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Movies / On DVD / A Good Year
A Good Year

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A Good Year (2006)

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Reviews Counted:123

Fresh:31

Rotten:92

Average Rating:4.8/10

Consensus: A Good Year is a fine example of a top-notch director and actor out of their elements, in a sappy romantic comedy lacking in charm and humor.

Rated: PG-13 [See Full Rating] for language and some sexual content

Runtime: 1 hr 58 mins

Genre: Dramas

Theatrical Release:Nov 10, 2006 Wide

Box Office: $7,365,004

Synopsis: Oscar®-winner Russell Crowe reunites with "Gladiator" director Ridley Scott in A GOOD YEAR, a Fox 2000 Pictures presentation of a Scott Free production. London-based investment expert Max Skinner... Oscar®-winner Russell Crowe reunites with "Gladiator" director Ridley Scott in A GOOD YEAR, a Fox 2000 Pictures presentation of a Scott Free production. London-based investment expert Max Skinner (Crowe) moves to Provence to sell a small vineyard he has inherited from his late uncle. Max reluctantly settles into what ultimately becomes an intoxicating new chapter in his life, as he comes to realize that life is meant to be savored. A GOOD YEAR is based on the best-selling novel of the same name by Peter Mayle. (Mayle and Ridley Scott, who are longtime friends, together came up with the idea for the novel.) Scott produces from a screenplay by Marc Klein. The film also stars the esteemed Albert Finney as Max's late Uncle Henry, who imparts wisdom to his young nephew; Marion Cotillard ("A Very Long Engagement") as a café owner who catches Max's eye; Abbie Cornish ("Sommersault") as Max's supposed long-lost cousin, who may hold the vineyard's title rights; Tom Hollander ("Pirates of the Caribbean: Dead Man's Chest") as his best friend; and Freddie Highmore ("Finding Neverland") as the young Max. Confident and cocky, headstrong and handsome, Max Skinner is a successful London banker who specializes in trading bonds. A financial barracuda on the banks of the Thames, Max devours the competition in his efforts to conquer the European market. His latest conquest has netted a tidy seven-figure profit, much to the chagrin of his Saville Row-draped rivals. Max's triumph is in perfect keeping with his philosophy: winning isn't everything, it's the only thing! Soon thereafter, Max receives word from France alerting him to sad news: his elderly Uncle Henry has passed away. Max, Henry's closest blood relative, is the sole beneficiary of his estate, which includes a Provençal chateau and vineyard, La Siroque, where Henry cultivated grapes for over thirty years. Max travels to the chateau where he spent his boyhood summers vacationing with his eccentric uncle, whom he hasn't seen or written to in years. While Max tends to the legal affairs of his inheritance, he is suspended from his firm, pending an investigation into his questionable bond transaction. With his future in London in flux, Max reluctantly begins settling into life at the chateau. He reunites with the chateau's longtime vigneron, Francis Duflot (still tending the vines after three decades), whom Max remembers from his boyhood visits. Duflot's exuberant wife, Ludivine, the estate's housekeeper, warmly welcomes Max back. Max is uncertain as to whether life in the South of France suits him. He rings up his best friend, London realtor Charlie Willis, to inquire as to what a small chateau and winery like La Siroque would command on the current market. Charlie advises Max that small wineries with a good product can bring several million dollars, as boutique wine, made in small batches, is the rage in wine shops. It's money in the bank for Max should he lose his job. As Max fondly embraces the memories of summers past (spent with a man whose wisdom and philosophy helped Max chart his successful career) while contemplating a cloudy future, a complication arises with the sudden arrival of a determined, twentysomething California girl, Christie Roberts. Christie, a Napa Valley native, claims to be the illegitimate daughter of the deceased uncle. The revelation, if true, makes her Max's cousin and, according to French law, the beneficiary of La Siroque. Suspecting Christie may be a fraud, Max questions her about her past while bickering with her over the fate of the vineyard, whose plonk (as the French define bad wine) rivals the worst vinegar imaginable. Max, who has tasted La Siroque's awful vin de pays, also finds some other bottles in Uncle Henry's cellar bearing the name Le Coin Perdu (‘the lost corner'). This mysterious, legendary vin de garage has fetched thousands per bottle on the black market for years, according to the fetching local cafe owner, Fanny Chenal, with whom Max has become smitten. Where does the wine come from, and why is Duflot so insistent on staying at La Siroque whatever the vineyard's fate? And, what about some unusual vines discovered on the property by Christie, which the crusty vintner claims are experimental in nature, and a renowned oenologue has deemed unworthy? Max's memories and the passage of time bring forth emotions and feelings he thought were long lost, and afford him a new appreciation of his late Uncle Henry's philosophy on life – and on life in Provence: "There's nowhere else in the world where one can keep busy doing so little, yet enjoy it so much!" --© 20th Century Fox [More]

Starring: Russell Crowe, Marion Cotillard, Albert Finney, Freddie Highmore

Starring: Russell Crowe, Marion Cotillard, Albert Finney, Freddie Highmore, Archie Panjabi, Richard Coyle, Tom Hollander, Giannina Facio, Abbie Cornish

Director: Ridley Scott

Director: Ridley Scott
Screenwriter: Marc Klein
Story: Peter Mayle
Studio: Fox 2000 Pictures

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Jan 13, 2009

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Reviews for A Good Year

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21 - 40 (sorted by date)
Text View | |< << 1 2 3 4 5 6 7 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Russell Crowe has many talents, but a gift for light comedy is not one of them.

