Accomando
KPBS.org

[Leone] weighs every movement carefully; every footstep, every squeeze of the trigger, screams epic. Everything is important and nothing is insignificant.

Full Review Source: Combustible Celluloid | comment Comment
07/08/03
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Morricone's soundtrack is one the most powerful in the history cinema and it alone is the reason why this film should be so highly appreciated.

Full Review Source: rec.arts.movies.reviews | comment Comment
01/01/00
Dragan Antulov
Dragan Antulov
rec.arts.movies.reviews

All told, and in giant widescreen, it's only blood-red adolescent fun, but it blooms like Douglas Sirk with a Gatling gun compared to the teenage demographic's current fare.

Full Review Source: Village Voice | comment Comment
05/27/03
Michael Atkinson
Michael Atkinson
Village Voice
Top Critic Icon Top Critic

There are two kinds of people, my friend. Those who love Sergio Leone's The Good, the Bad, and the Ugly, and those who resist the machismo and gallows humor of what is arguably the definitive spaghetti western.

Full Review Source: Seattle Post-Intelligencer | comment Comment
07/03/03
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

Long, funny, and featuring one of Ennio Morricone’s greatest scores, The Good, the Bad, and the Ugly is a sheer pleasure to watch.

Full Review Source: Austin Chronicle | comment Comment
02/13/01
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

An extravagantly plotted epic propelled by waves of free-flowing emotion and a palpable love for the American past

Full Review Source: culturevulture.net | comment Comment
07/04/03
Tom Block
Tom Block
culturevulture.net

The new length gives a clearer view of the civil war context: a nightmare of panic as the south flees before the Union's advance.

Full Review Source: Guardian [UK] | comment Comment
08/01/08
Peter Bradshaw
Peter Bradshaw
Guardian [UK]

Clearly the work of a master filmmaker whose style has never grown stale.

Full Review Source: Creative Loafing | comment Comment
06/16/04
Matt Brunson
Matt Brunson
Creative Loafing

The uncut new print reclaims the widescreen majesty of Tonino Delli Colli's cinematography, allowing you to see every iconic wart and furrow on every bad guy's face.

Full Review Source: Boston Globe | comment Comment
08/01/03
Ty Burr
Ty Burr
Boston Globe
Top Critic Icon Top Critic

The sublime film music, now-iconic situations (like the climactic ghost town shootout), and sure visual style add up to a pitch-perfect genre pic that ongoingly influences generations of hip filmmakers. [Blu-ray]

Full Review Source: Groucho Reviews | comment Comment
06/19/09
Peter Canavese
Peter Canavese
Groucho Reviews

Leone's blockbuster is balanced on the razor's edge between popular entertainment and art film. It took classic American themes and turned them inside out.

Full Review Source: Minneapolis Star Tribune | comment Comment
09/11/03
Colin Covert
Colin Covert
Minneapolis Star Tribune
Top Critic Icon Top Critic

Sergio Leone's baroque western might be his greatest...Watch how Clint Eastwood amazingly acts with just his teeth and those squinty eyes.

Full Review Source: Boulder Weekly | comment Comment
06/18/04
Thomas Delapa
Thomas Delapa
Boulder Weekly

Art it is, summoned out of the imagination of Leone and painted on the wide screen so vividly that we forget what marginal productions these films were.

Full Review Source: Chicago Sun-Times | comment Comment
08/05/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

One of the most compelling validations of the western genre’s most elemental touchstones.

Full Review Source: Slant Magazine | comment Comment
05/17/04
Eric Henderson
Eric Henderson
Slant Magazine

Sergio Leone’s grandiose 1966 western epic is nothing less than a masterclass in movie storytelling, a dynamic testament to the sheer, invigorating uniqueness of cinema.

Full Review Source: Time Out | comment Comment
06/24/06
Tom Huddlestone
Tom Huddlestone
Time Out

This is a great movie, whatever strange estuary of the western river it occupies.

Full Review Source: Washington Post | comment Comment
08/22/03
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.

Full Review Source: Chicago Reader | comment 2 Comments
03/28/07
Dave Kehr
Dave Kehr
Chicago Reader
Top Critic Icon Top Critic

Sergio Leone sure is a great director. He has a unique visual style, combining gorgeous establishing shots of Western landscape and tense close-ups.

Full Review Source: Montreal Film Journal | comment Comment
09/10/02
Kevin N. Laforest
Kevin N. Laforest
Montreal Film Journal
 
 
1 - 20 (sorted by critic A-Z)
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