Haywire (2012)

"Haywire" is an interesting film from Soderbergh, who once again is at his more experimental. It's a dialogue heavy affair with bursts of action and surprising stylistic choices (from it's restrained cinematography and editing, too it's super cool score in the vein of 60s thrillers), but there's definitely some hiccups along the way. For a film that almost succeeds as a completely satisfying and straightforward exercise in style, "Haywire" is overwritten; even frustrating at times. The script is muddled and feels unnecessarily convoluted, which takes away some of the fun attributed to a film like this. I wanted to focus on the genre thrills, not disjointed plotting. Though the customary explanations do occur, a tighter narrative would more suitably match the length and spirit of the film. Ultimately, what really makes "Haywire" work isn't it's generic plot or been there done that premise; it's Gina Carano. She has a great charisma and screen presence! Carano, in nearly every scene, is quite striking in that she has such a unique, hard edged beauty and is so utterly convincing in both the brawls and dramatic scenes. She's simply intriguing to watch and keeps us invested. The film's greatest asset without question. It's also great watching the big names show up (McGregor, Douglas, banderas, Fassbender, Paxton)... Even if they don't have anything really dynamic to do (other than fight Carano). The combative scene between Carano and Fassbender in particular is really impressive, and the brutal highlight of the film. There's something so enjoyable about watching this human wrecking ball who just so happens to be a woman lay such a beat-down; especially when it's done with such conviction! No, "Haywire" isn't Soderbergh's next great film, and because of certain decisions in both the writing and directorial process it isn't that accessible or audience-friendly either. But I appreciated Soderbergh's unique, layed-back, and classy approach to what is after all a pretty routine story. Through art house flourishes, Soderbergh sells it, and the potentially star making debut of Gina Carano leaves an impression.