Fine performances all around act like vital organs within the body of Bahrani's resonant chamber piece.
Goodbye Solo (2009)
Tomatometer
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Reviews Counted:91
Fresh:86
Rotten:5
Average Rating:7.7/10
Consensus: An original and thoughtful human drama, Goodbye Solo looks at relationships and loneliness while proving director Ramin Bahrani's is an important American voice.
Theatrical Release:Mar 27, 2009 Limited
Box Office: $809,220
Synopsis: For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North... For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North Carolina. Though the scenery has changed, Bahrani’s tender, humane vision remains. As with those previous films, Bahrani focuses his story on a cultural outsider, the type of person who usually gets relegated to a movie's background. Solo (Souleymane Sy Savane) is a Senegalese taxi driver whose latest fare, a weathered and despondent old Southerner named William (Red West), offers him big money to drive to a mountain peak, where it appears that William is going to commit suicide. A good-natured and kind-spirited man, Solo is disturbed by this revelation. Out of a deep sense of purpose, he embarks on a mission to save William. Working with his main creative collaborator, cinematographer Michael Simmonds, Bahrani casts a luminous spell over his deceptively simple tale. The director, who also edits his films, keeps the story moving forward while allowing it to breathe. He also extracts flawless, fully lived-in performances from Savane and West. Though Bahrani’s previous films have been deservedly praised, he has vaulted himself into the top ranks of American indie directors with GOODBYE SOLO. This masterfully realized story of life and death is destined to stand as one of 2009’s best. [More]
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva, Lane "Roc" Williams, Mamadou Lam
Director: Ramin Bahrani
Director: Ramin Bahrani
Screenwriter: Bahareh Azimi, Ramin Bahrani
Producer: Jason Orans, Ramin Bahrani
Studio: Roadside Attractions
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Reviews for Goodbye Solo
It's an American film that looks like an arty European film, and I mean that as a sincere compliment.
Bahrani's his experimental (and, some might argue, pretentious) dramas can wander off course in search of honest emotion, often to the detriment of his story.
It is both funny and sad, placid and provocative and, above all, hopeful and despairing.
For the performances, the cinematography and the overall experience of this character-driven drama, you can put Goodbye Solo into the must-see category.
Every moment -- including a physically exhausting climactic scene that both confounds expectations and compounds the film's poetic majesty -- is evidence of a masterpiece.
What happens in Goodbye Solo meets the complex demands of good classic storytelling.
The beauty of this third feature from director Ramin Bahrani, who co-wrote it with Bahareh Azimi, is how efficiently it disarms uneasy expectations.
Bahrani brings a researcher's integrity, an artist's compassion and a detective's eye for the neglected detail to his tales of this country's struggling international underclass...
The lack of melodrama coupled with moments of quiet celebration make Goodbye Solo a more uplifting tale than one might expect with such a less-than-joyous premise.
The acting is flawless, the world feels utterly real, and the finale accomplishes the miracle of finding in the everyday world something profound.
A nice antidote to the action-comes-first style of filmmaking that dominates movies this time of year.
Goodbye Solo is the sort of film that truly defies categorization, and that may pose a challenge to some moviegoers. But there are certain works of art to which the rules do not apply. This is one of them.
What began as something of a lark becomes increasingly grave, and the actors skillfully adjust to that change in tone.
Bahrani's new movie, Goodbye Solo, offers further proof that he is one of the best reasons to keep going to the movies.
The overall effect of Goodbye Solo is of living through a drama of huge subjects, articulated in the vernacular.
Latest News for Goodbye Solo
March 26, 2009:
Critics Consensus: Monsters vs. Aliens Is A Blast
This week at the movies, we've got a war of the worlds (Monsters vs. Aliens, with voice work by Reese Witherspoon and Seth Rogan), a demonic abode (The Haunting in Connecticut,... More...
February 15, 2009:
Trailer & Poster review ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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