Opening

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48% The Quiet Ones Apr 25
90% Locke Apr 25
79% The Machine Apr 25

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75% The Amazing Spider-Man 2 May 02
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The Good, the Bad and the Ugly (Il Buono, il Brutto, il Cattivo.) Reviews


TIME Magazine
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All three arrive at the cache at the same time. Who gets it? Director Leone doesn't seem to care very much, and after 161 minutes of mayhem, audiences aren't likely to either.

Full Review Source: TIME Magazine

August 11, 2008
Variety Staff
Variety
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The third in the Clint Eastwood series of Italo westerns, The Good, the Bad and the Ugly is exactly that -- a curious amalgam of the visually striking, the dramatically feeble and the offensively sadistic.

Full Review Source: Variety

July 22, 2008
Dave Kehr
Chicago Reader
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Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.

Full Review Source: Chicago Reader

March 28, 2007
Tom Huddlestone
Time Out
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Sergio Leone's grandiose 1966 western epic is nothing less than a masterclass in movie storytelling, a dynamic testament to the sheer, invigorating uniqueness of cinema.

Full Review Source: Time Out | Original Score: 5/6

June 24, 2006
Glenn Abel
Hollywood Reporter
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Sergio Leone's epic looks good, almost great, restored to its original running time.

June 8, 2004
John Monaghan
Detroit Free Press
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Of all the great films of the 1960s, The Good, the Bad and the Ugly is one of a fistful that can be truly appreciated only on the big screen.

| Original Score: 3/4

September 11, 2003
Colin Covert
Minneapolis Star Tribune
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Leone's blockbuster is balanced on the razor's edge between popular entertainment and art film. It took classic American themes and turned them inside out.

Full Review Source: Minneapolis Star Tribune | Original Score: 4/4

September 11, 2003
Stephen Hunter
Washington Post
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This is a great movie, whatever strange estuary of the western river it occupies.

August 22, 2003
Michael Wilmington
Chicago Tribune
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An improbable masterpiece -- a bizarre mixture of grandly operatic visuals, grim brutality and sordid violence that keeps wrenching you from one extreme to the other.

Full Review Source: Chicago Tribune | Original Score: 4/4

August 7, 2003
Roger Ebert
Chicago Sun-Times
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Art it is, summoned out of the imagination of Leone and painted on the wide screen so vividly that we forget what marginal productions these films were.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

August 5, 2003
Ty Burr
Boston Globe
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The uncut new print reclaims the widescreen majesty of Tonino Delli Colli's cinematography, allowing you to see every iconic wart and furrow on every bad guy's face.

Full Review Source: Boston Globe | Original Score: 4/4

August 1, 2003
Stephen Whitty
Newark Star-Ledger
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It's great to see a great director's film as he intended it, with rich color and restored sound.

Full Review Source: Newark Star-Ledger

June 3, 2003
Michael Atkinson
Village Voice
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All told, and in giant widescreen, it's only blood-red adolescent fun, but it blooms like Douglas Sirk with a Gatling gun compared to the teenage demographic's current fare.

Full Review Source: Village Voice

May 27, 2003
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