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Movies / On DVD / Happy Times
Happy Times

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Happy Times (2002)

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Reviews Counted:60

Fresh:43

Rotten:17

Average Rating:6.5/10

Consensus: One of Zhang's smaller films, Happy Times is nevertheless moving and bittersweet.

Rated: PG [See Full Rating] for thematic elements and language

Runtime: 1 hr 46 mins

Genre: Comedies

Theatrical Release:Jul 26, 2002 Limited

Synopsis: Happy Times, the second of Zhang Yimou's films set in a modern city, is a bittersweet comedy. Zhao (Zhao Benshan) is a poor, aging bachelor who hasn't had luck in love. Thunking he has finally met... Happy Times, the second of Zhang Yimou's films set in a modern city, is a bittersweet comedy. Zhao (Zhao Benshan) is a poor, aging bachelor who hasn't had luck in love. Thunking he has finally met the woman of his dreams, he leads her to believe he is wealthy and agrees to a wedding far beyond his means. Desperate for funds, he turns to his friends, who are weary of his fanciful schemes. Zhao's best friend (Li Xuejian) hatches the idea to raise the money by refurbishing an abandoned bus they will rent out by the hour -- the Happy Times Hotel -- to young couples starved for privacy. But this plan goes awry when Zhao is too old-fashioned to allow the couples to have the privacy they are looking for. No one will pay for the Happy Times Hotel if they can't shut the door.

While dining with his intended spouse, Zhao is introduced to her spoiled son (Ling Qubin) and blind stepdaughter Wu Ying (Dong Jie). The stepmother sees Wu as nothing but a burden to her and her son since she and her father divorced. Sad and lonely, Wu is interested in only one thing: the prospect of her father coming to take her to Shenzhen so she can have an operation to fix her eyes.

To be rid of Wu, the stepmother insists that Zhao take her to the Happy Times Hotel and give her a job. Zhao and Wu reluctantly agree to this arrangement, but when they arrive at the bus, Zhao sees the bus being hauled away to the dump. Not knowing what to do next, he brings Wu back to his home and promises her a job at the hotel once it is completed.

Zhao and Wu return to her stepmother's home to find that she has sold Wu's belongings and given her room to her son. She once again insists that Zhao find Wu a job, and informs Zhao that Wu is a good masseuse. As Zhao's compassion increases for Wu, he decides to maintain the lie that he is wealthy hotel manager. To continue this ruse, he once again enlists the help of his friends to build a makeshift massage room in an abandoned warehouse, another one of his hotels. Here everyone perpetuates the deception further by pretending to be customers for Wu, as they tip her generously with Zhao's money.

When Zhao runs out of this tip money, things start to unravel. A plot is developed to use rice paper, which has the feels the situation could go on forever until Wu notices something strange about the massage parlor. She begins to investigate and comes to the realization that everything around her is fake. Simultaneously, Zhao feels he cannot continue this deception and is compelled to tell Wu the truth and come clean with his fiancé, who he discovers has been cheating on him is about to be married to another man -- a rich one.

As the film reaches its poignant conclusion, both Zhao and Wu's actions demonstrate the strong bond that has developed between them. -- © Sony Pictures Classics [More]

Starring: Zhao Benshan, Dong Jie, Dong Lihua, Leng Qibin

Starring: Zhao Benshan, Dong Jie, Dong Lihua, Leng Qibin, Fu Biao, Li Xuejian

Director: Yimou Zhang

Director: Yimou Zhang
Screenwriter: Gai Zi
Producer: Zhao Yu, Zhou Ping, Zhang Weiping
Composer: San Bao
Studio: Sony Pictures Classics

[See More Credits]

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Release:

Dec 3, 2002

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Reviews for Happy Times

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1 - 20 (sorted by fresh rating)
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Click to read the article

Full Review Source: Empire Magazine | comment Comment
06/01/03
Empire Magazine

Wise, gentle and sad.

Full Review Source: New York Times | comment Comment
07/25/02
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Endows humanist cinema with a heroic moral dimension.

Full Review Source: New York Observer | comment Comment
08/08/02
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

Benefits from a strong performance from Zhao, but it's Dong Jie's face you remember at the end.

comment Comment
07/25/02
Andy Klein
Andy Klein
New Times

An engaging and specific portrait of a culture in transition, even as it evokes humanity's most universal and timeless values.

Full Review Source: Washington Post | comment Comment
08/09/02
Ann Hornaday
Ann Hornaday
Washington Post

Zhang demonstrates a felicitous touch in this lighter, comedic mode.

Full Review Source: culturevulture.net | comment Comment
04/25/02
Arthur Lazere
Arthur Lazere
culturevulture.net

A small movie with a big heart.

Full Review Source: TheMovieChicks.com | comment Comment
08/23/02
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Click to read the article

Full Review Source: Filmcritic.com | comment Comment
03/09/04
Christopher Null
Christopher Null
Filmcritic.com

...director Zhang Yimou imbues the story with enough heart and humor to prevent it from resembling something out of a '70s horror flick.

Full Review Source: Reel Film Reviews | comment Comment
08/10/03
David Nusair
David Nusair
Reel Film Reviews

A metaphor for a modern-day urban China searching for its identity.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
09/05/02
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

One feels the dimming of a certain ambition, but in its place a sweetness, clarity and emotional openness that recalls the classics of early Italian neorealism.

Full Review Source: San Francisco Chronicle | comment Comment
08/02/02
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

Gently humorous and touching.

Full Review Source: Houston Chronicle | comment Comment
08/09/02
Eric Harrison
Eric Harrison
Houston Chronicle
Top Critic Icon Top Critic

One might relate this story to Shakespeare’s Taming of the Shrew. There is much to dislike in the message, but it’s hard not to enjoy the craftsmanship of the tale.

Full Review Source: Reno Gazette-Journal | comment Comment
12/20/02
Forrest Hartman
Forrest Hartman
Reno Gazette-Journal

Transcends the technical limitations and emerges as an oddly funny and ultimately quite affecting film...a heartfelt fable.

Full Review Source: One Guy's Opinion | comment Comment
08/26/02
Frank Swietek
Frank Swietek
One Guy's Opinion

A poignant comedy that offers food for thought.

Full Review Source: Compuserve | comment Comment
04/29/02
Harvey S. Karten
Harvey S. Karten
Compuserve

Sentimentality and the comedy of deception conspire to enchanting effect.

Full Review Source: Newsday | comment Comment
07/26/02
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

Not a film to rival To Live, but a fine little amuse-bouche to keep your appetite whetted.

Full Review Source: Boston Globe | comment Comment
09/20/02
Janice Page
Janice Page
Boston Globe

Zhang Yimou delivers warm, genuine characters who lie not through dishonesty, but because they genuinely believe it's the only way to bring happiness to their loved ones.

Full Review Source: BBC | comment Comment
09/23/02
Jason Korsner
Jason Korsner
BBC

OK, it's an offbeat premise, but it's done with more sensitivity than you might expect.

Full Review Source: Deseret News, Salt Lake City | comment Comment
09/20/02
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

The warm presence of Zhao Benshan makes the preposterous lying hero into something more than he reasonably should be.

Full Review Source: Combustible Celluloid | comment Comment
08/02/02
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid
 
 
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