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The Great Water (2005)
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Reviews Counted: 21
Fresh: 15
Rotten:6
Average Rating: 6.1/10
Theatrical Release:Jun 17, 2005 Limited
Synopsis: The Great Water begins when Lem Nikodinoski, an elderly Macedonian politician, suffers a heart attack and is rushed to the hospital. As doctors frantically treat him, Lems's mind travels back in... The Great Water begins when Lem Nikodinoski, an elderly Macedonian politician, suffers a heart attack and is rushed to the hospital. As doctors frantically treat him, Lems's mind travels back in time to when he was a twelve year-old growing up in a Macedonian orphanage... World War II has just ended, and like so many of his peers, Lem has been orphaned by war. With no family and no place to live, he wanders the war-torn countryside aimlessly, only to be picked up by communist soldiers and taken to a children's orphanage for ideological "reprogramming." As a child whose parents were regarded as "enemies of the Revolution," Lem, along with his peers, will be forced to accept Stalin as God for the good of the Communist Party and the new Macedonia. The orphanage itself is housed in a medieval fortress with high stone walls separating it from a vast lake. Headmaster Comrade Ariton, a rigid yet ambitious man, and the Warden's assistant, Comrade Olivera, a girl who obsessively worships the Communist ideology of the Great Stalin, rule the orphanage by fear and discipline. But the orphanage has its secrets. Late at night, Verna, Ariton's beautiful wife, almost magically appears and walks by the walls of the fortress. None of the guards can see her, only Lem, as she brings him what he seeks most: hope. With few friends, Lem looks to Isaac, a mysterious 13-year-old boy who has the courage to question the harsh communist authoritarians who run the orphanage, and the strength to endure the brutal consequences of such actions. With organized religion prohibited and no higher power to look to for guidance, both boys know their survival rests on each other's strength. The special bond the two share is forever shattered when Lem, in a fit of rage after discovering Olivera's blossoming romantic relationship with Isaac, destroys a sculpture of Stalin which Olivera had made. Isaac is accused of the crime, and suffers the punishment alone. When Lem goes to Ariton to confess what he did, Ariton decides he should keep what he did to himself because such a grievous act would forever destroy his standing in the party. As punishment for allowing the act to occur, Ariton is relieved of his post as headmaster of the orphanage. Stricken with grief, he attempts suicide only to have his wife stop him. Suicide will condemn him to eternal damnation, so she then shoots him herself at his request. Ironically Lem is actually rewarded for his loyalty to the party by being allowed to participate in a State-run academic competition, and his success at the contest allows him to leave the orphanage. --© Picture This! Entertainment [More]
Starring: Saso Kekenovski, Maja Stankovska, Mitko Apostoloski, Nikolina Kujaca
Starring: Saso Kekenovski, Maja Stankovska, Mitko Apostoloski, Nikolina Kujaca, Olivera Nedeska
Director: Ivo Trajkov
Director: Ivo Trajkov
Screenwriter: Vladimir Blazeveski
Producer: Suki Medencevic
Composer: Kiril Dzajkovski
Studio: Picture This! Entertainment
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Reviews for The Great Water
Macedonian blockbuster is more successful as a technical accomplishment than as an engaging narrative.
Pic's balance of emotional truth in the hands of a talented cast and charged by Medencevic's lensing and Kiril Dzajkovski's powerfully moody score, reps a bold step forward for Balkan cinema.
It is an impressionistic, sometimes fascinating, sometimes frustrating, window into a culture and country that was long walled off from the West.
The cinematic version should have focused on the strength of the orphans' tales, without wasting time with story framing.
All of it, Chingo and Trajkov suggest, goes into shaping a Macedonian national identity uneasily poised between religious longing and ideological resolve.
The Great Water's greatest value is its depiction of a society that was as savagely committed to a false idea as its neighbor nations, but that somehow moved back toward reality -- and humanity -- before the Iron Curtain fell.
You leave this film intrigued by its aspiration and not likely to forget the world it's introduced you to.
The atmosphere of doom and dark destiny is superbly rendered by cinematographer Suki Medencevic whose imagery can only be described as brilliant.
Trajkov's conceit of periodically positioning the elderly Lem as a witness to his misbegotten youth, however, is a distraction, simply because it belongs entirely to Bergman.
The Great Water is ultimately about the indomitability of faith, and the Christian symbolism is laid on thick.
Excellent performances by the boys keep you captivated, but by seeing only the beginning and the end of Kekenovski's life, you feel like you're missing a rather interesting middle.
This unusual Macedonian release is engrossing if not always nimbly directed.
A drama revolving around Christian faith and rebellion in an authoritarian Macedonian orphanage after World War II.
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