• Hadewijch
    1 minutes 28 seconds
    Added: Jun 8, 2011

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Hadewijch Reviews

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Philip French
Observer [UK]

Dumont's elliptical movie is as stiff as an over-starched wimple and rather tedious, but like earlier films of his it has something that sticks in the mind like the hook in a fish's mouth.

Full Review Source: Observer [UK]

February 19, 2012
Charlotte O'Sullivan
This is London

The script's central paradox - that dogmatic believers are the most adept at switching allegiance - is arresting.

Full Review Source: This is London | Original Score: 3/5

February 17, 2012
David Jenkins
Little White Lies

Challenging, thought provoking and extraordinarily powerful.

Full Review Source: Little White Lies | Original Score: 5/5

February 17, 2012
Alex Zane
Sun Online

As the credits rolled I was both bamboozled and disappointed. I suspect you will be too.

Full Review Source: Sun Online | Original Score: 2/5

February 16, 2012
Antonia Quirke
Financial Times

The film never takes us in far enough.

Full Review Source: Financial Times | Original Score: 2/5

February 16, 2012
Peter Bradshaw
Guardian [UK]

Dumont has an unique ability to create enigmatic, contemporary parables that get under your skin.

Full Review Source: Guardian [UK] | Original Score: 4/5

February 16, 2012
David Gritten
Daily Telegraph

Though Dumont sets a painstakingly slow pace, Céline's story feels maddeningly incomplete, and vague both in theological and psychological terms

Full Review Source: Daily Telegraph | Original Score: 2/5

February 16, 2012
Matthew Turner
ViewLondon

Hadewijch is a thoughtful piece of raw, austere filmmaking, catering specifically for those interested in serious and adventurous cinema.

Full Review Source: ViewLondon | Original Score: 4/5

February 15, 2012
David Parkinson
Empire Magazine

A controversial exploration of different faiths. Newcomer Julie Sokolowski shows her mettle.

Full Review Source: Empire Magazine | Original Score: 3/5

February 12, 2012
Tom Dawson
Total Film

The opaque Sokolowski is a real discovery, and this mysterious film builds to its climactic act of salvation...

Full Review Source: Total Film | Original Score: 4/5

February 6, 2012
Geoff Andrew
Time Out
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You either go with Dumont's arrogant series of conundrums and paradoxes or - as I do - you see them as mere meaningless 'effects' with little rhyme and no reason.

Full Review Source: Time Out | Original Score: 2/5

January 20, 2012
Mick LaSalle
San Francisco Chronicle
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Dumont, as if trying to make sure nobody wants to see his movie, named it after a female Flemish poet from the 13th century, but - please read the rest of this sentence - the movie is set in modern times.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

December 31, 2010
David Noh
Film Journal International

From would-be nun to fundamentalist accomplice is the unlikely but nonetheless absorbing premise of this stately spiritual study.

Full Review Source: Film Journal International

December 29, 2010
V.A. Musetto
New York Post
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Should delight Dumont's fans. For others, it will take a bit of getting used to. The effort will prove to be worthwhile.

Full Review Source: New York Post | Original Score: 3/4

December 24, 2010
Andrew O'Hehir
Salon.com
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It's a beautiful and mysterious work with a rhythm all its own.

Full Review Source: Salon.com

December 23, 2010
Armond White
New York Press

Hadewijch goes from austere images of a wintry world to remarkably beautiful images of post-rainfall lushness. From desolation to revelation, humanism becomes visible in every living thing.

Full Review Source: New York Press

December 22, 2010
Nick Pinkerton
Village Voice
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With Hadewijch, [Dumont] endorses something like the Dardenne brothers' rugged, squalid secular humanism, offering the barrier-breaking embrace as vague alternative to Despair, Church, or Capital.

Full Review Source: Village Voice

December 21, 2010
Barbara Goslawski
Boxoffice Magazine

The story of a young girl's spiritual devotion and the distorted manifestations of faith that follow, Hadewijch maintains the cool reserve that has made director Bruno Dumont famous.

Full Review Source: Boxoffice Magazine | Original Score: 4/5

December 21, 2010
Prairie Miller
NewsBlaze

Religious obsession meets raging teen hormones and an irrepressible desire for a date with the deity. And not always with dramatic clarity, while decidedly on the pathological when not celibate kooky erotic side.

Full Review Source: NewsBlaze

December 19, 2010
Richard Brody
New Yorker
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Dumont suppresses any information that could bring any of his stick-figure characters to life; he seems to be offering lessons about fanaticism, wealth, power, poverty, and politics, but is merely drawing connections by numbers.

Full Review Source: New Yorker

December 13, 2010
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