An interesting study of time and place.
Harvard Beats Yale 29-29 (2008)
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Reviews Counted:35
Fresh:32
Rotten:3
Average Rating:7.4/10
Theatrical Release:Nov 19, 2008 Limited
Synopsis:
Director Kevin Rafferty is renowned for his wit and fresh perspectives on American culture. He previously re-purposed Cold War archival footage for The Atomic Café, served as a cameraman to...
Director Kevin Rafferty is renowned for his wit and fresh perspectives on American culture. He previously re-purposed Cold War archival footage for The Atomic Café, served as a cameraman to first-time director Michael Moore on Roger and Me and captured the unguarded comments of politicians in Feed.
In Harvard Beats Yale 29-29, Rafferty takes us into the world of America's Ivy League universities via a 1968 football match that had a highly unexpected outcome. He interviews players on both sides, who – in addition to talking about the game – summon the socio-political milieu of the time, recollecting their thoughts on issues like Vietnam, birth control and student insurrection. These testimonies interweave with remarkable footage of the game, an erstwhile style of college play that possessed a grace lacking in today's professional football.
Several aspects of this particular game resonate in the wider culture of 1968. At Harvard, the team included actor Tommy Lee Jones, who recalls a campus where “ideas were flying like bullets.” At Yale, the student comic strip, Doonesbury, introduced a jock character named B.D., inspired by Brian Dowling, the school's star quarterback. And players from either side were roommates with Al Gore (Harvard) and George W. Bush (Yale). As the football game is obsessively dissected, the reflections feel eerily comparable to what took place after the 2000 presidential election.
Although such details do not surface in the film, Rafferty himself went to Harvard, and happens to be the first cousin of George W. Bush – though he has different politics. At their prep school, Rafferty played football and Bush was a cheerleader. Rafferty's evident familiarity with the Ivy League environment grants the interviews an intimacy not often found in historical documentaries. As the former teammates (now pushing sixty) look back on their youth, they demystify the prestige of their elite universities. It becomes clear that no matter where you go to school, sometimes you win, sometimes you lose and sometimes it's hard to tell. --© Toronto International Film Festival
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Release:
Aug 4, 2009
Reviews for Harvard Beats Yale 29-29
Rafferty keeps the structure so blandly standard, the title is nearly the most intriguing element of the whole film.
It's rewarding even if you're not a football fanatic, alum, or sociologist researching Ivy Leaguers of the era.
An accomplished generational anecdote ... the subject still feels mostly like "just a football game."
A sense of mortality shadows the documentary. On or off the gridiron, time is the only opponent who always wins. Even at Harvard, even at Yale.
That Nov. 23, 1968 contest throws filmmaker Kevin Rafferty a potentially great subject. Rafferty catches it, runs with it and then fumbles.
A ripping good yarn, like a Fitzgerald short story rewritten by John Updike, with an uproarious, impossible Hollywood ending.
Folks who don't have any inkling what an I formation is will still find themselves sucked into the film's vortex.
Kevin Rafferty makes the case for remembrance and for the art of the story in his preposterously entertaining documentary Harvard Beats Yale 29-29.
The movie, which absurdly tries to paint the Harvard players as a group of working stiffs -- you won't be surprised to learn it was directed by a Harvard grad -- also fails to capture the tenor of one of the most tumultuous years of the century.
It’s kind of amazing that a film about a sports game where the final score is in the title could be so suspenseful, but Mr. Rafferty manages to pull it off.
Rafferty's no-frills annotated replay is the best football movie I've ever seen: A particular day in history becomes a moment out of time.
This touching, exciting film works less as a cultural portrait and more as a look at the bittersweet nature of time and memory.
How many thrillers could put the outcome in the title and still provide as many white-knuckle moments as Harvard Beats Yale 29-29?
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March 01, 2009:
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