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Hannah Takes the Stairs (2007)
Tomatometer
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Reviews Counted:45
Fresh:26
Rotten:19
Average Rating:5.8/10
Consensus: Although not terribly focused, Hannah Takes the Stairs contains refreshing realism.
Theatrical Release:Aug 22, 2007 Limited
Synopsis: Over the course of one hot post-graduate summer, Hannah (Greta Gerwig), falls precariously in and out of love. A breaker of hearts and chronically dissatisfied she finds herself drifting away from... Over the course of one hot post-graduate summer, Hannah (Greta Gerwig), falls precariously in and out of love. A breaker of hearts and chronically dissatisfied she finds herself drifting away from her newly unemployed boyfriend (Mark Duplass, THE PUFFY CHAIR) and drawn to two of her co-workers, Matt (Kent Osborne) and Paul (Andrew Bujalski, MUTUAL APPRECIATION). Conceived without a traditional script, this triumph of improvisional acting was born from intimate collaboration between director Joe Swanberg, and his cast, which is made up of some of todays most important up and coming independent filmmakers. Alternately heartbreaking and hilarious, and featuring stunning naturalistic performances, HANNAH TAKES THE STAIRS is a delicate look at friendship, ambition, and the pursuit of happiness that heralds the return of a truly independent form of American moviemaking. -- © IFC Films [More]
Starring: Greta Gerwig, Kent Osborne, Andrew Bujalski
Starring: Greta Gerwig, Kent Osborne, Andrew Bujalski
Director: Joe Swanberg
Director: Joe Swanberg
Producer: Joe Swanberg
Composer: Kevin Bewersdorf
Studio: IFC Films
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Reviews for Hannah Takes the Stairs
Most of the audience responded warmly to Hannah for its moments of sharp perception and its stringent, comic-wistful realism.
Performances help raise Hannah Takes the Stairs above the realm of self-indulgent cinema to something worth seeing.
Perfectly encapsulates the slow-motion, frustrated feeling of early adulthood, when longing and inchoate desire easily outnumber actual transformative events and achievements.
[Actor] Gerwig [turns] her terminally anxious character into a poster girl for an entire subset of young women on the verge. Every generation gets the Darling they deserve. We now have ours.
It’s never enough to establish any sensitivity or social pertinence beyond the trifling tiffs which are playing out on screen.
The film meanders along in conversational style, encouraging improvisational realism but also the thought that maybe these middle-class characters, not quite slackers, are less interesting than they, or the director, think they are.
Each film [director Swanberg] does is a little more of an evolution in style and form and Hannah Takes the Stairs is like watching a natural progression of talent.
Gerwig's talents might be better displayed in some form of scripted or structured film rather than this erratic warts 'n' all waste of time.
Joe Swanberg’s charming comedy Hannah Takes the Stairs marks the Chicago-based filmmaker’s third feature, but his first to land theatrical distribution.
Looks like it should be on an Off Off Off Broadway play in the Village...
Gerwig actually gives her insufferable character some verve -- the actress has potential -- but the remainder of the movie is a slice of life that doesn't much show much life.
Gerwig proves herself to be a charming screen presence who manages to make her character somehow appealing despite her utter self-involvement.
Joe Swanberg's film wears out its welcome about halfway through its 83 minutes.
Note to anyone who stumbles into this snoozefest: forget about taking the stairs—head straight for the nearest exit.
It’s impossible to predict how the Mumblecorps will mature but, given their immersion in the moment, I suspect that the films they’ve made will age very well.
Less dazed and confused than mumbling and mundane, this drama focuses on social awkwardness and twentysomething blues. Skipping aimlessly from scene to scene it offers little observations and rewards low expectations.
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August 21, 2007:
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