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Movies / On DVD / A Good Year
A Good Year

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A Good Year (2006)

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Reviews Counted:123

Fresh:31

Rotten:92

Average Rating:4.8/10

Consensus: A Good Year is a fine example of a top-notch director and actor out of their elements, in a sappy romantic comedy lacking in charm and humor.

Rated: PG-13 [See Full Rating] for language and some sexual content

Runtime: 1 hr 58 mins

Genre: Dramas

Theatrical Release:Nov 10, 2006 Wide

Box Office: $7,365,004

Synopsis: Oscar®-winner Russell Crowe reunites with "Gladiator" director Ridley Scott in A GOOD YEAR, a Fox 2000 Pictures presentation of a Scott Free production. London-based investment expert Max Skinner... Oscar®-winner Russell Crowe reunites with "Gladiator" director Ridley Scott in A GOOD YEAR, a Fox 2000 Pictures presentation of a Scott Free production. London-based investment expert Max Skinner (Crowe) moves to Provence to sell a small vineyard he has inherited from his late uncle. Max reluctantly settles into what ultimately becomes an intoxicating new chapter in his life, as he comes to realize that life is meant to be savored. A GOOD YEAR is based on the best-selling novel of the same name by Peter Mayle. (Mayle and Ridley Scott, who are longtime friends, together came up with the idea for the novel.) Scott produces from a screenplay by Marc Klein. The film also stars the esteemed Albert Finney as Max's late Uncle Henry, who imparts wisdom to his young nephew; Marion Cotillard ("A Very Long Engagement") as a café owner who catches Max's eye; Abbie Cornish ("Sommersault") as Max's supposed long-lost cousin, who may hold the vineyard's title rights; Tom Hollander ("Pirates of the Caribbean: Dead Man's Chest") as his best friend; and Freddie Highmore ("Finding Neverland") as the young Max. Confident and cocky, headstrong and handsome, Max Skinner is a successful London banker who specializes in trading bonds. A financial barracuda on the banks of the Thames, Max devours the competition in his efforts to conquer the European market. His latest conquest has netted a tidy seven-figure profit, much to the chagrin of his Saville Row-draped rivals. Max's triumph is in perfect keeping with his philosophy: winning isn't everything, it's the only thing! Soon thereafter, Max receives word from France alerting him to sad news: his elderly Uncle Henry has passed away. Max, Henry's closest blood relative, is the sole beneficiary of his estate, which includes a Provençal chateau and vineyard, La Siroque, where Henry cultivated grapes for over thirty years. Max travels to the chateau where he spent his boyhood summers vacationing with his eccentric uncle, whom he hasn't seen or written to in years. While Max tends to the legal affairs of his inheritance, he is suspended from his firm, pending an investigation into his questionable bond transaction. With his future in London in flux, Max reluctantly begins settling into life at the chateau. He reunites with the chateau's longtime vigneron, Francis Duflot (still tending the vines after three decades), whom Max remembers from his boyhood visits. Duflot's exuberant wife, Ludivine, the estate's housekeeper, warmly welcomes Max back. Max is uncertain as to whether life in the South of France suits him. He rings up his best friend, London realtor Charlie Willis, to inquire as to what a small chateau and winery like La Siroque would command on the current market. Charlie advises Max that small wineries with a good product can bring several million dollars, as boutique wine, made in small batches, is the rage in wine shops. It's money in the bank for Max should he lose his job. As Max fondly embraces the memories of summers past (spent with a man whose wisdom and philosophy helped Max chart his successful career) while contemplating a cloudy future, a complication arises with the sudden arrival of a determined, twentysomething California girl, Christie Roberts. Christie, a Napa Valley native, claims to be the illegitimate daughter of the deceased uncle. The revelation, if true, makes her Max's cousin and, according to French law, the beneficiary of La Siroque. Suspecting Christie may be a fraud, Max questions her about her past while bickering with her over the fate of the vineyard, whose plonk (as the French define bad wine) rivals the worst vinegar imaginable. Max, who has tasted La Siroque's awful vin de pays, also finds some other bottles in Uncle Henry's cellar bearing the name Le Coin Perdu (‘the lost corner'). This mysterious, legendary vin de garage has fetched thousands per bottle on the black market for years, according to the fetching local cafe owner, Fanny Chenal, with whom Max has become smitten. Where does the wine come from, and why is Duflot so insistent on staying at La Siroque whatever the vineyard's fate? And, what about some unusual vines discovered on the property by Christie, which the crusty vintner claims are experimental in nature, and a renowned oenologue has deemed unworthy? Max's memories and the passage of time bring forth emotions and feelings he thought were long lost, and afford him a new appreciation of his late Uncle Henry's philosophy on life – and on life in Provence: "There's nowhere else in the world where one can keep busy doing so little, yet enjoy it so much!" --© 20th Century Fox [More]

Starring: Russell Crowe, Marion Cotillard, Albert Finney, Freddie Highmore

Starring: Russell Crowe, Marion Cotillard, Albert Finney, Freddie Highmore, Archie Panjabi, Richard Coyle, Tom Hollander, Giannina Facio, Abbie Cornish

Director: Ridley Scott

Director: Ridley Scott
Screenwriter: Marc Klein
Story: Peter Mayle
Studio: Fox 2000 Pictures

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Release:

Jan 13, 2009

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Reviews for A Good Year

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1 - 20 (sorted by critic A-Z)
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This Gallic tourist-porn feels as stale as yesterday's baguette.

