Hums with life and with good humor... a uniquely human-sized movie.
Goodbye Solo (2009)
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Reviews Counted:91
Fresh:86
Rotten:5
Average Rating:7.7/10
Consensus: An original and thoughtful human drama, Goodbye Solo looks at relationships and loneliness while proving director Ramin Bahrani's is an important American voice.
Theatrical Release:Mar 27, 2009 Limited
Box Office: $809,220
Synopsis: For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North... For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North Carolina. Though the scenery has changed, Bahrani’s tender, humane vision remains. As with those previous films, Bahrani focuses his story on a cultural outsider, the type of person who usually gets relegated to a movie's background. Solo (Souleymane Sy Savane) is a Senegalese taxi driver whose latest fare, a weathered and despondent old Southerner named William (Red West), offers him big money to drive to a mountain peak, where it appears that William is going to commit suicide. A good-natured and kind-spirited man, Solo is disturbed by this revelation. Out of a deep sense of purpose, he embarks on a mission to save William. Working with his main creative collaborator, cinematographer Michael Simmonds, Bahrani casts a luminous spell over his deceptively simple tale. The director, who also edits his films, keeps the story moving forward while allowing it to breathe. He also extracts flawless, fully lived-in performances from Savane and West. Though Bahrani’s previous films have been deservedly praised, he has vaulted himself into the top ranks of American indie directors with GOODBYE SOLO. This masterfully realized story of life and death is destined to stand as one of 2009’s best. [More]
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva, Lane "Roc" Williams, Mamadou Lam
Director: Ramin Bahrani
Director: Ramin Bahrani
Screenwriter: Bahareh Azimi, Ramin Bahrani
Producer: Jason Orans, Ramin Bahrani
Studio: Roadside Attractions
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Reviews for Goodbye Solo
I felt the film was incredibly stripped down -- which is fine -- but there’s nothing else to sort of help build it back up again.
Continues [Bahrani's] persistent, sympathetic documentation of first-generation immigrants on the margins of society. And in an indie world too long dominated by navel-gazers, Bahrani’s work has become an important corrective.
For a movie critic, one of the pleasures of Bahrani's approach to moviemaking is the opportunity to write about feelings and behavior, to continue to wonder about the characters' inner lives weeks after leaving the movie theater.
The performances are exhilarating in their precision, and so is the director's eye.
For Bahrani, Goodbye Solo is strong proof of his status as a great independent talent.
The strange power of those final moments - at once tender, tragic and triumphant - grant this unassuming drama about saying goodbye to Solo the status of a minor masterpiece played in an appropriately minor key.
Bahrani's his experimental (and, some might argue, pretentious) dramas can wander off course in search of honest emotion, often to the detriment of his story.
The emotion here is genuine, but the outlook is tough: in Bahrani's movies we're all aliens to each other.
Bahrani is the new great American director. He never steps wrong. In Goodbye Solo, he begins with a situation that might unfold in a dozen different ways and makes of it something original and profound.
I'm not sure what it would take for Bahrani to reach the audience he deserves, but making one good film after another can't hurt.
The crazy-quilt quality of these immigrants mixing it up with Southern rednecks like William is deftly underplayed, and so it has more resonance for us.
Behind the noble intentions and cluttered rooms and grimy windshields, however, lies a salt-and-pepper portrait with almost as many undercooked contrivances.
Ramin Bahrani is a promising filmmaker who needs to work much harder at crafting dialogue and complete stories, and not believe the false praise being bestowed on him by the A.O. Scotts of the world.
Those who enjoy sublime naturalism should appreciate Bahrani's latest effort ... though it's just as likely to frustrate those looking for more of a story, one that moves at a more respectable pace
Bahrani brings a researcher's integrity, an artist's compassion and a detective's eye for the neglected detail to his tales of this country's struggling international underclass...
The life-affirming dialogue easily draws the audience into the funky surroundings of Winston-Salem, North Carolina.
Latest News for Goodbye Solo
March 26, 2009:
Critics Consensus: Monsters vs. Aliens Is A Blast
This week at the movies, we've got a war of the worlds (Monsters vs. Aliens, with voice work by Reese Witherspoon and Seth Rogan), a demonic abode (The Haunting in Connecticut,... More...
February 15, 2009:
Trailer & Poster review ![]()
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|---|---|
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| 78% 78% | The Hangover |
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