When it comes to pop-music icons, Neil Young is the full package.
Neil Young - Heart of Gold (2006)
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Reviews Counted:95
Fresh:86
Rotten:9
Average Rating:8/10
Consensus: Proving that it’s neither better to burn out nor fade away, Neil Young: Heart of Gold works both as a concert film and a meditation on mortality.
Rated: PG [See Full Rating] for some drug-related lyrics.
Runtime: 1 hr 43 mins
Genre: Musical & Performing Arts
Theatrical Release:Feb 10, 2006 Limited
Box Office: $1,660,898
Synopsis: In March 2005, Neil Young was diagnosed with a brain aneurysm. Four days before he was scheduled for a lifesaving operation, he headed to Nashville, where he wrote and recorded the country folk... In March 2005, Neil Young was diagnosed with a brain aneurysm. Four days before he was scheduled for a lifesaving operation, he headed to Nashville, where he wrote and recorded the country folk album PRAIRIE WIND with old friends and family members. After the successful operation and recovery period, he returned to Nashville that August to play at the famed Ryman Auditorium, once again gathering together friends and family for this special performance. He also brought along Oscar-winning director Jonathan Demme, who in addition to making such hits as THE SILENCE OF THE LAMBS and PHILADELPHIA has made such successful concert films as STOP MAKING SENSE (with the Talking Heads) and STOREFRONT HITCHCOCK (with Robyn Hitchcock), as well as videos for the Pretenders and Bruce Springsteen. NEIL YOUNG: HEART OF GOLD begins with brief interviews with many of the participants, but then it's all about the music. Supported by his wife, Pegi, country star Emmylou Harris, the Nashville String Machine, the Memphis Horns, the Fisk University Jubilee Singers, and musicians Ben Keith, Spooner Oldham, Rick Rosas, Grant Boatwright, and others, Young leads an ever-changing collection of musicians through nine of the ten songs from the remarkable PRAIRIE WIND, an album that poignantly deals with love and loss, life and death. Young even gets reflective at the show, telling moving stories from his past in between playing guitar, harmonica, piano, and banjo. He also delights the crowd with a long set of encores of past acoustic hits, going through his vast repertoire to find memorable songs that examine life and death as well, including "The Needle and the Damage Done," "Old Man," "Comes a Time," and Ian Tyson's "Four Strong Winds." NEIL YOUNG: HEART OF GOLD is an extraordinary document of one of the world's greatest songwriters staring death in the face--and letting the music save him. [More]
Starring: Neil Young
Starring: Neil Young
Director: Jonathan Demme
Director: Jonathan Demme
Producer: Ilona Herzberg, Bernard Shakey
Composer: Neil Young
Studio: Paramount Classics
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Reviews for Neil Young - Heart of Gold
Neil Young: Heart of Gold, director Jonathan Demme's lovingly shot document of Young's August 2005 performances at the Ryman Auditorium in Nashville, has to rank among the most heartfelt concert films ever made.
This chronicle of the human condition set to music will only rise in value and statue over time.
It's hard to film icons like Young as anything but icons, but Demme's film gets past the legend, zooming in on Young's aged, heroic face and finding an artist as human as the rest of us.
...Neil Young has experimented with film many times, but this is by far the most accessible cinematic treatment of his music; a troubadour at the top of his game.
Heart of Gold -- filmed in much the same manner [as Stop Making Sense], with pristine sound and a notable lack of audience shots -- is a deeper and infinitely more touching piece of work.
The all-acoustic, Young-unplugged concert is gilded in reverence but is appreciably lacking in, well, electricity ... Diehards will have to wait until the last 20 minutes for Young to mine his repertoire of golden 1970s hits.
Heart of Gold is the work of an egalitarian lover of music. Demme uses the camera as a divining rod, pointing at the man with the guitar.
A gorgeous and often moving film that perfectly captures the essence of Neil Young's acoustic work.
While his lyrics aren't complicated, both the words and the delivery reflect years of pain and anguish, particularly in seeing time pass, friends come and go.
The usual scope and spectacle of filmed concerts is done away with for a creation of intimacy.
Demme knows just how to film a concert without resorting to short attention-span tricks.
The songs situate the performer within the continuum of not just family but music history...
Casual fans may be lulled into drowsiness by the meandering quality of many of Young's new songs, but his heartfelt commitment to the material is hard to deny.
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