A darkly turbulent crime noir from Thai new wave director Pen-ek Ratanaruang, Headshot is an existential thriller, ripe with shadowy paranoia that will turn your world upside-down, literally. This disorienting game of cat and mouse is played out in present-day Thailand, where corruption runs rampant and the good die young. When Tul, a straight-laced cop, is blackmailed by a powerful politician he soon becomes disillusioned by the state of human nature and, in his vengeful condition, is recruited to become a hitman for an iconoclastic group aimed at eliminating those who are above the law. But when a devastating blow turns Tul's vision upside-down, he finds himself engulfed by doubt, unaware of whether the condition is medical or a result of karmic retribution. -- (C) Official Site … More
as Dr. Suang
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Critic Reviews for Headshot
If the titular headshot leaves Tul with inverted vision, the film too turns the characteristics of genre upside-down, defamiliarising everything - an effect that is helped considerably by Ratanaruang's way with moody stylisation.
The visual contrast between the ultraviolent showdowns and the quieter, more character-driven moments is striking.
While there are some great twists and revelations here, I just kept wishing it would stop with all the cinematic tricks and get to more conventional, straight- forward storytelling.
A dreamy, elliptical neo-noir about a cop turned killer turned something else altogether.
This Thai crime thriller has some novel ideas and is strikingly shot, but a jumbled, overreaching narrative robs it of cohesion.
Headshot is, unfortunately, far better with ideas than with narrative.
Neither fresh nor especially satisfying, but Ratanaruang distinguishes the hunt with his fluid kineticism, especially in the just-a-touch-too-infrequent shoot-outs and beatdowns.
Its vision of contemporary Thailand is recognizable as another society undeserving of redemption, but worthy of poetry.
This "Buddhist film noir," as writer-director Pen-ek Ratanaruang calls it, is surprisingly slow-moving and soulful for a film full of double-crosses and cold-blooded killing.
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