Strouse gives the movie an industrial sparseness, which only increases its intimacy.
Grace is Gone (2007)
Tomatometer
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Reviews Counted:69
Fresh:42
Rotten:27
Average Rating:5.9/10
Consensus: A refreshing departure from the current crop of Iraq war dramas, Grace is Gone is a heartfelt, finely acted portrayal of grief and healing.
Rated: PG-13 [See Full Rating] for thematic material, brief strong language and teen smoking.
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release:2007
Synopsis: Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James... Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a husband and father who waits while his wife Grace is off serving in Iraq. When he learns of her death, he can't bear to tell his two daughters the news. To postpone the inevitable, the normally staid father proposes a spontaneous road trip to his girls, and the three set off for the fun of an amusement park called Enchanted Gardens. GRACE IS GONE picked up a pair of awards at Sundance: the Audience Award and Best Screenplay. It's a deeply affecting drama that never resorts to manipulation in achieving its aims. Instead, it relies on the strong script from Strouse, as well as a trio of fantastic performances. As Stanley and Grace's young daughters, Gracie Bednarczyk and Shélan O'Keefe make memorable film debuts. Their relationships with both each other and their cinematic father feel completely genuine. As for Cusack, he trades in the swagger of Lloyd Dobler and Rob Gordon for Stanley Phillips's shuffle. The role is a complete departure for the veteran actor, and the change is a welcome one that should win him both critical praise and awards. The film's tone is sweet and sad, though never overwhelmingly so, and it's helped by excellent cinematography from Jean-Louis Bompoint and a quietly moving score from Clint Eastwood. [More]
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe, Mary Kay Place
Director: James C. Strouse
Director: James C. Strouse
Screenwriter: James C. Strouse
Producer: John Cusack, Grace Loh, Galt Niederhoffer, Celine Rattray, Daniela Taplin Lundberg
Composer: Clint Eastwood
Studio: Weinstein Company
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Release:
May 27, 2008
Reviews for Grace is Gone
It makes its points and is more cultural evidence of just how harshly history is likely to judge our ill-fated adventure in the Middle East.
delivers a certain kind of Midwestern pathos that's understated almost to the point of invisibility
This isn't so much a film about picking up the pieces after a tragedy, but instead an extended story of the pieces that fell...
If Martian Child is the price film goers must pay in order to get Grace Is Gone, then it's a worthwhile trade.
John Cusack takes it down several notches in James C. Strouse's somber, well-acted family mourning tale.
The drawn out process in this character vehicle runs on low grade dramatic fuel.
A tender and touching movie about a father who learns how to nurture his daughters while in the midst of grief.
Una película intimista, humana y conmovedora, con gran actuación de John Cusack y estupenda banda sonora compuesta por Clint Eastwood.
...never once feels authentic, its every move calculated...a movie that uses a road trip to express a family's grief is suspect at best.
Combines a topical storyline with a thoroughly involving examination of grief that's never remotely maudlin or sentimental.
In a year that has seen wave after wave of films addressing the war in Iraq with varying degrees of anger and frustration, Grace serves as a gently thoughtful coda and reminder of what continues.
The power of the ending comes from the inherent pain of loss, but it's no feat to recognize how emotional this would be, to tell us it's coming and to dangle it in front of us for an hour and a half.
A syrupy-sweet, cloying score by Clint Eastwood overwhelms the otherwise elegant simplicity of Strouse's storytelling.
A well-crafted directorial debut that does a worthy job getting one thinking about those who have been the most affected by the war.
Not a great movie, simply functional, but Cusack gives a great performance.
Rather than challenging our national aversion to unhappy endings, both in life and in cinema, [director] Strouse plays right into it. He's devised Grace Is Gone to work on our sentiments the way a porn movie works on our libidos.
Strouse forgoes an explicit critique of the Iraq War in favor of a more universal portrait of grief and acceptance.
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