The ending is a major letdown. At the screening I attended, an audience of journalists and regular folks let out a raucous groan followed by a few peels of laughter.
The Grudge (2004)
Tomatometer
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Reviews Counted:151
Fresh:59
Rotten:92
Average Rating:5.1/10
Consensus: There's some creepy imagery to be found, but not much in the way of logic or truly jarring scares.
Rated: PG-13 [See Full Rating] for mature thematic material, disturbing images/terror/violence, and some sensuality
Runtime: 3 hrs 10 mins
Genre: Horror/Suspense
Theatrical Release:Oct 22, 2004 Wide
Box Office: $110,175,871
Synopsis: In Sam Raimi and Columbia Pictures' powerful thriller The Grudge, based on the Japanese blockbuster JU-ON: THE GRUDGE, the normal façade of a modest house in Tokyo belies the hidden terror within.... In Sam Raimi and Columbia Pictures' powerful thriller The Grudge, based on the Japanese blockbuster JU-ON: THE GRUDGE, the normal façade of a modest house in Tokyo belies the hidden terror within. It is possessed by a violent plague that destroys the lives of everyone who enters. Known as "The Grudge," this curse causes its victims to die in the grip of a powerful rage. Those who are fatally afflicted by the curse die and a new curse is born - passed like a virus to all those who enter the house in an endless, growing chain of horror. Karen (SARAH MICHELLE GELLAR) is an exchange student studying social work in Japan who innocently agrees to cover for a nurse who didn't show up for work. When she enters the assigned home, she discovers an elderly American woman, Emma (GRACE ZABRISKIE), who is lost in a catatonic state while the rest of the house appears deserted and disheveled. As she is tending to the stricken old woman, Karen hears scratching sounds from upstairs. When she investigates, she is faced with a supernatural horror more frightening than she could ever imagine. Within this house, a chain of terror has been set in motion resulting from a terrifying evil that was born years before. As more people die, Karen is pulled into the cycle of horror and learns the secret of the vengeful curse that has taken root in this house. Now she must stop it before it's too late. Sam Raimi and Columbia Pictures Present A Ghost House Pictures Production The Grudge starring Sarah Michelle Gellar, Jason Behr, KaDee Strickland with Clea DuVall and Bill Pullman. The film is directed by Takashi Shimizu from a screenplay by Stephen Susco based on JU-ON: The Grudge, written and directed by Takashi Shimizu. The film is produced by Sam Raimi, Rob Tapert and Taka Ichise. The executive producers are Joe Drake, Nathan Kahane, Carsten Lorenz, Roy Lee and Doug Davison. The director of photography is Hideo Yamamoto. The production designer is Iwao Saito. The editor is Jeff Betancourt. The music is by Christopher Young. The Grudge will be released nationwide on October 22, 2004 [More]
Starring: Sarah Michelle Gellar, Jason Behr, Clea DuVall, William R. Mapother
Starring: Sarah Michelle Gellar, Jason Behr, Clea DuVall, William R. Mapother, Bill Pullman, KaDee Strickland, Grace Zabriskie, Ryo Ishibashi, Yoko Maki, Ted Raimi, Yuya Ozeki, Takako Fuji
Director: Takashi Shimizu
Director: Takashi Shimizu
Screenwriter: Stephen Susco
Producer: Sam Raimi, Taka Ichise, Rob Tapert
Composer: Christopher Young
Studio: Sony Pictures Entertainment
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Reviews for The Grudge
The Grudge is not the worst film of the year, but that's about the biggest compliment I can give it.
It's disconcerting when fingers poke out of Gellar's head during a shower because nothing is likely to emerge from an actor's head but dialogue and roots.
A scattering of scary moments surrounded by scenes that only serve to test your patience and kill time.
Elegant and haunting, using simple elements like camera placement and blocking to maximize the eeriness.
Shimizu may have sold out and bastardized his own calling card, but at least he got the ghost hand thing in again.
I want to scream in terror (like at a Jennifer Lopez movie, or when I stand naked in front of my mirror). Sadly, The Grudge's scares aren't accompanied by much else.
An abundance of above-average scares ultimately makes The Grudge’s portrait of contagious anger, violence, and death creepily unsettling.
Nothing more than a cultural twist on the standard-issue haunted house movie, (but) I will give (it) credit...for giving me goosebumps. Lots and lots of goosebumps.
The Grudge, a slump-in-your-seat, would-be thriller, is a shockless shocker.
Isn't much more coherent in English than it was in Japanese...your neighborhood Halloween haunted house is probably scarier than this one.
Completely free of character development, tension, scenario, narrative, plot, intelligence, point, sociological relevance, technical aptitude, and scares.
The Grudge bears the imprimatur of Sam Raimi, but alas, neither his sense of fun nor his smarts.
A horror film that consists of virtually nothing but don't-go-in-the-attic suspense scenes strung together with a reasonable degree of brooding mood and a minimum of logic.
even though the plot is a bit disjointed and the characters are underdrawn, the truly terrifying ghosts are more than worth the price of admission.
Genuinely surprises because one is never quite sure where it is headed next, all the while involving the viewer in freakish, unforgettably nightmarish imagery.
A minimal, stylish look and sinister atmosphere support a ho-hum storyline and pedestrian script.
Latest News for The Grudge
December 20, 2007:
Sam Raimi Wants to Drag Me to Hell
Over the past few months, we've talked a lot about Sam Raimi's busy schedule as a producer, but his directorial follow-up to Spider-Man 3 has remained a mystery -- until now,... More...
October 23, 2007:
The Grudge 3 Gets a Director
Sam Raimi still has a Grudge with moviegoers. More...
March 24, 2007:
Idris Elba Flashes Back With "Prom Night" Remake
In announcing his involvement in the "Prom Night" remake, Idris Elba also revealed the new hook for this version. Instead of one slash-fest, this "Prom... More...
January 08, 2007:
Remaker Focused on "The Host" and "The Ring 3"
Since producing the American version of "The Ring" in 2002, producer Roy Lee has stayed firmly within the realm of the "re-imaginings" by producing movies... More...
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