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Movies / On DVD / Happy Times
Happy Times

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Happy Times (2002)

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Reviews Counted:60

Fresh:43

Rotten:17

Average Rating:6.5/10

Consensus: One of Zhang's smaller films, Happy Times is nevertheless moving and bittersweet.

Rated: PG [See Full Rating] for thematic elements and language

Runtime: 1 hr 46 mins

Genre: Comedies

Theatrical Release:Jul 26, 2002 Limited

Synopsis: Happy Times, the second of Zhang Yimou's films set in a modern city, is a bittersweet comedy. Zhao (Zhao Benshan) is a poor, aging bachelor who hasn't had luck in love. Thunking he has finally met... Happy Times, the second of Zhang Yimou's films set in a modern city, is a bittersweet comedy. Zhao (Zhao Benshan) is a poor, aging bachelor who hasn't had luck in love. Thunking he has finally met the woman of his dreams, he leads her to believe he is wealthy and agrees to a wedding far beyond his means. Desperate for funds, he turns to his friends, who are weary of his fanciful schemes. Zhao's best friend (Li Xuejian) hatches the idea to raise the money by refurbishing an abandoned bus they will rent out by the hour -- the Happy Times Hotel -- to young couples starved for privacy. But this plan goes awry when Zhao is too old-fashioned to allow the couples to have the privacy they are looking for. No one will pay for the Happy Times Hotel if they can't shut the door.

While dining with his intended spouse, Zhao is introduced to her spoiled son (Ling Qubin) and blind stepdaughter Wu Ying (Dong Jie). The stepmother sees Wu as nothing but a burden to her and her son since she and her father divorced. Sad and lonely, Wu is interested in only one thing: the prospect of her father coming to take her to Shenzhen so she can have an operation to fix her eyes.

To be rid of Wu, the stepmother insists that Zhao take her to the Happy Times Hotel and give her a job. Zhao and Wu reluctantly agree to this arrangement, but when they arrive at the bus, Zhao sees the bus being hauled away to the dump. Not knowing what to do next, he brings Wu back to his home and promises her a job at the hotel once it is completed.

Zhao and Wu return to her stepmother's home to find that she has sold Wu's belongings and given her room to her son. She once again insists that Zhao find Wu a job, and informs Zhao that Wu is a good masseuse. As Zhao's compassion increases for Wu, he decides to maintain the lie that he is wealthy hotel manager. To continue this ruse, he once again enlists the help of his friends to build a makeshift massage room in an abandoned warehouse, another one of his hotels. Here everyone perpetuates the deception further by pretending to be customers for Wu, as they tip her generously with Zhao's money.

When Zhao runs out of this tip money, things start to unravel. A plot is developed to use rice paper, which has the feels the situation could go on forever until Wu notices something strange about the massage parlor. She begins to investigate and comes to the realization that everything around her is fake. Simultaneously, Zhao feels he cannot continue this deception and is compelled to tell Wu the truth and come clean with his fiancé, who he discovers has been cheating on him is about to be married to another man -- a rich one.

As the film reaches its poignant conclusion, both Zhao and Wu's actions demonstrate the strong bond that has developed between them. -- © Sony Pictures Classics [More]

Starring: Zhao Benshan, Dong Jie, Dong Lihua, Leng Qibin

Starring: Zhao Benshan, Dong Jie, Dong Lihua, Leng Qibin, Fu Biao, Li Xuejian

Director: Yimou Zhang

Director: Yimou Zhang
Screenwriter: Gai Zi
Producer: Zhao Yu, Zhou Ping, Zhang Weiping
Composer: San Bao
Studio: Sony Pictures Classics

[See More Credits]

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Release:

Dec 3, 2002

No Details Exist
 
 

Reviews for Happy Times

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41 - 60 (sorted by date)
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The film's maudlin focus on the young woman's infirmity and her naive dreams play like the worst kind of Hollywood heart-string plucking.

