It isn't exactly miscasting that sabotages `A Good Woman' as much as it is the timing of the casting at hand.
A Good Woman (2005)
Tomatometer
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Reviews Counted:79
Fresh:30
Rotten:49
Average Rating:5.3/10
Consensus: This adaptation of Wilde's Lady Windermere's Fan lacks bite due to liberties taken with the source material, coupled with uneven performances.
Rated: PG [See Full Rating] for thematic material, sensuality and language
Runtime: 1 hr 33 mins
Genre: Comedies
Theatrical Release:Feb 3, 2006 Limited
Box Office: $97,060
Synopsis: Helen Hunt and Scarlett Johansson fight over the same rich young man in this sumptuously elegant and loose adaptation of Oscar Wilde's LADY WINDERMERE'S FAN. The setting for the action is moved... Helen Hunt and Scarlett Johansson fight over the same rich young man in this sumptuously elegant and loose adaptation of Oscar Wilde's LADY WINDERMERE'S FAN. The setting for the action is moved from Victorian England's parlors to Italy's gorgeous Amalfi coast in the early 1930's. A vacationing American couple, the Windermeres (Johansson and Mark Umbers), meet scandal when caught up in a web of expatriate British slander after Mr. Windermere apparently starts having an affair with the notorious gold-digger, Mrs. Erlynne (Hunt). Meanwhile, the debauched Lord Darlington (Stephen Campbell Moore) takes it upon himself to comfort the tearful and lovely Mrs. Windermere, and Tuppy (Tom Wilkinson), an older member of the British circle, sees there's a sweet woman being hurt by all the malicious gossip and falls for Mrs. Erlynne himself. The gossip may be malicious, but no one writes it as well as Wilde, and here his famed quips--many flown in from other plays--flourish in wild abundance. Johansson is a knockout, and there are lots of elegant costumes and intricately decorated Italian villas, all captured in an enticingly dusky cinematographic style. Performances vary in stylistic approach, with Wilkinson carrying the day as the well-intentioned, self-effacing Tuppy, the vulnerable human center of this dizzying ring of barbed witticisms and elegant subterfuge. [More]
Starring: Helen Hunt, Scarlett Johansson, Tom Wilkinson, Stephen Moore
Starring: Helen Hunt, Scarlett Johansson, Tom Wilkinson, Stephen Moore, Stephen Campbell Moore, Mark Umbers, John Standing
Director: Mike Barker
Director: Mike Barker
Story: Oscar Wilde
Screenwriter: Howard Himelstein
Composer: Richard G. Mitchell
Studio: Lions Gate Films
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Reviews for A Good Woman
For those in the mood for love, A Good Woman is more than good. It's one of the best films of the new year.
Rarely have so many regularly employed professionals created something so utterly undistinguished as A Good Woman.
For the eyes, it's a cinematic banquet filled with the colors, wardrobe and scenery of 1930s Italy. For the mind, it's a sleek, intelligent story about love and money.
A Good Woman above all lacks the joyful, lucid anger that lights up Wilde's plays -- the sense that beneath the witticisms he's telling it like it is to people who aren't used to hearing it.
Strained of much of its Englishness...A Good Woman earns most of its good will from those Wildean epigrams.
Wilde provides the quips, Helen Hunt the acting chops, Scarlett Johansson the ample bosom, and all of it is filtered through golden mediterranean light.
As period dramas go, this Woman is accessible, but not nearly as delightful as the recent Pride & Prejudice.
AS IF Helen Hunt could ever steal a guy away from Scarlett Johansson
Without an incisive satirical tone and with the shift of both period and location, 'A Good Woman' loses its bite.
You know you're in trouble when someone adapts Oscar Wilde's Lady Windermere's Fan and changes the title to something totally forgettable.
The source material and supporting actors make A Good Woman a fairly good movie. But the performances by Helen Hunt as an aging seductress and Scarlett Johansson as a young bride are closer to mediocre.
Hunt and Johansson, two usually good actresses, are vapidly awful, teetering out of their elements in this shakily drawn period piece.
All the fun in A Good Woman occurs off in the corners, while the action in center-frame does little to capture your fancy.
A clever rearranging of Oscar Wilde's first great play, Lady Windermere's Fan.
[Tom] Wilkinson artfully deepens a character who in Wilde's original play was rather boobish. It's a marvelous performance in a pretty good film.
A Good Woman has the will to adapt Wilde to a fresh milieu, but not the way.
This misbegotten adaptation of Oscar Wildes 1892 comedy Lady Windermeres Fan lacks Wilde's high-toned repartee.
It might be empty calories, but A Good Woman is a tasty bonbon, the equal of the recent film version of Wilde's An Ideal Husband.
The film has been relocated from 19th century London to Italy's Amalfi coast in the 1930s, the resort backdrop and the randiness of the female characters giving the enterprise a sort of 'Girls Gone Wilde' feel.
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