A routine Hollywood high school morality play.
Havana Nights (2004)
Tomatometer
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Reviews Counted:105
Fresh:24
Rotten:81
Average Rating:4.3/10
Consensus: Cheesy, unnecessary remake.
Theatrical Release:Feb 27, 2004 Wide
Box Office: $14,140,215
Synopsis:
Set against the decadent glamour and escalating danger of revolution-eve Cuba, Dirty Dancing 2: Havana Nights re-imagines the 1987 film phenomenon from an exciting new perspective. Havana Nights...
Set against the decadent glamour and escalating danger of revolution-eve Cuba, Dirty Dancing 2: Havana Nights re-imagines the 1987 film phenomenon from an exciting new perspective. Havana Nights tells a timeless story of a young woman's discovery of love, sensuality and independence - but with a sizzling style and rhythm all its own. In planning this new chapter in a beloved franchise, Artisan Entertainment and Miramax Films have put together a team of creative dynamos from worlds of film, music and dance. Among them: maverick independent producer Lawrence Bender (Pulp Fiction, Good Will Hunting); Academy Award® winning screenwriter Ron Bass (Rain Man, My Best Friend's Wedding); director Guy Ferland (TV's award-winning "The Shield"); choreographer Joanne Jansen; music industry legend Clive Davis, whose hot new J Records imprint will release the soundtrack; acclaimed actor Diego Luna, a rising star following his performance in the sexy sensation Y Tu Mamá También; and, in what promises to be a breakout role, gifted young actress Romola Garai (recently seen in Nicholas Nickleby). The resulting film is certain to give audiences - from newcomers to those who cherish the first Dirty Dancing - the time of their lives, and then some.
Havana: November, 1958. 18-year-old Katey Vendetto (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Chrysler. Schooled by her parents in the art of ballroom dancing, Katey is expected to join the smart set of American teenagers who are the Vendettos' neighbors at the exclusive Hotel Miramar. But Katey finds herself drawn instead to the proud, purposeful Xavier (Diego Luna), a pool boy who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Xavier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at a local country club. Meeting secretly in an out-of-the-way Havana nightclub, Katey and Xavier practice their steps, their bodies aligning in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Xavier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence. -- © Artisan Entertainment
Starring: Diego Luna, Romola Garai, Patrick Swayze, John Slattery
Starring: Diego Luna, Romola Garai, Patrick Swayze, John Slattery, Sela Ward, Mika Boorem
Director: Guy Ferland
Director: Guy Ferland
Screenwriter: Boaz Yakin, Victoria Arch
Producer: Lawrence Bender, JoAnn Jansen, Sarah Green
Studio: Artisan Entertainment
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Reviews for Havana Nights
Solid dancing and a catchy soundtrack. But expect to have the time of your life again and you’ll most likely be disappointed.
Doesn't begin to live up to the giddy energy, romance and terrific dancing of its progenitor.
Looks good, sounds good and delivers what most Dirty Dancing fans are likely to expect.
Jansen might not be the best storyteller, but she's a wonderful choreographer, adapting the styles of her stars (both nondancers before the movie) to complement each other beautifully.
Garai and Luna, both appealing, never achieve combustion in the dance or elsewhere, and only very naive viewers will feel the itch so keenly scratched by Swayze and Grey in 1987.
You may not have the time of your life, but Dirty Dancing: Havana Nights is a perfectly serviceable date movie propelled by some electric dancing and tangy salsa music.
The characters are earnest, thin, dopey, and although the dancing is fine, the drama is flat.
At a certain point, you stop counting the plot elements lifted from the first DD and start clocking the times the movie dares to place them in a different order.
Becomes laugh-out-loud awful, with dreadful, lame lines delivered painfully badly -- as if a different screenwriter and director had taken over for the movie's final act.
Has some good music and hot dancing -- filmed choppily -- but it completely lacks the magic of its predecessor.
The original film's mix of romanticized innocence and sexual adventure has been replaced by after-school- special plot twists and puppy-love handholding.
You may have problems with the obvious, cliched story, but the dancing is incredible.
It doesn't make a lot of sense, but there are some lovely dance numbers, and it isn't tough to look at the young and beautiful leads.
The script wallows in its melodramatic clichés and features plenty of unintentionally funny dialogue -- though nothing funnier than the 'based on true events' title card.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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