The allegorical messages of the film are made quite clear, and Hawks and the Sparrows does not suffer from the overbearing self-conscious pretension that renders much of Pasolini's work inaccessible to most moviegoers.
The Hawks and the Sparrows (1964)
Tomatometer
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Reviews Counted: 9
Fresh: 7
Rotten:2
Average Rating: 6.4/10
Runtime: 88 mins
Genre: Foreign Films
Synopsis: Pasolini's fanciful, philosophical fable about a father (Italian clown Toto) and son (Nino Davoli) whose encounter with a talking crow catapults them along a satirical journey of knowledge about... Pasolini's fanciful, philosophical fable about a father (Italian clown Toto) and son (Nino Davoli) whose encounter with a talking crow catapults them along a satirical journey of knowledge about the two pillars of modern Italian life--the Church and Marxism. [More]
Starring: Toto, Ninetto Davoli, Femi Benussi
Starring: Toto, Ninetto Davoli, Femi Benussi
Director: Pier Paolo Pasolini
Director: Pier Paolo Pasolini
Screenwriter: Pier Paolo Pasolini
Producer: Alfredo Bini
Composer: Ennio Morricone
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Reviews for The Hawks and the Sparrows
The genial, humorous and compassionate way in which these generalizations are conveyed, with the wonderful Italian clown, Toto, and Ninetto Davoli playing the father and son, is so lively and fascinating, so primitive and droll.
Pier Paolo Pasolini's The Hawks and the Sparrows is a whimsical fantasy about Christianity and Marxism; the question is left open as to whether Pasolini believes in either, or neither.
An intriguing tragicomic fable that shows two delightful innocents caught, like many Italians at the time, between the Church and communism.
Pier Paolo Pasolini was a major theorist as well as a leader in the Italian avant-garde.
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