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The Hard Word (2003)
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Reviews Counted:81
Fresh:32
Rotten:49
Average Rating:5.5/10
Consensus: This caper flick lacks the originality necessary to elevate it above other films of its genre.
Rated: R [See Full Rating] for strong violence, language, sexuality and brief drug use
Runtime: 1 hr 43 mins
Genre: Comedies
Theatrical Release:Jun 13, 2003 Limited
Box Office: $400,844
Synopsis:
Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of...
Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of family have made them masters of their craft - armed robbery. It's a job and they do it because they're good at it. Their only rule is, no one gets hurt.
Keeping the wheels of crime turning is their long-time criminal lawyer, FRANK MALONE (ROBERT TAYLOR), who combines flashy arrogance with a complete disregard for the proper process of the law. Frank's network of contacts enables him to play the brothers and the system to perfection. But success has clearly gone to his head when he starts screwing Dale's wife, CAROL (RACHEL GRIFFITHS). Dazzled by her physical attractiveness, Frank has severely underestimated the brain underneath the blonde. Carol is one of life's greatest operators and she is determined to get what's hers.
The brothers are out on bail, only long enough to do one job before they are back behind bars because of a problem with the 'paperwork'. Of course Frank will get them out but there's a catch. They must do a really big job if it is to be their last. Dale's festering suspicion about Frank's motives, and a bout with food poisoning, create an impossible situation leading up to a multi-million dollar heist. The job is to take place in Melbourne. Frank has lined up some local criminals to work with them, to the displeasure of the brothers. Up against the wall and with no way out, the boys proceed with the ambitious robbery, despite some dark misgivings. When it all goes wrong, the brothers discover the full extent of Frank's treachery as they make a desperate escape from the surrounding havoc. Breaking free of Melbourne in a hijacked car, the brothers have plenty of time to think on the long road back to Sydney. Although they have the money, they know Frank will not be far behind. And he isn't. And neither is Carol.
Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson
Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson, Joel Edgerton
Director: Scott Roberts
Director: Scott Roberts
Screenwriter: Scott Roberts
Producer: Al Clark, Gareth Jones, Hilary Davis
Studio: Lions Gate Films
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Reviews for The Hard Word
The entire cast perform ably, but Mr. Pearce and Ms. Griffiths ... are something special in their native habitat.
Boasts enough originality and excellent performances to merit a look-see, especially from fans who love 'heist-gone-bad' flicks.
'Amiable' is an odd way to describe a crime drama that contains wall-spattering amounts of bloodshed, but it fits The Hard Word.
The picture has a spiky, efficient hilarity, and the director uses his actors well.
Roberts always grounds the film with the consistency of his characters and manages to punctuate proceedings with an 'Am I really seeing that?' moment about every 10 minutes.
A smart, frisky bauble, as funny as it is entertaining without resorting to elaborate red herrings or hoaxes.
The Hard Word may not be the last word in underworld thrills, but, like eternal patsy Pearce, it possesses a certain wild-eyed affability.
This Aussie thriller is all about characters -- interesting characters, and several of them could hold a movie on their own.
Like an Australian Ocean's Eleven, which is still better than an American version of The Italian Job.
There's a certain fun factor in the comedy-of-errors part of the venture
A tidy thriller that marks the tight and confident directing debut of Scott Roberts, it does a surprisingly good job with undeniably familiar material.
You get the feeling that these actors had fun making this film, and that fun is contagious.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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