A masterful meditation on both the singular and collective experience of going to the movies.
Goodbye Dragon Inn (2004)
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Reviews Counted:31
Fresh:25
Rotten:6
Average Rating:7.5/10
Theatrical Release:Sep 17, 2004 Limited
Synopsis: The subject of cinema, of the mix of loneliness and connection that is part of being in a movie audience, is the concern of this sad, beautiful, minimalist composition by Taiwanese director Tsai... The subject of cinema, of the mix of loneliness and connection that is part of being in a movie audience, is the concern of this sad, beautiful, minimalist composition by Taiwanese director Tsai Ming-Liang (WHAT TIME IS IT THERE?). The action takes place Inside a Taipei movie theater operated by a lonely clubfooted woman (Shiyang Chi-Chen) whose slow steps echo through the empty corridors and aisles, as if measuring out the feet of celluloid that make up the film itself. When a character actually speaks, the film is half over, and his exclamation that the theater is "haunted" echoes uneasily through the rest of the film, causing one to wonder just who is a ghost and who isn't. A lonely visitor to the theater (Kiyonobu Mitamura) acts pretty real. But then there are characters who seem to come out of nowhere to sit next to him and bother him with their loud eating. The film on the theater screen is the 1966 King Hu martial arts classic, DRAGON INN, and one of that film's original actors is even in the theater, with his grandson. While not a lot seems to happen, Tsai's film is never dull thanks to the playful sense of sound and stunning cinematography. In chronicling the impermanence of life, and of film itself, this film becomes post-modern as well as beautiful, and---rare for an art film of this sort--accessible and engaging even to the casual movie lover. [More]
Starring: Lee Kang-Sheng, Chen Shiang-Chyi, Chen Chao-Jung, Lu Yi-Cheng
Starring: Lee Kang-Sheng, Chen Shiang-Chyi, Chen Chao-Jung, Lu Yi-Cheng, Yang Kuei-Mei, Miao Tien
Director: Tsai Ming-Liang
Director: Tsai Ming-Liang
Screenwriter: Tsai Ming-Liang
Studio: Wellspring
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Reviews for Goodbye Dragon Inn
Offers a melancholy glimpse of urban loneliness and the passing of an era.
This is a funny, sad, stunningly smart movie about the end of movies, made in Tsai's inimitable, unblinking style.
A movie of elegant understatement and considerable formal intelligence.
This feels like short film material stretched exasperatingly thin but nonetheless casts a certain sad spell, graced by moments of droll observational humor.
It's a trance and a chant, a ritual of filmmaking that evokes the ritual of film-watching.
Ming-liang writes an eloquent billet-doux that has the heart-felt sensibilities and emotions of what loving and living with film are about.
It has a haunting and eerie quality to it at times, but it doesn’t stay with the viewer for very long. I feel more like I’m watching a cinematographer’s clip-reel.
There's a warm and meandering feeling to the film, although it will be completely lost on non-cinephiles, who'll find this unbearably dull!
It certainly stands as Tsai's most skillful work -- he manages to keep viewer attention for a full 81 minutes with a minimum of action and dialogue.
Its simple, meticulously composed frames are full of mystery and feeling; it's an action movie that stands perfectly still.
Each frame is a photograph used to memorialize the texture of every ancient, crumbling crevice.
Tsai's elegy to a now-departed Taipei theater is also a beautiful love poem to the movies.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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