I felt the film was incredibly stripped down -- which is fine -- but there’s nothing else to sort of help build it back up again.
Goodbye Solo (2009)
Tomatometer
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Reviews Counted:89
Fresh:84
Rotten:5
Average Rating:7.7/10
Consensus: An original and thoughtful human drama, Goodbye Solo looks at relationships and loneliness while proving director Ramin Bahrani's is an important American voice.
Theatrical Release:Mar 27, 2009 Limited
Box Office: $809,220
Synopsis: For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North... For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North Carolina. Though the scenery has changed, Bahrani’s tender, humane vision remains. As with those previous films, Bahrani focuses his story on a cultural outsider, the type of person who usually gets relegated to a movie's background. Solo (Souleymane Sy Savane) is a Senegalese taxi driver whose latest fare, a weathered and despondent old Southerner named William (Red West), offers him big money to drive to a mountain peak, where it appears that William is going to commit suicide. A good-natured and kind-spirited man, Solo is disturbed by this revelation. Out of a deep sense of purpose, he embarks on a mission to save William. Working with his main creative collaborator, cinematographer Michael Simmonds, Bahrani casts a luminous spell over his deceptively simple tale. The director, who also edits his films, keeps the story moving forward while allowing it to breathe. He also extracts flawless, fully lived-in performances from Savane and West. Though Bahrani’s previous films have been deservedly praised, he has vaulted himself into the top ranks of American indie directors with GOODBYE SOLO. This masterfully realized story of life and death is destined to stand as one of 2009’s best. [More]
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva, Lane "Roc" Williams, Mamadou Lam
Director: Ramin Bahrani
Director: Ramin Bahrani
Screenwriter: Bahareh Azimi, Ramin Bahrani
Producer: Jason Orans, Ramin Bahrani
Studio: Roadside Attractions
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Reviews for Goodbye Solo
Ramin Bahrani is a promising filmmaker who needs to work much harder at crafting dialogue and complete stories, and not believe the false praise being bestowed on him by the A.O. Scotts of the world.
Behind the noble intentions and cluttered rooms and grimy windshields, however, lies a salt-and-pepper portrait with almost as many undercooked contrivances.
A thin character study over which critics wank themselves into a state of ecstasy at all the meaning they can superimpose on the film.
Bahrani's his experimental (and, some might argue, pretentious) dramas can wander off course in search of honest emotion, often to the detriment of his story.
The raptures that greeted Ramin Bahrani’s Goodbye Solo at festivals last year are wholly deserved.
For a movie critic, one of the pleasures of Bahrani's approach to moviemaking is the opportunity to write about feelings and behavior, to continue to wonder about the characters' inner lives weeks after leaving the movie theater.
The story told in Goodbye Solo, Ramin Bahrani's wonderful third feature, is moving and mysterious, and you may find yourself pondering its implications for a long time after the film's simple and haunting final images have faded.
Most of the movie's subterranean emotion is found in the unsettled relationship between Solo and William, and in the extraordinary performances by the two leading men.
A darkly poetic parable of the solitude of human existence, somewhat ameliorated by the occasional generosity of the human spirit.
Bahrani's new movie, Goodbye Solo, offers further proof that he is one of the best reasons to keep going to the movies.
It's touching in its way, though Bahrani's writing is not nearly as strong as his visual sense, and the denouement is perhaps too understated for its own good.
A deeply affecting portrait of the way that we are all changed in small but significant ways by our encounters with others.
A profoundly moving, raw, tender and gently uplifting drama that celebrates the importance of unconditional human compassion.
An endearing character piece shot through with beauty and humility in which, thanks to his leads’ open, sometimes vulnerable performances, tolerance and respect take precedence.
One of those movies that I think will change as I get older, growing even more with time. If we're lucky, you can say that about a few films a year. It's nice to get one so early in 2009.
Goodbye Solo is the sort of film that truly defies categorization, and that may pose a challenge to some moviegoers. But there are certain works of art to which the rules do not apply. This is one of them.
the tale of an unlikely friendship, one that reaches across generational and cultural barriers
Latest News for Goodbye Solo
March 26, 2009:
Critics Consensus: Monsters vs. Aliens Is A Blast
This week at the movies, we've got a war of the worlds (Monsters vs. Aliens, with voice work by Reese Witherspoon and Seth Rogan), a demonic abode (The Haunting in Connecticut,... More...
February 15, 2009:
Trailer & Poster review ![]()
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