Greystoke: The Legend of Tarzan, Lord of the Apes Reviews
I like how the part of the jungle where Tarzan lives with the apes isn't colorful and all majestic like it would be in a Disney-esque movie. It's actually kind of dreary. Very ahead of its time in that aspect. Tarzan's home is shaded, there's shelter in the trees and a waterfall to drink from. It's a practical location instead of a beautiful one. They used their brains to make this movie and not just their eyes. There's a lot of violence, but that's the kind of movie it wants to be and I'm okay with that. You can't have an authentic jungle survival movie without something bad happening. Tarzan himself is great. Christopher Lambert was born to play this role. When he leaves the jungle the movie becomes a little less interesting, but it has a satisfying ending.
Mainly because of the lavish locations used to shoot the film. Greystoke: The Legend of Tarzan, Lord of the Apes features some of the finest looking locations possible to have such a story filmed on, which makes it visually appealing.
Plus the way the apes interact with cast members is impeccable and makes this jungle tale a strongly
Also, the musical score in Greystoke: The Legend of Tarzan, Lord of the Apes is truly magnificent, strongly atmospheric and very powerful when it needs to be, able to alternate between atmospheres when deemed appropriate as part of the story. Its truly powerful and makes its story stronger.
And when it comes to acting, Christopher Lambert captures the role of Tarzan well completely through his physicality, particularly his aggressive hypnotic gaze which is what makes him good for the role of a warrior such as The Lord of The Apes. As his character develops, so does Christopher Lambert, and so Greystoke: The Legend of Tarzan, Lord of the Apes features one of his best performances.
Ralph Richardson also gave a strong supporting performance and really gave a good name to the film.
But Greystoke: The Legend of Tarzan, Lord of the Apes becomes held down by its slow pacing and extraneous length. Greystoke: The Legend of Tarzan, Lord of the Apes moves at a pace that is so slow that maintaining strong interest is a challenge for it, even with its fascinating story.
Since there is little dialogue for much of Greystoke: The Legend of Tarzan, Lord of the Apes, the atmosphere is reliant upon storytelling through visuals, but the repetitive and slow dynamics become dull as they are stretched over such a long time. That's the only real downfall of Greystoke: The Legend of Tarzan, Lord of the Apes, but its an effective one as it makes the film overall half boring.
So while Greystoke: The Legend of Tarzan, Lord of the Apes is half good, its half boring. By today's standards, it's a half decent film.
Este filme tiene una fotografía hermosa, y la música de John Scott es también un gran logro. EL filme está separado en dos partes, la primera que nos narra el origen de Tarzan, es un tanto regular, no sentimos dolor y algunas veces raya en lo cheesy, lo interesante del filme es el segund acto, que curiosamente se aleja de lo que Burroughs hizo en la primera novela, pero es cuando entendemos que el filme es un análizis un tanto realista al mito de Tarzan, y su intento de readaptarlo en nuestra sociedad. No es mala, pero Greystoke cuando acierta, lo hace de manera hermosa, cuando falla, lo hace de manera atroz.