Hara-Kiri: Death of a Samurai (2012)
Average Rating: 6.5/10
Reviews Counted: 38
Fresh: 30 | Rotten: 8
No consensus yet.
Average Rating: 7.2/10
Critic Reviews: 13
Fresh: 12 | Rotten: 1
No consensus yet.
Average Rating: 3.7/5
User Ratings: 4,240
From visionary auteur Takashi Miike comes the story of a mysterious samurai who arrives at the doorstep of his feudal lord, requesting an honorable death by ritual suicide in his courtyard. The lord threatens him with the brutal tale of Motome, a desperate young ronin who made a similar request with ulterior motives, only to meet a grisly end. Undaunted, the samurai begins to tell a story of his own, with an ending no one could see coming. With stunning cinematography and gripping performances,
Jul 20, 2012 Limited
Jan 21, 2013
Tribecca Film - Official Site
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Hara-Kiri: Death of a Samurai reveals yet another facet of this always-unpredictable filmmaker: a flair for compassionate, humane melodrama.
A quiet, narratively layered period drama with a focus squarely on character.
Miike can't seem to get enough of Hanshiro's heroics. That's not just visual excess, though.
A 3-D epic that, despite its title, is more of a soap opera than a swordplay thriller.
It's an indelible picture of a cold-hearted ruling class that has allowed self-interest and hypocrisy to override its own humanity.
Miike brings a formal, elegant restraint to his usual flair for wild theatrics.
HK:DOAS is a beautifully artistic, yet unflinching revenge film; distorted by unnecessary 3D and 45 minutes of additional runtime.
A cinematic work of art, presenting a world in which humanity is banished in favour of the rituals of an ever-warring people
Hara-Kiri: Death of a Samurai is another solid rather than flamboyant film from Japan's master of extreme Takashi Miike.
Hara-Kiri may be a lesser Miike work, but it's still a (literally) gutsy exercise in prolonged narrative recursiveness.
Pointless 3D, and with the way the story was told, there were no surprises. It does however feature the most horrific suicide I've watched on film.
In turn, cruel, savage, humane, joyful and finally devastating and visually transcendent. Originally in 3-D.
The tragedy Miike aims for somehow eludes him within these under-lit interiors and shooting through netting that often blurs facial expressions
The movie is tellingly named after the blunt, informal term for the ritual (hara-kiri means "cut belly") and effectively deglorifies these "honorable" ritual suicides.
A worthy remake of the 1962 classic at just the right time, given the authoritarianism that led to the Fukushima disaster.
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