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Head in the Clouds (2004)
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Reviews Counted:30
Fresh:4
Rotten:26
Average Rating:4.3/10
Rated: R [See Full Rating] for sexuality, nudity and some violence
Runtime: 2 hrs 12 mins
Genre: Dramas
Theatrical Release:Sep 17, 2004 Limited
Box Office: $170,463
Synopsis: In a time torn apart by hatred and violence, two lifelong lovers are forced to choose between passion and personal convictions, their fate intertwined with the painful history of a world at war.... In a time torn apart by hatred and violence, two lifelong lovers are forced to choose between passion and personal convictions, their fate intertwined with the painful history of a world at war. Sony Pictures Classics presents HEAD IN THE CLOUDS, written and directed by John Duigan ("Flirting," "Sirens") and starring Academy Award winner Charlize Theron, Stuart Townsend and Penelope Cruz. Irish born Guy (Townsend) is the son of a policeman, on scholarship at Cambridge University in 1933. On a rainy night, his door bursts open and beautiful Gilda Bessé (Theron) enters his life. The daughter of a French aristocrat raised by her American mother, Gilda is somewhat notorious for her affairs, and quiet Guy lets her spend the night, treating her with respect and humor. Later, at a party, they become lovers, but Guy can't believe it will last. The death of her mother prompts Gilda to leave England, and Guy is amused years later when he spots her as an extra in a Hollywood film. Gilda writes to Guy, inviting him to Paris, where she is a rising star in the art scene with her unusual photography. She lives with the beautiful, Spanish-born model, Mia (Cruz) and has a number of lovers, but soon Guy has moved in, and life in Paris seems ideal, perfect. But it is now 1936, the height of the Spanish Civil War: Guy has always supported the Republican Army, and as Franco's fascists make gains, Guy and Mia both find themselves drawn towards the conflict. Gilda does not concern herself with politics, or history: "There will always be wars," she tells her friends, "you need to get rid of the guilt." Despite Gilda's pleas, Guy and Mia leave Paris and go to Spain. He learns to fight, she is a nurse: they cross paths one night, and Mia admits that she was Gilda's secret lover before making love to Guy. In the morning, she is killed by a land mine. Guy returns to Paris, but Gilda shuns him. Six years later, Guy is working for British intelligence, serving as a spy with the underground in occupied Paris. He is surprised to learn that Gilda is still living in her old flat – but has taken a Nazi officer (Thomas Kretschmann) as a lover. He risks himself and his underground unit to spend a night with her, but in the morning she insists that their affair is over, and she will never see him again. Stunned at her coldness, he returns to his work – D-Day is approaching, and the resistance must be ready. Expecting to meet a contact, he instead arrives at a café to find Gilda: she warns him that the meeting is a trap and helps him escape. Guy is aghast that she has taken sides, but he has no time to thank her. That night, he and his comrades destroy a rail station, but only Guy gets away. When Guy returns to London, he learns that Gilda's association with British intelligence extends back several years. Now, with the occupation over, those deemed traitorous to France are being rounded up – publicly humiliated, and worse – and Gilda knows that she will be taken as a Nazi sympathizer. Braving the fighting in the streets, Guy returns to Paris to find Gilda, racing against time and history hoping to reunite with his love one last time. -- © Sony Pictures Classics [More]
Starring: Charlize Theron, Penelope Cruz, Stuart Townsend, Thomas Kretschmann
Starring: Charlize Theron, Penelope Cruz, Stuart Townsend, Thomas Kretschmann, Steven Berkoff, David La Haye, Karine Vanasse, John Jorgensen, Gabriel Hogan
Director: John Duigan
Director: John Duigan
Screenwriter: John Duigan
Producer: Michael Cowan, Bertil Ohlsson, Jason Piette, Jonathan Olsberg, Andre Rouleau, Maxime Remillard
Studio: Sony Pictures Classics
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Reviews for Head in the Clouds
The passion barely simmers, let alone rages, which may vex some viewers and will certainly confound the tabloids.
There's plenty of eye candy -- gorgeous scenery, gorgeous costumes, gorgeous people -- to keep the viewer from minding (too much) the Olympic leaps of faith required to invest in the film's plot.
Unfortunately, the movie's unwieldy, episodic structure undercuts Theron's impressive performance.
The love story rates a B, while the drama is a C at best. Granted, the adventure part perks up to an A-minus, but you have to wade through two-thirds of the movie to get there.
An ambitious, if uneven, tale of passionate lovers from 1933 to 1945.
This wartime epic is so full of silly scenes and clichéd dialogue that its attempts to look classy could be likened to seeking a place for a whoopie cushion in the heart of the Louvre.
It wants to be a hard-panting melodrama, with spies and sex and love and death, and there are times when a movie like this is exactly what you feel like indulging.
Townsend seemed to me ill-matched as a romantic hero: way too moony-eyed and mushy to cope with the likes of the towering Theron and torchy Cruz.
Fans of luxe art direction and Merchant-Ivory productions will enjoy this picture. But where's the challenge? Even the steamy material seems well- mannered, and what good is that?
A relentlessly overripe melodrama that takes place in movie-Europe as opposed to the real thing.
A stodgy snooze, and Theron, who is about as expressive here as a porcelain doll, lacks all believability.
Makes you wish that Duigan had either worked to make the film believable as serious drama or gone unabashedly for tear-jerking.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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