Average Rating: 7.7/10
Reviews Counted: 212
Fresh: 193 | Rotten: 19
Hairspray is an energetic, wholly entertaining musical romp; a fun Summer movie with plenty of heart. Its contagious songs will make you want to get up and start dancing.
Average Rating: 8.1/10
Critic Reviews: 43
Fresh: 42 | Rotten: 1
Hairspray is an energetic, wholly entertaining musical romp; a fun Summer movie with plenty of heart. Its contagious songs will make you want to get up and start dancing.
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Average Rating: 3.9/5
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Adam Shankman's adaptation of the stage musical Hairspray, itself an adaptation of the non-musical John Waters film of the same name, stars Nikki Blonsky as Tracy Turnblad, an overweight high-school student whose only dream is to be on a local Baltimore teen dance program. While her father (Christopher Walken) tells her to follow her dreams, her mother Edna (John Travolta in drag) reminds her that she doesn't look like the girls on that show. After impressing the show's host (James Marsden),
Jul 20, 2007 Wide
Nov 20, 2007
$118.8M
New Line Cinema
All Critics (213) | Top Critics (43) | Fresh (199) | Rotten (21) | DVD (12)
For a star-studded big-budget musical, Hairspray does a nice job of retaining the funky sweetness of the original.
'Hairspray': An unabashed, unapologetic movie musical that nearly jumps off the screen and challenges all of your silly hang-ups about movie musicals
Bright, campy and wonderfully light, Hairspray reminds us that fun comes in all shapes and sizes. It's also one of the few 'event' movies this summer that doesn't outstay its welcome. That's worth singing about, no matter what your name is.
It's amiable, it's bouncy, it's got a sweet unknown in the lead flanked by a cast of bankable stars and, providing as it does an amiable and bouncy and sweet escape from a summer's worth of clunky blockbusters.
Hairspray is an infectious aerosol comedy with nearly every hair in place.
Hairspray is one of the most enjoyable translations of a Broadway musical to the big screen ever.
In alchemy the transmuting of materials between forms distills them to their purest elements. In film, the opposite is true. The more iterations, the more muddled things get. Hairspray is good at what it does but not everything it does is good.
Much of the fun comes from director-choreographer Adam Shankman's happy acceptance of musical staples
Shankman's crassly theatrical attenuation of Hairspray only draws gay culture away from a moment of American history with which it ought to have a great deal in common
It falls to individual efforts by the cast to keep the eye and ear coming back for more.
Hairspray is an energetic romp, but as a social statement -- which it pretends to be -- it's cartoonish. And as a playful look back at a time and place, it's simplistic shtik. It's a mountain of whipped cream, with an occasional chocolate sprinkle.
I will confess that Travolta totally turned me around. A mountain of a woman in his female fat suit, he commits 150% to the role.
The most refreshing and enjoyable musical of this century%u2014Hairspray.
Even if the new Hairspray seems a welcome return to camp for Travolta, his mock seriousness is as frozen as ever.
The film works best for me when they are making fun of the racial climate of the 1960s.
An amazing cast sings and dances across the screen with such flair and passion its completely infectious.
Caso tivesse 20 minutos e alguns números musicais a menos, Hairspray poderia ser uma surpresa tão divertida quanto o original (que tampouco é um clássico). Inchado como ficou, porém, é apenas um passatempo pouco memorável.
Like your high school's production of "Grease": A musical about sex with a chastity belt strapped to its waist.
One's enjoyment of Adam Shankman's motion picture will largely depend on one's tolerance for conflict-less, feel good musicals.
Some magical balance between the cast members, the set design, the songs and director Adam Shankman makes it work.
To borrow a phrase from Waters' original movie, it's got a good beat and you can dance to it.
I'm not sure what the point is of this film. A film version of a musical version based on the original film. Talk about bastardised. I had no problem with the cast, although John Travolta was an odd choice as the Divine replacement but it worked with the rest of the film, which is to say, not particularly well. I think
March 1, 2012Super Reviewer
Let me get something off my chest about this film: John Travolta looks terrible in a drag role, and he must feel so humiliated just for that role. Whew! HAIRSPRAY isn't perfect, but it feels good, and it is danceable and free-spirited. Though extremely quirky and highly overrated, I enjoyed it, and I thought it was
June 14, 2011Super Reviewer
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