A highly flawed but entertaining drama.
He Got Game (1998)
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Reviews Counted:58
Fresh:47
Rotten:11
Average Rating:6.9/10
Consensus: Though not without its flaws, He Got Game finds Spike Lee at or near the top of his late-period game, combining trenchant commentary with his signature visuals and a strong performance from Denzel Washington.
Runtime: 2 hrs 16 mins
Genre: Dramas
Synopsis: Spike Lee turns his attention to the high-stakes world of basketball with this charged drama. Jake Shuttlesworth (Denzel Washington) is serving 15 years for playing a role in the death of his wife.... Spike Lee turns his attention to the high-stakes world of basketball with this charged drama. Jake Shuttlesworth (Denzel Washington) is serving 15 years for playing a role in the death of his wife. His son, Jesus (Ray Allen), is the best high school basketball player in the country. One week before Jesus must sign a letter of intent to the college of his choice, Jake is granted a temporary reprieve. The catch is that the state's governor wants the prodigy to go to his alma mater and is willing to consider commuting Jake's sentence if he can persuade Jesus to go there. When the time comes for Jesus to make a decision, both father and son are forced to confront their past and present actions--as a role reversal has taken place during Jake's time in prison that sparks a heated confrontation on the basketball court. Lee's unusual choice to use the music of Aaron Copland, an American classical composer, for the soundtrack and his concept of pairing it with the national sport of basketball is a contrast that is made even more striking by the other contributing artists, notably the insistent urban sound provided by Public Enemy. [More]
Starring: Denzel Washington, Ray Allen, Milla Jovovich, Bill Nunn
Starring: Denzel Washington, Ray Allen, Milla Jovovich, Bill Nunn, Jim Brown, Thomas Jefferson Byrd
Director: Spike Lee
Director: Spike Lee
Screenwriter: Spike Lee
Producer: Jon Kilik
Composer: Aaron Copland
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Reviews for He Got Game
As a Spike Lee movie it is a little disappointing. It's not among his best work, but neither is it down among his worst.
While Washington and Allen provide some memorable moments, He Got Game often feels more like a lecture than a narrative film.
He Got Game is great for looking at a sense of time and place and at the web of relationships that describes the community in the film, reasons enough for setting this film above many others.
Could have used a clearer focus, but what does come sharply into view registers strongly.
Sometimes brilliantly on target, sometimes way off, but never afraid to take the big shots that safer, more risk-averse filmmakers pass off when the artistic stakes are high.
There's enough thematic material here for two films; Lee decides to make them both simultaneously. The resulting film feels scattershot, heavy on interesting images and ideas but light on cohesiveness.
Lee is a long way from the size and scope of his best film, Do the Right Thing, but at least he is working on a subject he cares about and is doing it with polish.
Long after viewers have forgotten the storyline they'll remember the film's sounds and sights.
The wildly uneven script includes both disciplined, lively riffs and amateurishly artificial exchanges.
It's the best basketball film since White Men Can't Jump, only it's better.
Spike Lee's respect -- nay, worship -- of basketball is contagious and his audacious metaphors give shape to a powerful story of a father's efforts to save his son. And we all know a thing or two about that story.
Spike Lee tries to make two movies here--and give him points for almost pulling it off.
Latest News for He Got Game
April 05, 2005:
Spike & Denzel to Team Up for a Fourth Flick
Blackfilm.com snagged an interesting quote from controversial filmmaker Spike Lee. The director was attending an after-party for Denzel Washington's Broadway opening of... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
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| Tomatometer Percentage | Movie |
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| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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