If Mt. Rushmore were to make a movie, it would probably look a lot like a Clint Eastwood movie.
Gran Torino (2008)
Tomatometer
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Reviews Counted:36
Fresh:26
Rotten:10
Average Rating:6.8/10
Consensus: Though a minor entry in Eastwood's body of work, Gran Torino is nevertheless a humorous, touching, and intriguing old-school parable.
Runtime: 2 hrs 10 mins
Genre: Dramas
Theatrical Release:Dec 12, 2008 Limited
Box Office: $148,055,047
Synopsis: For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family.... For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller. [More]
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Geraldine Hughes, Dreama Walker, Brian Howe, John Carroll Lynch, Scott Reeves
Director: Clint Eastwood
Director: Clint Eastwood
Screenwriter: Nick Schenk
Story: Dave Johannson, Nick Schenk
Producer: Clint Eastwood, Robert Lorenz, Bill Gerber
Composer: Kyle Eastwood, Michael Stevens
Studio: Warner Bros.
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Reviews for Gran Torino
It is familiar, but only to a point. Suddenly, that point is past and much more serious questions come up, questions of responsibility, of vengeance, of the efficacy of blood for blood.
Eastwood's second film this year is a compelling study of anger and violence and the guilt and shame that shadow them. He has sat high in the saddle for decades, but rarely has he ridden so tall as in the driver's seat of Gran Torino.
Gran Torino is the most obvious and least interesting of the four movies [Eastwood's] directed in the last two years.
Ultimately, Gran Torino is not recommended for its moralizing or its scenery, but for Eastwood's compelling performance.
Like Woody Allen, Clint Eastwood has reached the point where his movies are better when he's not in them.
Gran Torino is very much about the thing Eastwood knows most intimately -- movies. Like Unforgiven, his neo-Western classic, this film ponders the value of the yarns we spin about heroes and lawless encounters.
If you can survive the F-bombs and the near-constant ethnic invective, Gran Torino is not to be missed, if only as the gutsy, thoroughly unexpected valedictory of an icon fully willing to spend every bit of his considerable capital.
With Gran Torino, Eastwood has taken what might have been the likable last gasp of his iconic persona and turned it into the dullest, most heavy-handed sermon of his career.
The film is neither elegant nor subtle. Both Eastwood's performance and his direction veer from broad melodrama to broader comedy and back again. But the film boasts crusty humor, heart and conscience.
It's a bit shaky in approach, execution and ending, the work of a grand master in middling mode.
Gran Torino is alive to the web of racial and ethnic discontent in this country, but the script by Nick Schenk and Dave Johannson has a tin ear.
Gran Torino is an unlikely tale made plausible almost solely by the quality of Clint Eastwood's performance.
We also see the development of Eastwood into the nuanced, textured actor he’s become.
By the time it jolts to an ending, followed by Clint rasping a tune to the closing credits, you're more likely to be rolling your eyes than dabbing them.
A ham-fisted screenplay sets down the terms of the story with the obviousness of an old-fashioned play.
A thoughtful work that continues the actor/director's remarkable late-career surge.
Eastwood's foursquare directorial aesthetic tends to heighten, rather than camouflage, a screenplay's shortcomings. He may well win the gold for this one. But we'll have to assume he's winning it for richer assignments en route.
Gran Torino is about two things, I believe. It's about the belated flowering of a man's better nature. And it's about Americans of different races growing more open to one another in the new century.
Latest News for Gran Torino
June 08, 2009:
RT on DVD: Gran Torino, Crossing Over, Nobel Son Exclusive Look
This week on DVD, celebrate the big screen heroics of two former movie heroes (Clint Eastwood in Gran Torino, Harrison Ford in Crossing Over) or watch Clive Owen and Naomi Watts... More...
January 19, 2009:
Box Office Guru Wrapup: Paul Blart Segways Ahead of the Competition
This weekend the North American box office was on fire once again as four new releases all scored muscular debuts helping to drive the marketplace to the biggest January weekend... More...
January 11, 2009:
Box Office Wrapup: Clint Races to #1 with Gran Torino
Clint Eastwood scored the biggest wide opening of his career with his latest effort Gran Torino which raced past the competition in its first weekend of national play to swipe... More...
January 08, 2009:
Critics Consensus: Say "I Don't" To Bride Wars
This week at the movies, we've got a bridal battle (Bride Wars, starring Anne Hathaway and Kate Hudson); a cranky car enthusiast (Gran Torino, directed by and starring Clint... More...
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