It has a caffeinated, sloppy brilliance, sparkling with ideas you wish had been developed with more care, but animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame.
Harvard Man (2002)
Tomatometer
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Reviews Counted:36
Fresh:12
Rotten:24
Average Rating:4.6/10
Consensus: Harvard Man is a pretentious, incoherent mess.
Runtime: 1 hr 40 mins
Genre: Dramas
Theatrical Release:Apr 12, 2002 Limited
Synopsis: This innovative drama from writer and director James Toback (BUGSY, BLACK AND WHITE) follows the travails of Alan Jensen (Adrian Grenier), a Harvard student determined to live life to the fullest... This innovative drama from writer and director James Toback (BUGSY, BLACK AND WHITE) follows the travails of Alan Jensen (Adrian Grenier), a Harvard student determined to live life to the fullest and find the ultimate truth. He gets high regularly, and is sleeping with Holy Cross cheerleader Cindy Bandolini (Sarah Michelle Gellar), who also happens to be a mobster's daughter. Simultaneously, Alan is carrying on an illicit affair with his philosophy professor, Chesney Cort (Joey Lauren Adams), a woman with a vast sexual appetite. When his parents lose their Kansas home in a tornado, Alan is desperate to help them financially. He turns to Cindy's father for a loan and is soon entrenched in a high-stakes gambling scheme. But all is not as it seems and Alan soon finds himself in over his head with many aspects of his life: his drug use, the women in his life, and even the FBI. Grenier is endearing as the truth-seeking Alan, and as a tough-talking Mafia princess, Gellar steps far away from her television persona as Buffy the Vampire Slayer. Eric Stoltz and Rebecca Gayheart lend their talents in supporting roles that add to the film's twisting storyline. [More]
Starring: Adrian Grenier, Sarah Michelle Gellar, Eric Stoltz, Rebecca Gayheart
Starring: Adrian Grenier, Sarah Michelle Gellar, Eric Stoltz, Rebecca Gayheart, Joey Lauren Adams, Ray Allen
Director: James Toback
Director: James Toback
Screenwriter: James Toback
Producer: Michael Mailer, Daniel Bigel
Studio: Cowboy Pictures
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Reviews for Harvard Man
There's a certain niche audience that will eat up Harvard Man -- but whether that's the mob-movie set, the college-movie set, or the sex-movie set, I really have no idea.
Grenier is terrific, bringing an unforced, rapid-fire delivery to Toback’s Heidegger- and Nietzsche-referencing dialogue.
Might have been played as a glum cautionary tale, but in Toback's hands it becomes a lark--flashy, florid and blissfully over-the-top.
A cautionary tale about the grandiosity of a college student who sees himself as impervious to a fall.
Gambling and throwing a basketball game for money isn't a new plot -- in fact Toback himself used it in Black and White. But Toback's deranged immediacy makes it seem fresh again.
Toback offers a complex, borderline campy, and oddly entertaining study of modern moral dilemmas.
Putting it all out there and shaping it into some kind of contained whole is something else again. Although that never quite happens here, there's plenty to appreciate.
Has everything you could ever want from a Toback movie: lurid sex, shocking excess and an out-of- nowhere thoughtfulness that's not put on.
In a summer of clones, Harvard Man is something rare and riveting: a wild ride that relies on more than special effects.
What makes the movie work is that the premise, which sounds like a comedy, is treated with the seriousness of life and death.
For those who accept the offbeat premise, the film ultimately delivers a satisfying dramatic exploration of the ways we create ourselves.
The long-delayed flick's weak story and poor casting shows that Gellar is too cute to be Corleone; Adams is too high-pitched to be tenured; and Gayheart is still too whatever to care about.
Harvard Man is a semi-throwback, a reminiscence without nostalgia or sentimentality.
An overstylized, puréed mélange of sex, psychology, drugs and philosophy. Sometimes entertaining, sometimes indulgent -- but never less than pure wankery.
I think it was Plato who said, 'I think, therefore I know better than to rush to the theatre for this one.'
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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