Is it a compliment to say that "Guess Who" is better than "Booty Call?" More compelling than "Texas Rangers?" Superior to "B*A*P*S?" Guess not.
Guess Who (2005)
Tomatometer
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Reviews Counted:146
Fresh:63
Rotten:83
Average Rating:5.4/10
Consensus: Despite the chemistry of its stars, Guess Who, a loose remake of Guess Who's Coming to Dinner, lacks the political relevance of the original.
Theatrical Release:Mar 25, 2005 Wide
Box Office: $67,962,333
Synopsis: This new take on the 1967 drama GUESS WHO'S COMING TO DINNER puts a comedic spin on interracial dating. Bernie Mac (THE BERNIE MAC SHOW) costars as Percy Jones, a wealthy black banker who has an... This new take on the 1967 drama GUESS WHO'S COMING TO DINNER puts a comedic spin on interracial dating. Bernie Mac (THE BERNIE MAC SHOW) costars as Percy Jones, a wealthy black banker who has an overbearing love for his family. Percy is about to host a lavish party at his sprawling New Jersey home in celebration of his 25-year wedding anniversary to Marilyn (Judith Scott, FLIGHT PLAN). His daughter Theresa (Zoe Saldana, THE TERMINAL) is coming home for the occasion, and she's bringing her new boyfriend, Simon Green (Ashton Kutcher, THAT 70S SHOW, PUNK'D). Theresa has neglected to mention that her new beau is white, however, and the formidable Percy is in for a surprise. Though Simon does everything in his power to impress his future father-in-law, nothing will make the imposing patriarch change his undermining disposition. Matters are further complicated because Simon has recently lost his job, and he struggles to keep the family from finding out. As unrest spreads, causing tension--and plenty of laughs--in the days leading up to the party, Simon and Theresa face uncertainty in their relationship while Percy and Marilyn suffer difficulties of their own. GUESS WHO? is full of both hilarious and cringe-worthy moments, including an incredibly tense scene where Simon is goaded into entertaining the family at dinner with black jokes. The sermonizing tone of the original film is replaced with an endearing slapstick humor, and while the heartwarming family tale is present, the film doesn't shy away from the deeper underlying issues, presenting a fresh perspective on prescient cultural foibles. [More]
Starring: Bernie Mac, Ashton Kutcher, Zoe Saldana, Judith Scott
Starring: Bernie Mac, Ashton Kutcher, Zoe Saldana, Judith Scott
Director: Kevin Rodney
Director: Kevin Rodney
Screenwriter: David Ronn, Jay Scherick
Producer: Jenno Topping, Erwin Stoff, Jason Goldberg
Composer: John Murphy
Studio: Columbia Pictures
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Reviews for Guess Who
I laughed at the interplay and think anyone should enjoy this fun film.
If Sullivan wasn't so reliant on plot gimmicks, Guess Who might have been a full-course meal instead of finger food.
While Guess Who gets some mileage out of its black and white issues, it’s more focused on being the interracial romantic comedy answer to Meet the Parents.
If you never even begin to compare this film to the classic that inspired it ... then it's a perfectly enjoyable bit of fluffy farce.
To say that the whole question of race in this movie is only skin- deep is an insult to the strength and elasticity of skin.
The film does pop off some huge belly laughs before the formula gets the better of it.
its treatment of race resides comfortably at the sitcom level, where it's safe to laugh about difference and then console ourselves with eventual inclusiveness
There are moments when it seems Kutcher might look right into the camera and say, 'Ready to see me walk right into another impossibly stupid faux pas?'
Mac and Kutcher have proved themselves better comics than actors, but both give charming, subtle performances here.
Had Mac and Kutcher not had such great chemistry together, this wouldn’t have worked...
Well, guess what? “Guess Who” isn’t a remake…at least, not of “Guess Who’s Coming to Dinner.” It’s more like “Meet the Fockers” with themes about bigotry and honesty.
The film is content to poke gentle fun, not try to blaze any trails, unlike its much more illustrious predecessor.
The absolute lack of cultural identity on the part of any of the characters -- black or white -- is what left me with a bad aftertaste.
The filmmakers seem to have forgotten that even today, the most memorable battles have two fronts. And they usually don’t involve a man wearing a woman’s underwear.
There are some weak stabs at deriving humor from the white guy trying to fit into the black family... More often, [it's] of the "suspicious dad/nervous boyfriend" variety.
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