Undeveloped secondary characters and awkward pacing thwarts the movie from achieving its '60s war film ethos similar to "The Great Escape."
The Great Raid (2005)
Tomatometer
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Reviews Counted:116
Fresh:41
Rotten:75
Average Rating:5.3/10
Consensus: Though the climax of the film -- the actual raid -- is exciting, the rest of it is bogged down in too many subplots and runs on for too long.
Rated: R [See Full Rating] for strong war violence and brief language
Runtime: 2 hrs 13 mins
Genre: Action/Adventure
Theatrical Release:Aug 12, 2005 Wide
Box Office: $10,074,830
Synopsis: Director John Dahl switches genres from film noir (THE LAST SEDUCTION, RED ROCK WEST) to military actioner with THE GREAT RAID. Following the 1942 Bataan Death March, thousands of U.S. and Filipino... Director John Dahl switches genres from film noir (THE LAST SEDUCTION, RED ROCK WEST) to military actioner with THE GREAT RAID. Following the 1942 Bataan Death March, thousands of U.S. and Filipino soldiers were imprisoned by the Japanese in a POW camp in Cabantauan in the Philippines. Brutalized, starved, and tortured, the prisoners languished in the camp for nearly three years. But in January 1945, an American battalion, with the help of Filipino guerrillas, planned a daring mission--some called it suicide--to rescue the five hundred U.S. soldiers still alive there. The film is told in glorious detail. The story is based on two books, THE GREAT RAID: RESCUING THE DOOMED GHOSTS OF BATAAN AND CORREGIDOR by William B. Breuer and GHOST SOLDIERS: THE EPIC ACCOUNT OF WORLD WAR II'S GREATEST RESCUE MISSION by Hampton Sides. In addition, several men involved in the raid served as consultants on the project. The result is a thrilling, agonizing, and unforgettable war movie like they used to make in the 1940s and 1950s, a celebration of the human spirit. THE GREAT RAID stars Benjamin Bratt as Lt. Colonel Mucci, an offbeat military man who puts his faith in young Captain Prince (James Franco) to lead the dangerous mission. Among the men imprisoned in the camp are Joseph Fiennes as the ailing Major Gibson and Marton Csokas as Captain Redding, who is always trying to escape. Connie Nielsen adds romantic tension as a war widow smuggling much-needed medicine into the camp. [More]
Starring: Benjamin Bratt, James Franco, Robert Mammone, Max Martini
Starring: Benjamin Bratt, James Franco, Robert Mammone, Max Martini, Joseph Fiennes, Marton Csokas, Natalie Mendoza, Dale Dye
Director: John Dahl
Director: John Dahl
Screenwriter: Carlo Bernard, Doug Miro
Producer: Harvey Weinstein, Bob Weinstein, Jonathan Gordon, Lawrence Bender, Marty Katz
Composer: Trevor Rabin
Studio: Miramax Films
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Reviews for The Great Raid
Instead of a tribute to a fine chapter in the annals of the Greatest Generation, we have a second-rate romance right out of a cheesy, pulp fiction novel.
A well-produced, rousing feature based on one of those forgotten World War II episodes that make for great cinema.
While the historical events depicted were unusual and cause for genuine celebration, the film that depicts these events is a dull, by-the-numbers set of war-movie clichés.
It moves slowly and methodically, showing us the minutest particulars of every facet of the operation. There's more here than we need to know.
The Great Raid has one amazing action sequence. You just have to watch the whole story in order to earn and appreciate it.
It couldn't hold my attention despite the event being such a celebrated one in American history.
More of a skimpy skirmish that lasts way too short and has too little peril to be great
Might have gotten some attention if John Wayne had been around to star in it
For a man dying of malaria, Fiennes shivers impressively but also talks too much.
[D]eliciously old-fashioned... Like in how Dahl assembled a cast of perfectly 1940s faces that pop off the screen with a suave anti-Technicolor urgency...
John Dahl’s solemn staging of the rescue mission will likely earn him points from military aficionados, but The Great Raid is terminally dull.
The three unwieldy story lines might even have daunted someone like David Lean. They utterly defeat director John Dahl, a director used to working in miniature
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|---|---|
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