Full Review Source: Washington Post | comment Comment
08/09/02
Michael O'Sullivan
Michael O'Sullivan
Washington Post
Top Critic Icon Top Critic

An engaging and specific portrait of a culture in transition, even as it evokes humanity's most universal and timeless values.

Full Review Source: Washington Post | comment Comment
08/09/02
Ann Hornaday
Ann Hornaday
Washington Post

A bittersweet contemporary comedy about benevolent deception, which, while it may not rival the filmmaker's period pieces, is still very much worth seeing.

Full Review Source: Toronto Star | comment Comment
08/09/02
Malene Arpe
Malene Arpe
Toronto Star

Gently humorous and touching.

Full Review Source: Houston Chronicle | comment Comment
08/09/02
Eric Harrison
Eric Harrison
Houston Chronicle
Top Critic Icon Top Critic

A tale of unlikely friendship in an increasingly uncaring world.

Full Review Source: Globe and Mail | comment Comment
08/09/02
Jennie Punter
Jennie Punter
Globe and Mail
Top Critic Icon Top Critic

To me, it sounds like a cruel deception carried out by men of marginal intelligence, with reactionary ideas about women and a total lack of empathy.

Full Review Source: Chicago Sun-Times | comment Comment
08/09/02
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Endows humanist cinema with a heroic moral dimension.

Full Review Source: New York Observer | comment Comment
08/08/02
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

This is a film, like City Lights, that blends darkness and light, laughter and tears -- expertly and with love.

Full Review Source: Chicago Tribune | comment Comment
08/08/02
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic
N/R

To live for---The kind heeding the blind in Zhang Yimou’s ‘Happy Times’

Full Review Source: Pasadena Weekly | comment Comment
08/06/02
John Esther
John Esther
Pasadena Weekly

The warm presence of Zhao Benshan makes the preposterous lying hero into something more than he reasonably should be.

Full Review Source: Combustible Celluloid | comment Comment
08/02/02
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

One feels the dimming of a certain ambition, but in its place a sweetness, clarity and emotional openness that recalls the classics of early Italian neorealism.

Full Review Source: San Francisco Chronicle | comment Comment
08/02/02
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

Occasionally funny and consistently odd, and it works reasonably well as a star vehicle for Zhao.

Full Review Source: Seattle Times | comment Comment
08/02/02
John Hartl
John Hartl
Seattle Times

Busy urban comedy is clearly not Zhang's forte, his directorial touch is neither light nor magical enough to bring off this kind of whimsy.

Full Review Source: Seattle Post-Intelligencer | comment Comment
08/01/02
William Arnold
William Arnold
Seattle Post-Intelligencer
N/R

Click to read the article

Full Review Source: New York Magazine | comment Comment
07/28/02
Peter Rainer
Peter Rainer
New York Magazine
Top Critic Icon Top Critic

A heartwarming and bittersweet story.

Full Review Source: Reel.com | comment Comment
07/26/02
Rod Armstrong
Rod Armstrong
Reel.com

Sentimentality and the comedy of deception conspire to enchanting effect.

Full Review Source: Newsday | comment Comment
07/26/02
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

Happy Times maintains an appealing veneer without becoming too cute about it.

Full Review Source: Matinee Magazine | comment Comment
07/26/02
Jeremiah Kipp
Jeremiah Kipp
Matinee Magazine

Worth watching for Dong Jie's performance -- and for the way it documents a culture in the throes of rapid change.

Full Review Source: New York Post | comment Comment
07/26/02
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

Simultaneously poignant, engagingly funny and bittersweet, it mixes its elements in a way that is completely its own.

Full Review Source: Los Angeles Times | comment Comment
07/26/02
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

The movie is best when it's deadpan, before it veers from O. Henry irony to Chaplin pathos.

Full Review Source: Entertainment Weekly | comment Comment
07/26/02
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic
 
 
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