There's a sad, compulsive, edge-of-the-abyss desperation to Nick Nolte's intuitive and informed performance...
The Good Thief (2003)
Tomatometer
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Reviews Counted:137
Fresh:106
Rotten:31
Average Rating:6.9/10
Consensus: Bolstered by Nolte's strong performance, The Good Thief brims with seductive style.
Rated: R [See Full Rating] for language, sexuality, drug content and some violence
Runtime: 1 hr 49 mins
Genre: Dramas
Theatrical Release:Apr 2, 2003 Limited
Box Office: $3,416,785
Synopsis: Set against the glitzy backdrop of the French Riviera and its seedy underworld is Academy Award-winner Neil Jordan’s clever, sexy caper, THE GOOD THIEF. Bob Montagnet (Nick Nolte) is about to... Set against the glitzy backdrop of the French Riviera and its seedy underworld is Academy Award-winner Neil Jordan’s clever, sexy caper, THE GOOD THIEF. Bob Montagnet (Nick Nolte) is about to gamble it all on the casino heist of a lifetime; a spectacular sleight of hand - two heists, one real, one not, but which is which? Inspired by the Jean Pierre Melville classic BOB LE FLAMBEUR, THE GOOD THIEF is a remake of an original that features a complex plot full of copies and originals. The film’s hero draws his inspiration from the man he regards as the greatest thief and copycat of all...Picasso. Under the watchful eye of Roger (Tchéky Karyo), a policeman who would as soon save his longtime opponent as arrest him, Montagnet assembles a team that consists of partners Paulo (Saїd Taghmaoui) and Raoul (Gérard Darmon), technical mastermind Vladimer (Emir Kusturica), former-drug-dealer-turned-informant Said (Ouassini Embarek), Anne (Nutsa Kukhianidze), a young Eastern European girl Montagnet rescued from prostitution, and the perfect complement to a double theft - identical twins Albert and Bertram (Mark and Mike Polish). THE GOOD THIEF also features Ralph Fiennes as a ruthless art dealer. THE GOOD THIEF was produced by Stephen Woolley, John Wells and Seaton McLean and financed by ALLIANCE ATLANTIS. It was shot by Oscar®-winning cameraman Chris Menges (THE KILLING FIELDS, THE MISSION) and Jordan’s long-standing team of skilled technicians. The film is a Stephen Woolley/John Wells/Alliance Atlantis production of a Neil Jordan film co-produced by Tracey Seaward and executive produced by Neil Jordan, Kristin Harms and Thierry de Navacelle. [More]
Starring: Nick Nolte, Tcheky Karyo, Nutsa Kukhianidze, Emir Kusturica
Starring: Nick Nolte, Tcheky Karyo, Nutsa Kukhianidze, Emir Kusturica, Ralph Fiennes
Director: Neil Jordan
Director: Neil Jordan
Screenwriter: Neil Jordan
Producer: Seaton McLean, Stephen Woolley, John Wells, Tracey Seaward
Composer: Elliot Goldenthal
Studio: Fox Searchlight Pictures
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Reviews for The Good Thief
If director Neil Jordan was going for criminal cool, he hit the jackpot with The Good Thief.
Jordan has made a film that is both traditional enough to hold those moviegoers who don't catch its kickiness, and cinematic enough to hook those in thrall of 'camera art.'
The heist is the story's spine, the melody. But what's really interesting are the solo flights that branch off and the filigrees that embellish it.
The Good Thief is spry, quirky, morose, entertaining, tedious, slow, loose and quotable. In a word: it's uneven.
A diamond in the rough, just like Nolte and the character he rode in on.
Nolte is perfectly cast as this charming loser. The problem is, he knows it.
...a shambling, dope-addled cousin to Ocean's Eleven, one in which everyone smokes a lot and hangs out with prostitutes.
Jordan delivers easily his most satisfying work since 1992's The Crying Game.
[T]here probably isn't another actor in the world better suited to play a substance-abusing, world-weary charmer than Nick Nolte.
A darker, French version of Ocean's 11, without the stars and without the subtitles.
Unlike the crispness of the original, the word that best describes this production is lassitude, from characters so tired they can't manage to speak intelligibly to the listless caper(s) plot that seems doomed from the beginning.
There's not much to remember a few days later, but it's eye candy of a very high order.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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