Full Review Source: Rolling Stone | comment Comment
11/13/06
Peter Travers
Peter Travers
Rolling Stone
Top Critic Icon Top Critic

There are some pretty funny things in there.

Full Review Source: Ebert & Roeper | comment Comment
11/13/06
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

...starts out as pleasantly predictable...but bogs down...

Full Review Source: Sacramento News & Review | comment Comment
11/13/06
Jim Lane
Jim Lane
Sacramento News & Review

A pleasant enough diversion if you can get past the 'Borat'-like embarrassment of slapstick moments.

Full Review Source: Compuserve | comment Comment
11/12/06
Harvey S. Karten
Harvey S. Karten
Compuserve

They were so adamant about not repeating [Gladiator's] themes that they borrowed a new one from Pixar's Cars.

Full Review Source: Combustible Celluloid | comment Comment
11/12/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A Good Year is nothing to Crowe about.

Full Review Source: Houston Community Newspapers | comment Comment
11/11/06
Gary Brown
Gary Brown
Houston Community Newspapers
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
11/11/06
St. Louis Post-Dispatch

A Good Year is a bad movie.

Full Review Source: DustinPutman.com | comment Comment
11/11/06
Dustin Putman
Dustin Putman
DustinPutman.com

When I think of humor and lightness of touch, Scott is about the last director to leap to mind, and Crowe nearly the last actor.

Full Review Source: Los Angeles CityBeat | comment Comment
11/10/06
Andy Klein
Andy Klein
Los Angeles CityBeat

It's pleasant stuff, going down about as easy as a vintage merlot.

Full Review Source: Maxim | comment Comment
11/10/06
Pete Hammond
Pete Hammond
Maxim

Could be packaged alongside Under the Tuscan Sun and sold with matching, his-and-hers fluffy bathrobes.

Full Review Source: FilmStew.com | comment Comment
11/10/06
Brent Simon
Brent Simon
FilmStew.com

Ridley Scott's lush adaptation of Peter Mayle's novel about a ruthless London commodities trader who finds his soul in Provence is broad, hackneyed and stultifyingly predictable.

Full Review Source: TV Guide's Movie Guide | comment Comment
11/10/06
Ken Fox
Ken Fox
TV Guide's Movie Guide

Crowe, a superb dramatic actor, is congenitally incapable of humour, especially when he tries slapstick.

Full Review Source: Toronto Star | comment Comment
11/10/06
Peter Howell
Peter Howell
Toronto Star
Top Critic Icon Top Critic

On a rainy day, A Good Year may be welcome fantasy; the question is whether anyone will remember it after the clouds have parted.

Full Review Source: Seattle Times | comment Comment
11/10/06
Moira MacDonald
Moira MacDonald
Seattle Times

Despite some stunning visuals and a lot of nice moments, the finished product feels like the work of an actor and director who are out of their element.

Full Review Source: San Francisco Chronicle | comment Comment
11/10/06
Peter Hartlaub
Peter Hartlaub
San Francisco Chronicle

Despite all the sunny, Provencale charms, the plot is a wisp of wee gags, peeps of flesh, mildly charming repartee.

Full Review Source: San Diego Union-Tribune | comment Comment
11/10/06
David Elliott
David Elliott
San Diego Union-Tribune

Awkward when delivering lighthearted dialogue, Crowe seems profoundly uncomfortable with physical comedy, approaching it with an intense earnestness that smothers potential chuckles.

Full Review Source: Sacramento Bee | comment Comment
11/10/06
Carla Meyer
Carla Meyer
Sacramento Bee

Intentions are good in A Good Year, but the sweat is too obvious on the brows of all involved.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
11/10/06
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

Whatever joy Scott and his cohorts might have experienced on location didn't make its way into the movie. This Good Year is no good time.

Full Review Source: Reel.com | comment Comment
11/10/06
Pam Grady
Pam Grady
Reel.com

The overall effect is one of a sumptuously laid table where the main course is overcooked.

Full Review Source: Philadelphia Inquirer | comment Comment
11/10/06
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
Top Critic Icon Top Critic
 
 
21 - 40 (sorted by date)
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Latest News for A Good Year

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June 29, 2007: Crowe & Di Caprio to Team up for Ridley Scott's "Body of Lies"
Man, Ridley Scott and Russell Crowe must really like working together... More...

May 01, 2007: Ridley Scott Will Direct "Nottingham"
Celebrated director Ridley Scott will reunite with actor Russell Crowe for the fourth time on the revisionist take on "Robin Hood" called "Nottingham." (Can... More...

November 12, 2006: Box Office Wrapup: Sexytime for "Borat" Once Again!
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