Sunday school by way of traffic school.
The Gospel of John (2003)
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Reviews Counted:48
Fresh:18
Rotten:30
Average Rating:5/10
Theatrical Release:Sep 26, 2003 Limited
Box Office: $3,862,285
Synopsis: A momentous undertaking involving a creative constituency of award-winning artists and esteemed academic and theological consultants from around the world, Visual Bible's THE GOSPEL OF JOHN is an... A momentous undertaking involving a creative constituency of award-winning artists and esteemed academic and theological consultants from around the world, Visual Bible's THE GOSPEL OF JOHN is an ambitious motion picture that has been adapted for the screen on a word for word basis from the American Bible Society's Good News Bible. The story of Jesus' life as recounted by His disciple John, this three-hour epic feature film draws its audience into antiquity by way of meticulous recreation, including an original musical score complete with instrumental sounds of the time. This ambitious motion picture follows the Gospel precisely, neither adding to the story from other Gospels, nor omitting complex passages. Narrated by renowned Canadian actor Christopher Plummer with a distinguished cast from Canada and the United Kingdom selected primarily from Canada's prestigious Stratford Festival and Soulpepper Theatre Company, as well as Britain's Royal Shakespeare Company and Royal National Theatre , it features British actor Henry Ian Cusick in the seminal role of Jesus Christ. John is the best-loved but least understood of the gospels, presenting a uniquely human portrait of Jesus. Intimate and reflective, THE GOSPEL OF JOHN provides audiences with an unparalleled opportunity to understand the tumultuous period in history at the time of Jesus Christ. British actors Stuart Bunce (John), Richard Lintern (Leading Pharisee) Scott Handy (John the Baptist) and Lynsey Baxter (Mary Magdalene) plus celebrated Canadian talents Diego Matamoros (Nicodemus), Stephen Russell (Pilate), Daniel Kash (Simon Peter), Cedric Smith (Caiaphus) and Nancy Palk (Samaritan Woman) are among the highly-praised cast. THE GOSPEL OF JOHN is directed by acclaimed British director Philip Saville ("Metroland"; "Hamlet"; Oedipus the King"), and co-produced by legendary Canadian producer Garth H. Drabinsky ("Ragtime"; Phantom of the Opera"; "Showboat") and celebrated British producer Chris Chrisafis ("The Count of Monte Cristo"; "Reign of Fire"). Executive producers are Emmy® Award winner Sandy Pearl, Joel B. Michaels, Myron Gottleib and Martin Katz. Together they assembled a brilliant creative team including award-winning screenwriter John Goldsmith ("Victoria and Albert"; "Return of the Saint"; "Great Expectations"), veteran production designer Don Taylor ("The House of Mirth"; "Little Voice"), Academy A ward®-winning Sound Mixer David Lee ("Chicago"), Academy® Award winning makeup artist Trefor Proud ("Topsy Turvy"; "Gladiator";"Star Wars") award-winning costume designer Debra Hanson, and highly regarded director of photography and film editors Miroslaw Baszak and Michel Arcand. -- Official Site [More]
Starring: Henry Ian Cusick
Starring: Henry Ian Cusick
Director: Philip Saville
Director: Philip Saville
Screenwriter: John Goldsmith
Studio: ThinkFilm
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Release:
Mar 15, 2005
Reviews for The Gospel of John
Although it might test the patience of the non-believer, for those who take their Christianity seriously, this probably is worth seeing.
...a mild, willfully inoffensive film focusing on Jesus' message of love.
The greatest story ever told? I don't know about that, but it remains a real humdinger.
The sad truth is that director Philip Saville and writer John Goldsmith have made a picture book rather than a film, one that leans so heavily on Christopher Plummer's placid voice-over narration as to be cinematically inert.
Despite its apparently Bible Belt-focused release strategy, the film might actually alienate the faithful thanks to a plodding pace.
A handsome, word-for-word interpretation of the fourth and perhaps most spiritual of the New Testament's gospels.
Events unfold as chronological vignettes, and there's little room for screenwriter John Goldsmith to reimagine scenes to mine their full dramatic potential.
Except for a few scenes that evoke the reverent beauty of Renaissance painting, the filmmaking and acting are awfully stiff -- certainly not worthy of the timeless story being told.
The "Word made flesh" has now become the Word made visible. In an age of visuals, it might just attract many who would never take the time to read John's gospel.
This slavish faithfulness to scripture is death to theatrical standards of drama.
This won't be mistaken for a Cecil B. DeMille production but has considerable value as a primer into part of the New Testament.
I found this Gospel long, dull and, for the most part, acted without apparent inspiration.
The performances are flat and lifeless (Cusick may look the part, but he has no real charisma), and even Christopher Plummer, as narrator, is less than lively, reading in an all too reverent monotone, suggesting even he's having a hard time staying awake.
This depiction of the passion of Christ as interpreted by the Apostle John sorely lacks spirit.
There is barely a whisper of the spirit, the lifeblood, the passion that has marked the cinema's most memorable explorations of Jesus' life.
All due respect to the Bible, but just because a book is good doesn't mean it can be transferred directly to the screen without some streamlining, adapting and adjusting.
[Saville's] ability to serve the text is remarkable, and he is able to demonstrate that the story of Christ is extraordinarily powerful, whether we regard these events as divine or not.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
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|---|---|
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