The crazy-quilt quality of these immigrants mixing it up with Southern rednecks like William is deftly underplayed, and so it has more resonance for us.
Goodbye Solo (2009)
Tomatometer
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Reviews Counted:89
Fresh:84
Rotten:5
Average Rating:7.7/10
Consensus: An original and thoughtful human drama, Goodbye Solo looks at relationships and loneliness while proving director Ramin Bahrani's is an important American voice.
Theatrical Release:Mar 27, 2009 Limited
Box Office: $809,220
Synopsis: For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North... For the follow-up to his critically lauded social-realist dramas MAN PUSH CART and CHOP SHOP, director Ramin Bahrani leaves New York City behind and returns to his home town of Winston-Salem, North Carolina. Though the scenery has changed, Bahrani’s tender, humane vision remains. As with those previous films, Bahrani focuses his story on a cultural outsider, the type of person who usually gets relegated to a movie's background. Solo (Souleymane Sy Savane) is a Senegalese taxi driver whose latest fare, a weathered and despondent old Southerner named William (Red West), offers him big money to drive to a mountain peak, where it appears that William is going to commit suicide. A good-natured and kind-spirited man, Solo is disturbed by this revelation. Out of a deep sense of purpose, he embarks on a mission to save William. Working with his main creative collaborator, cinematographer Michael Simmonds, Bahrani casts a luminous spell over his deceptively simple tale. The director, who also edits his films, keeps the story moving forward while allowing it to breathe. He also extracts flawless, fully lived-in performances from Savane and West. Though Bahrani’s previous films have been deservedly praised, he has vaulted himself into the top ranks of American indie directors with GOODBYE SOLO. This masterfully realized story of life and death is destined to stand as one of 2009’s best. [More]
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva
Starring: Souléymane Sy Savané, Red West, Diana Franco Galindo, Carmen Leyva, Lane "Roc" Williams, Mamadou Lam
Director: Ramin Bahrani
Director: Ramin Bahrani
Screenwriter: Bahareh Azimi, Ramin Bahrani
Producer: Jason Orans, Ramin Bahrani
Studio: Roadside Attractions
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Reviews for Goodbye Solo
The performances are exhilarating in their precision, and so is the director's eye.
The movie starts fast and the pace rarely relents. Goodbye Solo is almost frighteningly alive: Other filmmakers must wonder exactly how Ramin Bahrani packs so much personality in what could have been standard indie fare.
For a movie critic, one of the pleasures of Bahrani's approach to moviemaking is the opportunity to write about feelings and behavior, to continue to wonder about the characters' inner lives weeks after leaving the movie theater.
...Ramin Bahrani proves he is a filmmaker of grace...it is astonishing to realize just how fully we can know another person's essence with very little hard data to go on.
Goodbye Solo is a deceptive film. Its style is spare, rigorous, almost anti-dramatic, but it deals thoughtfully with some of the most complex elements of the human equation.
Interactions between 2 tasty personalities warm the picture & lift it into the realm of special. However, by the hour mark - drops pace a notch and feels a tad incomplete.
A darkly poetic parable of the solitude of human existence, somewhat ameliorated by the occasional generosity of the human spirit.
Almost as soon as he appears in Goodbye Solo, the optimistic Solo is confronted with another perspective, belonging to a weary fare named William.
Creating his fiction shrewdly, Ramin Bahrani ultimately suggests that finality, too, has its beauty, and must be valued as much as endless possibility.
For Bahrani, Goodbye Solo is strong proof of his status as a great independent talent.
Most of the movie's subterranean emotion is found in the unsettled relationship between Solo and William, and in the extraordinary performances by the two leading men.
A truly human and humane drama that doesn't constantly poke and prod at you in order to get an emotional reaction, this film is a small treasure that is definitely worth seeking out.
Bahrani has not told the quintessential American story, but it's certainly a potent one.
A playful, elusive movie that isn't so much heartwarming as soul-cleansing.
A thin character study over which critics wank themselves into a state of ecstasy at all the meaning they can superimpose on the film.
Bahrani and his collaborator, Bahareh Azimi, have constructed an unusual story with a superb script. I wouldn't have believed that the setting here would be Winston-Salem, but then again, I guess that's the point of this unconventional tale.
Sy Savane and West play against each other's characters perfectly, and their performances will have you thinking about this story long after the movie ends.
Latest News for Goodbye Solo
March 26, 2009:
Critics Consensus: Monsters vs. Aliens Is A Blast
This week at the movies, we've got a war of the worlds (Monsters vs. Aliens, with voice work by Reese Witherspoon and Seth Rogan), a demonic abode (The Haunting in Connecticut,... More...
February 15, 2009:
Trailer & Poster review ![]()
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