Full Review Source: Film Journal International | comment Comment
12/01/06
Erica Abeel
Erica Abeel
Film Journal International

They were so adamant about not repeating [Gladiator's] themes that they borrowed a new one from Pixar's Cars.

Full Review Source: Combustible Celluloid | comment Comment
11/12/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Ridley Scott's sun-dappled tale of wine-making in the wilds of Provence slips down easily enough but leaves a nasty residue on the palate.

Full Review Source: BBC | comment Comment
10/17/06
Paul Arendt
Paul Arendt
BBC

It's light, airy, easygoing, idyllic and rather goofy.

Full Review Source: Seattle Post-Intelligencer | comment Comment
11/09/06
William Arnold
William Arnold
Seattle Post-Intelligencer

To quote a classic cinematic oenophile -- quaffable but far from transcendent.

Full Review Source: Palo Alto Weekly | comment Comment
11/08/06
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

For those who don't mind pictures that fall into predictable rhythms, A Good Year represents a pleasant diversion.

Full Review Source: ReelViews | comment Comment
11/09/06
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Full of pretentious grape-droppings on how wine is like life, only tastier and with a bolder finish, A Good Year is at best elusive to the palate. At worst, it's a bad pressing of a vintage that has no reisling to exist.

Full Review Source: Denver Post | comment Comment
11/10/06
Michael Booth
Michael Booth
Denver Post
Top Critic Icon Top Critic

Is it good for those Gladiator dudes Ridley Scott and Russell Crowe to team up again for a romantic comedy about winemaking in the South of France? Perhaps not, but it's a nice try.

Full Review Source: Hollywood.com | comment Comment
11/10/06
Kit Bowen
Kit Bowen
Hollywood.com

A Good Year is nothing to Crowe about.

Full Review Source: Houston Community Newspapers | comment Comment
11/11/06
Gary Brown
Gary Brown
Houston Community Newspapers

Scott tries to pump up this slender tale into something more meaningful: His tactic of choice is to bully us into always feeling something, which leads to an astonishing amount of clumsy comedy and overreaching sentiment.

Full Review Source: Creative Loafing | comment Comment
11/10/06
Matt Brunson
Matt Brunson
Creative Loafing

Magically transports us to the sensuous setting of southern France where memory, love, and a grand fondness for place conspire to alter the life of a selfish London trader

Full Review Source: Spirituality and Practice | comment Comment
11/10/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

A leaden attempt at an upbeat romp from the downcast, feel-bad tag team of actor Russell Crowe and director Ridley Scott, the movie is like hearing a knock-knock joke told by a mortician.

Full Review Source: Philadelphia Weekly | comment Comment
11/14/06
Sean Burns
Sean Burns
Philadelphia Weekly

A shamelessly enjoyable retread, an ode to la belle vie that has been well turned on a factory spindle.

Full Review Source: Boston Globe | comment Comment
11/10/06
Ty Burr
Ty Burr
Boston Globe
Top Critic Icon Top Critic

One suspects it was a lot more fun to make this movie than it is to watch it.

Full Review Source: Kansas City Star | comment Comment
11/10/06
Robert W. Butler
Robert W. Butler
Kansas City Star

Under the Tuscan Sun for men

Full Review Source: 7M Pictures | comment Comment
03/22/07
Kevin Carr
Kevin Carr
7M Pictures

the best way to sum up [Crowe] is shockingly lacking in anything resembling charm. There is not even a charismatic sort of anti-charm at work here.

Full Review Source: Killer Movie Reviews | comment Comment
10/28/06
Andrea Chase
Andrea Chase
Killer Movie Reviews

One could do worse than to please one's eyes with the pictures here, but that may be as far as any stimulation goes.

Full Review Source: ReelTalk Movie Reviews | comment Comment
11/09/06
Jeffrey Chen
Jeffrey Chen
ReelTalk Movie Reviews

Any vacation which could dry out Russell Crowe's intensity is probably a good thing. Just not as a lark by his Gladiator director doing Benny Hill jokes while he discovers the joys of life.

Full Review Source: eFilmCritic.com | comment Comment
10/19/06
Erik Childress
Erik Childress
eFilmCritic.com

They [director Ridley Scott and star Russell Crowe] may have had a good time making the film, but I can't say I did while watching it.

Full Review Source: Reeling Reviews | comment Comment
11/14/06
Robin Clifford
Robin Clifford
Reeling Reviews

Scott is clearly aiming for cute and wacky while hedging his bets with sticky nostalgia.

Full Review Source: Shadows on the Wall | comment Comment
10/19/06
Rich Cline
Rich Cline
Shadows on the Wall
 
 
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Latest News for A Good Year

September 06, 2007: Box Office Guru Preview: Crowe vs. Bale in Box Office Shootout
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June 29, 2007: Crowe & Di Caprio to Team up for Ridley Scott's "Body of Lies"
Man, Ridley Scott and Russell Crowe must really like working together... More...

May 01, 2007: Ridley Scott Will Direct "Nottingham"
Celebrated director Ridley Scott will reunite with actor Russell Crowe for the fourth time on the revisionist take on "Robin Hood" called "Nottingham." (Can... More...

November 12, 2006: Box Office Wrapup: Sexytime for "Borat" Once Again!
There was no stopping the Kazakh sensation Borat which expanded nationally this weekend after a stunning debut and remained at the top of the North American box office once again. More...

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