Though the film's deliberate pace is sometimes frustrating, it casts a quietly powerful spell and the memory of its images lingers provocatively long after they've flickered into darkness.
Goodbye Dragon Inn (2004)
Tomatometer
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Reviews Counted:31
Fresh:25
Rotten:6
Average Rating:7.5/10
Theatrical Release:Sep 17, 2004 Limited
Synopsis: The subject of cinema, of the mix of loneliness and connection that is part of being in a movie audience, is the concern of this sad, beautiful, minimalist composition by Taiwanese director Tsai... The subject of cinema, of the mix of loneliness and connection that is part of being in a movie audience, is the concern of this sad, beautiful, minimalist composition by Taiwanese director Tsai Ming-Liang (WHAT TIME IS IT THERE?). The action takes place Inside a Taipei movie theater operated by a lonely clubfooted woman (Shiyang Chi-Chen) whose slow steps echo through the empty corridors and aisles, as if measuring out the feet of celluloid that make up the film itself. When a character actually speaks, the film is half over, and his exclamation that the theater is "haunted" echoes uneasily through the rest of the film, causing one to wonder just who is a ghost and who isn't. A lonely visitor to the theater (Kiyonobu Mitamura) acts pretty real. But then there are characters who seem to come out of nowhere to sit next to him and bother him with their loud eating. The film on the theater screen is the 1966 King Hu martial arts classic, DRAGON INN, and one of that film's original actors is even in the theater, with his grandson. While not a lot seems to happen, Tsai's film is never dull thanks to the playful sense of sound and stunning cinematography. In chronicling the impermanence of life, and of film itself, this film becomes post-modern as well as beautiful, and---rare for an art film of this sort--accessible and engaging even to the casual movie lover. [More]
Starring: Lee Kang-Sheng, Chen Shiang-Chyi, Chen Chao-Jung, Lu Yi-Cheng
Starring: Lee Kang-Sheng, Chen Shiang-Chyi, Chen Chao-Jung, Lu Yi-Cheng, Yang Kuei-Mei, Miao Tien
Director: Tsai Ming-Liang
Director: Tsai Ming-Liang
Screenwriter: Tsai Ming-Liang
Studio: Wellspring
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Reviews for Goodbye Dragon Inn
A masterful meditation on both the singular and collective experience of going to the movies.
... at once an elegy for the communal experience of cinema-going and another quintessentially Tsai portrait of loneliness and isolation.
A droll gem that celebrates movie love with feeling and deadpan humor.
Offers a melancholy glimpse of urban loneliness and the passing of an era.
It's a trance and a chant, a ritual of filmmaking that evokes the ritual of film-watching.
There's a warm and meandering feeling to the film, although it will be completely lost on non-cinephiles, who'll find this unbearably dull!
Tsai Ming-Ling's bitter-sweet Goodbye Dragon Inn isn't easy to categorise: an exercise in cinematic minimalism, it's a ghost story, a deadpan comedy, and a lament for an earlier era of film-going.
Tsai's elegy to a now-departed Taipei theater is also a beautiful love poem to the movies.
It certainly stands as Tsai's most skillful work -- he manages to keep viewer attention for a full 81 minutes with a minimum of action and dialogue.
A movie of elegant understatement and considerable formal intelligence.
Tsai is hugely popular with film critics, I believe, in part because film critics actually have something to do while watching his films. While the girl is limping down the hallway, we can take notes. Regular theatergoers? They can only watch helplessly.
This is one of the most gorgeous and maturely composed movies you'll see this year.
A loving tribute to cinema by Tsai Ming-liang, one of Taiwan's most accomplished and popular directors.
Ming-liang writes an eloquent billet-doux that has the heart-felt sensibilities and emotions of what loving and living with film are about.
This feels like short film material stretched exasperatingly thin but nonetheless casts a certain sad spell, graced by moments of droll observational humor.
The real star of the movie is the doomed movie house itself, and the dominant subtext is the emotional transaction between the viewer and his (or her) more vividly vicarious adventures projected on-screen.
Plays as a meditation on the deep feelings felt by the viewer and the filmmaker towards the movie experience.
Hypnotic in effect but ultimately rather irritating, Goodbye, Dragon Inn will entice those viewers who like oblique, allusive cinema.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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