Rather than challenging our national aversion to unhappy endings, both in life and in cinema, [director] Strouse plays right into it. He's devised Grace Is Gone to work on our sentiments the way a porn movie works on our libidos.
Grace is Gone (2007)
Tomatometer
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Reviews Counted:69
Fresh:42
Rotten:27
Average Rating:5.9/10
Consensus: A refreshing departure from the current crop of Iraq war dramas, Grace is Gone is a heartfelt, finely acted portrayal of grief and healing.
Rated: PG-13 [See Full Rating] for thematic material, brief strong language and teen smoking.
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release:2007
Synopsis: Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James... Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a husband and father who waits while his wife Grace is off serving in Iraq. When he learns of her death, he can't bear to tell his two daughters the news. To postpone the inevitable, the normally staid father proposes a spontaneous road trip to his girls, and the three set off for the fun of an amusement park called Enchanted Gardens. GRACE IS GONE picked up a pair of awards at Sundance: the Audience Award and Best Screenplay. It's a deeply affecting drama that never resorts to manipulation in achieving its aims. Instead, it relies on the strong script from Strouse, as well as a trio of fantastic performances. As Stanley and Grace's young daughters, Gracie Bednarczyk and Shélan O'Keefe make memorable film debuts. Their relationships with both each other and their cinematic father feel completely genuine. As for Cusack, he trades in the swagger of Lloyd Dobler and Rob Gordon for Stanley Phillips's shuffle. The role is a complete departure for the veteran actor, and the change is a welcome one that should win him both critical praise and awards. The film's tone is sweet and sad, though never overwhelmingly so, and it's helped by excellent cinematography from Jean-Louis Bompoint and a quietly moving score from Clint Eastwood. [More]
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe, Mary Kay Place
Director: James C. Strouse
Director: James C. Strouse
Screenwriter: James C. Strouse
Producer: John Cusack, Grace Loh, Galt Niederhoffer, Celine Rattray, Daniela Taplin Lundberg
Composer: Clint Eastwood
Studio: Weinstein Company
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Release:
May 27, 2008
Reviews for Grace is Gone
All three [principal characters] sometimes just disappear into the affectless, low-energy drift of Grace Is Gone. They stare at carpets, curl up on motel room beds, sit on sidewalks, gaze at the featureless American landscape.
It’s a narrative strategy that neither informs, challenges nor heals.
The focus is solidly on the human cost borne by those serving their country and their families.
John Cusack takes it down several notches in James C. Strouse's somber, well-acted family mourning tale.
It can't be denied that writer James C. Strouse's directing debut is uniquely of our time as home-front films go, and he exploits that new wrinkle for all it's worth.
A curious case of a sort of “grief peep show,” an episodic drama with a lot hidden in its middle.
It avoids all deeper issues inherent to its subject matter, choosing instead to simply be a slice of depressing life that you won't want to take.
delivers a certain kind of Midwestern pathos that's understated almost to the point of invisibility
A moving and tender family drama, built on the foundation of a serious contemporary issue.
Screenwriter James C. Strouse makes an able if flat directorial debut with a simple wartime movie that needed more dimension. This is what a movie without subplots looks like.
This is, most subtly, Grace Is Gone's abiding theme, the ways that overwhelming loss bring into focus what remains, as well as the cultural frameworks by which moral judgments are made.
It's stirring, even gut-wrenching, on the strength of John Cusack's terrifically restrained performance as a husband in denial over the death of his wife in Iraq.
...packs an emotional wallop that ultimately belies its low-key sensibilities...
It comes as a pleasant relief then to discover that the movie has its heart and soul in the right place.
A well-crafted directorial debut that does a worthy job getting one thinking about those who have been the most affected by the war.
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