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Haywire Reviews

David Edelstein
New York Magazine
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Steven Soderbergh continues his occasional practice of using actors as found objects in his perfectly enjoyable formula action-thriller Haywire.

Full Review Source: New York Magazine

January 8, 2013
Rafer Guzman
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Mixed martial-arts star Carano puts major muscle, if minor acting ability, into this enjoyable action flick.

Full Review Source: Newsday

January 8, 2013
David Denby
New Yorker
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Carano is strong, fast, relentless. She's not much of an actress yet, but Soderbergh hides her weaknesses well...

Full Review Source: New Yorker

January 24, 2012
J. R. Jones
Chicago Reader
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There's a good deal of pleasure to be had in the clockwork precision of her hand-to-hand combat, which Soderbergh often shoots in profile to showcase her wall-climbing backflips.

Full Review Source: Chicago Reader

January 23, 2012
Eric D. Snider
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Carano is nothing special as an actress - but darned if it matters when she's supported by a killer screenplay, a sharp cast, and Steven Soderbergh's unmistakably sly, mordant direction.

Full Review Source: | Original Score: A-

January 21, 2012
Stephen Whitty
Newark Star-Ledger
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If "Mission: Impossible - Ghost Protocol" was a fancy top-shelf cocktail, this is Polish vodka, neat.

Full Review Source: Newark Star-Ledger | Original Score: 3/4

January 20, 2012
Alonso Duralde
The Wrap
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Like The Limey, also written by Haywire scribe Lem Dobbs, it's the kind of film that hearkens back to lean-and-mean revenge movies like Get Carter and Point Blank.

Full Review Source: The Wrap

January 20, 2012
Dana Stevens
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Though Carano isn't without a certain glowering charisma, her flat line readings and apparent discomfort with dialogue-heavy exchanges make her seem like a refugee from a different, schlockier movie...

Full Review Source: Slate

January 20, 2012
Liam Lacey
Globe and Mail
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Hand it to a wily indie veteran like Soderbergh to find a fresh twist to an old genre: The fighting isn't faked, but the acting is.

Full Review Source: Globe and Mail | Original Score: 2.5/4

January 20, 2012
Adam Graham
Detroit News
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"Haywire" isn't a by-the-numbers action vehicle, it's a crafty thriller that works to undo beat-em-up clichés. In short, it's a livewire.

Full Review Source: Detroit News | Original Score: B

January 20, 2012
Ann Hornaday
Washington Post
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"Haywire" stays true to its low-rent B-movie principles, right down to the fast, strong and quietly competent heroine at its center.

Full Review Source: Washington Post | Original Score: 3/4

January 20, 2012
Kyle Smith
New York Post
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'Haywire" is a wannabe, or rather a wanna-B, and that B is for "Bourne."

Full Review Source: New York Post | Original Score: 2/4

January 20, 2012
Claudia Puig
USA Today
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A vigorous spy thriller that consistently beckons the viewer to catch up with its narrative twists and turns. Bordering on convoluted, it works best when in combat mode.

Full Review Source: USA Today | Original Score: 3/4

January 19, 2012
Andrew O'Hehir
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"Haywire" is a lean, clean production, shot and edited by Soderbergh himself and utterly free of the incoherent action sequences and overcooked special effects that plague similarly scaled Hollywood pictures.

Full Review Source:

January 19, 2012
Mick LaSalle
San Francisco Chronicle
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You don't love movies if the sight of Gina Carano beating up every guy in sight doesn't make you laugh, get happy and feel as if you're getting your money's worth.

Full Review Source: San Francisco Chronicle | Original Score: 3/4

January 19, 2012
Ian Buckwalter
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As with any great action movie, what we're really here to see is the star showing off whatever skills got them on screen to begin with. And Haywire never disappoints.

Full Review Source: NPR | Original Score: 8/10

January 19, 2012
Chris Vognar
Dallas Morning News
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"I don't wear the dress," explains Mallory Kane as she ponders the details of her next job. If she did, she'd probably strangle someone with it.

Full Review Source: Dallas Morning News | Original Score: B+

January 19, 2012
Betsy Sharkey
Los Angeles Times
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Watching Carano kick, spin, flip, choke, crack and crush the fiercest of foes - mostly men about twice her size - is thoroughly entertaining, highly amusing and frankly somewhat awe-inspiring.

Full Review Source: Los Angeles Times | Original Score: 3/5

January 19, 2012
Wesley Morris
Boston Globe
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The pleasure of this small, eccentric movie is the natural way Carano hurts people - by, say, walking partway up a wall and climbing onto a man's back, by sprinting toward the camera and flying into the human target standing in the foreground.

Full Review Source: Boston Globe | Original Score: 3/4

January 19, 2012
Joe Morgenstern
Wall Street Journal
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There's no deeper meaning to Steven Soderbergh's thriller than what meets the eye, yet its lustrous surfaces offer great and guilt-free pleasure.

Full Review Source: Wall Street Journal

January 19, 2012
Steven Rea
Philadelphia Inquirer
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From start to finish, serious fun.

Full Review Source: Philadelphia Inquirer | Original Score: 3/4

January 19, 2012
Colin Covert
Minneapolis Star Tribune
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While she can't out-act Angelina Jolie, Carano definitely looks comfortable onscreen. And she's a lot more credible kicking butt.

