A good-but-not-great caper film.
The Hard Word (2003)
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Reviews Counted:81
Fresh:32
Rotten:49
Average Rating:5.5/10
Consensus: This caper flick lacks the originality necessary to elevate it above other films of its genre.
Rated: R [See Full Rating] for strong violence, language, sexuality and brief drug use
Runtime: 1 hr 43 mins
Genre: Comedies
Theatrical Release:Jun 13, 2003 Limited
Box Office: $400,844
Synopsis:
Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of...
Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of family have made them masters of their craft - armed robbery. It's a job and they do it because they're good at it. Their only rule is, no one gets hurt.
Keeping the wheels of crime turning is their long-time criminal lawyer, FRANK MALONE (ROBERT TAYLOR), who combines flashy arrogance with a complete disregard for the proper process of the law. Frank's network of contacts enables him to play the brothers and the system to perfection. But success has clearly gone to his head when he starts screwing Dale's wife, CAROL (RACHEL GRIFFITHS). Dazzled by her physical attractiveness, Frank has severely underestimated the brain underneath the blonde. Carol is one of life's greatest operators and she is determined to get what's hers.
The brothers are out on bail, only long enough to do one job before they are back behind bars because of a problem with the 'paperwork'. Of course Frank will get them out but there's a catch. They must do a really big job if it is to be their last. Dale's festering suspicion about Frank's motives, and a bout with food poisoning, create an impossible situation leading up to a multi-million dollar heist. The job is to take place in Melbourne. Frank has lined up some local criminals to work with them, to the displeasure of the brothers. Up against the wall and with no way out, the boys proceed with the ambitious robbery, despite some dark misgivings. When it all goes wrong, the brothers discover the full extent of Frank's treachery as they make a desperate escape from the surrounding havoc. Breaking free of Melbourne in a hijacked car, the brothers have plenty of time to think on the long road back to Sydney. Although they have the money, they know Frank will not be far behind. And he isn't. And neither is Carol.
Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson
Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson, Joel Edgerton
Director: Scott Roberts
Director: Scott Roberts
Screenwriter: Scott Roberts
Producer: Al Clark, Gareth Jones, Hilary Davis
Studio: Lions Gate Films
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Reviews for The Hard Word
Every heist movie trope is trotted out and given an Australian accent.
Set in Australia, this rock 'em, sock 'em tug of war is a solid bit of nasty fun from Down Under.
A wily, performance-driven heist-gone-wrong picture with shrewd underworld savvy reminiscent of Snatch without the smug self-awareness.
The movie-jaded will dismiss The Hard Word as just another slick heist flick with a band of burglar buddies. Too bad for their cynical souls. They'll be missing a grand (theft) time.
There's a certain fun factor in the comedy-of-errors part of the venture
The three Twentyman brothers are so good at stealing stuff you wonder why they couldn't have swiped a better heist movie.
The Hard Word strains to be light on its feet but piles too much on its plate: characters come and go, changing personality at the director's whim, and you're never quite sure who's getting the shaft.
There isn't much about the movie that "a more good-natured, Australian-flavored LOCK, STOCK & 2 SMOKING BARRELS" doesn't sum up.
a mish-mash of post-mod noir ideas (the butcher, the redeemed femme, cannibalism) arranged with little respect for rhyme and reason.
The Hard Word is not a complete failure, just a familiarized one that’s not going to woo away any fans of the directors who know how to do it right. And hundreds of times before.
'Amiable' is an odd way to describe a crime drama that contains wall-spattering amounts of bloodshed, but it fits The Hard Word.
I liked the premise and the basic storyline, it's a great mix of action and comedy, but it lacks focus.
This movie could obviously go on fooling us forever, but we are good sports only up to a point, and then our attention drifts.
It's way below Jackie Brown and even Trainspotting, though the cast has that Aussie Thing down.
A compendium of caper clichés and stylistic Tarantino-isms in which neither the getting nor the getting away is particularly gripping.
Roberts always grounds the film with the consistency of his characters and manages to punctuate proceedings with an 'Am I really seeing that?' moment about every 10 minutes.
An Australian crime caper that's one part Sexy Beast, one part The Full Monty, and three parts very flat soda.
| Tomatometer Percentage | Movie |
|---|---|
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