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Movies / On DVD / The Hard Word
The Hard Word

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The Hard Word (2003)

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Reviews Counted:81

Fresh:32

Rotten:49

Average Rating:5.5/10

Consensus: This caper flick lacks the originality necessary to elevate it above other films of its genre.

Rated: R [See Full Rating] for strong violence, language, sexuality and brief drug use

Runtime: 1 hr 43 mins

Genre: Comedies

Theatrical Release:Jun 13, 2003 Limited

Box Office: $400,844

Synopsis: Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of... Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of family have made them masters of their craft - armed robbery. It's a job and they do it because they're good at it. Their only rule is, no one gets hurt.

Keeping the wheels of crime turning is their long-time criminal lawyer, FRANK MALONE (ROBERT TAYLOR), who combines flashy arrogance with a complete disregard for the proper process of the law. Frank's network of contacts enables him to play the brothers and the system to perfection. But success has clearly gone to his head when he starts screwing Dale's wife, CAROL (RACHEL GRIFFITHS). Dazzled by her physical attractiveness, Frank has severely underestimated the brain underneath the blonde. Carol is one of life's greatest operators and she is determined to get what's hers.

The brothers are out on bail, only long enough to do one job before they are back behind bars because of a problem with the 'paperwork'. Of course Frank will get them out but there's a catch. They must do a really big job if it is to be their last. Dale's festering suspicion about Frank's motives, and a bout with food poisoning, create an impossible situation leading up to a multi-million dollar heist. The job is to take place in Melbourne. Frank has lined up some local criminals to work with them, to the displeasure of the brothers. Up against the wall and with no way out, the boys proceed with the ambitious robbery, despite some dark misgivings. When it all goes wrong, the brothers discover the full extent of Frank's treachery as they make a desperate escape from the surrounding havoc. Breaking free of Melbourne in a hijacked car, the brothers have plenty of time to think on the long road back to Sydney. Although they have the money, they know Frank will not be far behind. And he isn't. And neither is Carol. [More]

Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson

Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson, Joel Edgerton

Director: Scott Roberts

Director: Scott Roberts
Screenwriter: Scott Roberts
Producer: Al Clark, Gareth Jones, Hilary Davis
Studio: Lions Gate Films

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Release:

Oct 7, 2003

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Reviews for The Hard Word

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41 - 60 (sorted by date)
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You get the feeling that these actors had fun making this film, and that fun is contagious.

Full Review Source: Oregonian | comment Comment
06/28/03
Kim Morgan
Kim Morgan
Oregonian

This movie could obviously go on fooling us forever, but we are good sports only up to a point, and then our attention drifts.

Full Review Source: Chicago Sun-Times | comment Comment
06/28/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

The Hard Word never steals our hearts, though it does kill time.

Full Review Source: Chicago Tribune | comment Comment
06/28/03
Mark Caro
Mark Caro
Chicago Tribune
Top Critic Icon Top Critic

The Hard Word strains to be light on its feet but piles too much on its plate: characters come and go, changing personality at the director's whim, and you're never quite sure who's getting the shaft.

Full Review Source: Boston Globe | comment Comment
06/28/03
Ty Burr
Ty Burr
Boston Globe

There isn't much about the movie that "a more good-natured, Australian-flavored LOCK, STOCK & 2 SMOKING BARRELS" doesn't sum up.

Full Review Source: AboutFilm.com | comment Comment
06/27/03
Carlo Cavagna
Carlo Cavagna
AboutFilm.com

A good-but-not-great caper film.

Full Review Source: Combustible Celluloid | comment Comment
06/27/03
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A wannabe gritty Australian crime drama.

Full Review Source: Washington Post | comment Comment
06/27/03
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

Boasts enough originality and excellent performances to merit a look-see, especially from fans who love 'heist-gone-bad' flicks.

Full Review Source: ReelTalk Movie Reviews | comment Comment
06/27/03
Betty Jo Tucker
Betty Jo Tucker
ReelTalk Movie Reviews

Your brain may wander off elsewhere before the movie has a chance to get rolling.

Full Review Source: Film Blather | comment Comment
06/26/03
Eugene Novikov
Eugene Novikov
Film Blather

Treads too closely to Quentin Tarentino and Guy Ritchie turf to claim much original thought.

Full Review Source: Seattle Post-Intelligencer | comment Comment
06/26/03
Paula Nechak
Paula Nechak
Seattle Post-Intelligencer

It's the kind of predictable programmer that used to fill the bottom half of double bills, but it's worth the effort to catch Ms. Griffiths.

Full Review Source: New York Observer | comment Comment
06/26/03
Rex Reed
Rex Reed
New York Observer
Top Critic Icon Top Critic

The entire cast perform ably, but Mr. Pearce and Ms. Griffiths ... are something special in their native habitat.

Full Review Source: New York Observer | comment Comment
06/26/03
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

a mish-mash of post-mod noir ideas (the butcher, the redeemed femme, cannibalism) arranged with little respect for rhyme and reason.

Full Review Source: Film Freak Central | comment Comment
06/25/03
Walter Chaw
Walter Chaw
Film Freak Central

Odd details certainly enliven the film, but their purpose in it is not always clear.

Full Review Source: Premiere Magazine | comment Comment
06/23/03
Alex Kranz
Alex Kranz
Premiere Magazine

It would be hard not to feel something for such a lively outlaw crew.

Full Review Source: Boxoffice Magazine | comment Comment
06/20/03
Michael Tunison
Michael Tunison
Boxoffice Magazine

Click to read the article

Full Review Source: Modamag.com | comment Comment
06/20/03
Brian Orndorf
Brian Orndorf
Modamag.com

Like an Australian Ocean's Eleven, which is still better than an American version of The Italian Job.

Full Review Source: Planet Sick-Boy | comment Comment
06/20/03
Jon Popick
Jon Popick
Planet Sick-Boy

Few opportunities are seized.

Full Review Source: Newark Star-Ledger | comment Comment
06/20/03
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
Top Critic Icon Top Critic

A smart, frisky bauble, as funny as it is entertaining without resorting to elaborate red herrings or hoaxes.

Full Review Source: Los Angeles Daily News | comment Comment
06/20/03
Evan Henerson
Evan Henerson
Los Angeles Daily News

A tidy thriller that marks the tight and confident directing debut of Scott Roberts, it does a surprisingly good job with undeniably familiar material.

Full Review Source: NPR's Morning Edition | comment Comment
06/19/03
Kenneth Turan
Kenneth Turan
NPR's Morning Edition
 
 
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