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Hard Eight (1997)
Tomatometer
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Reviews Counted:32
Fresh:26
Rotten:6
Average Rating:6.9/10
Runtime: 1 hr 41 mins
Genre: Dramas
Synopsis: Sydney (Philip Baker Hall), a mysterious professional gambler, befriends John (John C. Reilly), a young man in trouble, and teaches him the ways of making a living in the casinos of Reno. John gets... Sydney (Philip Baker Hall), a mysterious professional gambler, befriends John (John C. Reilly), a young man in trouble, and teaches him the ways of making a living in the casinos of Reno. John gets involved with Clementine (Gwyneth Paltrow), a pretty waitress who doubles as a prostitute, and Jimmy (Samuel L. Jackson), a two-faced criminal. When trouble erupts, suddenly Sydney has to rescue his young friend, but a secret from his past threatens to destroy everything he has tried to build up. Director Paul Thomas Anderson's highly acclaimed debut feature (based on the films of Jonathan Demme and John Cassavetes) is a tight, intricate film noir character study with a more disciplined plot than his later, more expansive films. The film also features excellent work from his four actors, particularly Hall as the experienced, world-weary Sydney, and fascinating details about the lowlife world the characters inhabit. HARD EIGHT originated as a short film, CIGARETTES AND COFFEE, that Anderson developed at the Sundance Film Institute. [More]
Starring: Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel L. Jackson
Starring: Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel L. Jackson, Robert Ridgely, Philip Seymour Hoffman, Melora Walters
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Robert Jones, John Lyons
Composer: Michael Penn, Jon Brion
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Reviews for Hard Eight
Anderson's screenplay is full of superb dialogue and has some unexpected twists.
Movies like Hard Eight remind me of what original, compelling characters the movies can sometimes give us.
Estréia de Anderson, mostra que o diretor sempre teve talento para contar histórias, embora ainda não tivesse confiança o bastante para criar as belas tomadas e movimentos de câmera que marcam seus trabalhos posteriores.
Anderson, who developed this first feature at the Sundance Institute, builds his characters well -- and the casting is perfect.
This minor Vegas-set drama, about a loser and his older mentor, shows the features that will mark Anderson's better films: love for his characters, taut dialogue at the expense of plot, and fascination with the possibilities of the film medium.
Best of all is Anderson's sense of character, expressed in dialogue that never strains for effect and in his expert handling of a first-rate quartet of actors.
It's hugely refreshing to watch a movie populated almost exclusively by character actors.
A comedy without humor, a tragedy without emotion, and a story without meaning.
Odds are you'll like getting to the revealing good stuff. There are more than a few reasons why.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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