Full Review Source: Minneapolis Star Tribune | Original Score: 3/4

January 19, 2012
Richard Corliss
TIME Magazine
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Carano is her own best stuntwoman, but in the dialogue scenes she's all kick and no charisma. The MMA battler lacks the conviction she so forcefully displayed in the ring. She is not Haywire's heroine but its hostage.

Full Review Source: TIME Magazine

January 19, 2012
Joe Neumaier
New York Daily News
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Carano is cool and in control, even after running, in real time, several blocks and pummeling a guy in an alley. But "Haywire," clean and no-fuss as it is, needs more action scenes to match Carano's game.

Full Review Source: New York Daily News | Original Score: 3/5

January 19, 2012
A.O. Scott
New York Times
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It is self-consciously and aggressively trivial, a feast for formalists who sentimentalize the gloriously cheap B-movies of the past.

Full Review Source: New York Times | Original Score: 2.5/5

January 19, 2012
Peter Travers
Rolling Stone
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Haywire comes close to achieving Soderbergh's goal of creating "a Pam Grier movie made by Alfred Hitchcock."

Full Review Source: Rolling Stone | Original Score: 3.5/4

January 19, 2012
Michael Phillips
Chicago Tribune
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Carano may not be a born or a natural actress; she is, however, an undeniable and heartening rebuke to the skinny-Minnies Hollywood favors over real women with curves.

Full Review Source: Chicago Tribune | Original Score: 3/4

January 19, 2012
Roger Ebert
Chicago Sun-Times
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Carano is wonderfully athletic, which is just as well, because she spends most of the film being wonderful athletic.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

January 19, 2012
Moira MacDonald
Seattle Times
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Right up to the film's comically abrupt ending, it's all about Mallory's strength, speed and uncanny ability to survive. A dismissive cop, early on, refers to her as "Wonder Woman"; turns out he's not kidding.

Full Review Source: Seattle Times | Original Score: 3/4

January 19, 2012
Peter Howell
Toronto Star
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Haywire is really just a vehicle for Carano to demonstrate her action chops, which she does with a vengeance, set to David Holmes' buoyant and badass score.

Full Review Source: Toronto Star | Original Score: 3/4

January 19, 2012
Christy Lemire
Associated Press
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"Haywire" feels like minor Soderbergh: zippy, hugely entertaining and well-crafted as always, but not one of his more important films in the broad scheme of things.

Full Review Source: Associated Press | Original Score: 3/4

January 18, 2012
Richard Roeper
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'Haywire' is a pulse-pounding and fast-moving thriller.

Full Review Source: Richard | Original Score: 4/5

January 18, 2012
Lisa Schwarzbaum
Entertainment Weekly
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Carano projects an intriguing aura in her dramatic-acting debut - part smoky, dark-haired sexuality, part bruiser, with an uninflected alto voice that cuts through crap.

Full Review Source: Entertainment Weekly | Original Score: B-

January 18, 2012
Bill Goodykoontz
Arizona Republic
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Soderbergh plays with the action genre by planting a real fighter in the role of butt-kicking protagonist, and Carano rises to the challenge.

Full Review Source: Arizona Republic | Original Score: 3.5/5

January 18, 2012
Rene Rodriguez
Miami Herald
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Once you get over the novelty of watching mixed martial arts fighter Gina Carano beat up her male co-stars, the film has practically nothing else to offer.

Full Review Source: Miami Herald | Original Score: 2/4

January 18, 2012
James Berardinelli
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This is not "great" Soderbergh, regardless of whether one considers him as an auteur or a mass market entertainer. But it is "good" Soderbergh, and that's more than enough.

Full Review Source: ReelViews | Original Score: 3/4

January 18, 2012
Nick Pinkerton
Village Voice
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As cartoonish live-action and photorealistic cartoons reign at the multiplex, all but obsoleting the laws of gravity, Haywire puts the impact back into screen violence, brings it back to earth.

Full Review Source: Village Voice

January 18, 2012
Rex Reed
New York Observer
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The whole point of this time-wasting farrago of idiocy is that women can cut, kick, slash, burn, maim and kill just like men -- and make bad movies that are just as stupid.

Full Review Source: New York Observer | Original Score: 1/4

January 17, 2012
Keith Uhlich
Time Out New York
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There's shockingly little thrill in watching Carano bounce off walls and pummel antagonists.

Full Review Source: Time Out New York | Original Score: 2/5

January 17, 2012
David Jenkins
Time Out
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Only Steven Soderbergh could produce a slick, modern, cineliterate deconstruction of the Hollywood action caper that also manages to be a rollicking good ride.

Full Review Source: Time Out | Original Score: 4/5

January 17, 2012
James Rocchi
MSN Movies
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Haywire doesn't just start 2012 with a bang; it sets the bar very, very high for every action film that's going to follow in its footsteps this year.

Full Review Source: MSN Movies | Original Score: 4/5

January 16, 2012
Justin Chang
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Steven Soderbergh's action-filmmaking chops get a swift, vigorous 92-minute workout in Haywire.

Full Review Source: Variety

January 9, 2012
Todd McCarthy
Hollywood Reporter
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The script makes no attempt to assert its plausibility or realism; it is, instead, refreshingly frank about what it is, a simple, workable framework for the melees and mayhem.

Full Review Source: Hollywood Reporter

November 8, 2011
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